The Sunday Times Bestseller 'The game-changing nutritionist ripping up the weight-loss rule book.' - You Magazine 'Gabriela's tips on how to achieve a great relationship with your body are all in this book!' - EVA HERZIGOVÁ 'The cool-girl, real-world guide to nutrition and more. Sane, smart and funny.' - LAURA BAILEY 'I had no idea feeling great was going to be this easy.' - JODIE KIDD 2 Weeks to Feeling Great is nutritionist Gabriela Peacock's comprehensive guide to health and wellbeing aimed at busy people who may not have the time - or inclination - to commit to strict rules that are not compatible with real life and instead focuses on what is achievable. It includes two detailed 14-day programmes on intermittent fasting, scientifically proven to be the most effective method of safely reaching a healthy weight. Covering everything from improving sleep to rebalancing hormones and increasing energy, the easy-to-remember tips and recommendations require minimal effort but deliver significant results. Gabriela also looks at other lifestyle factors, in addition to diet, that affect health - from household and beauty products to reducing the use of plastics. The bottom line is, you don't have to be perfect in order to feel and look better.

"Even before the Oscars, the buzz of the British Academy Film Awards gives a unique energy to awards season, making one night in early February a highlight for everyone in the film business. Thus in 1999, Charles Finch’s now-famous pre-BAFTA party was born, and in the years since, Finch’s charismatic charm and creative skills have turned a small gathering on the eve of the BAFTA Awards into a star-studded bash. With a foreword by John Malkovich, The Night Before BAFTA is a behind-the-scenes invitation to this glamorous night, featuring iconic images of British actors and films, anecdotes from the party’s guests and notable figures, and the story of the famed British Academy of Film and Television Arts. Readers are welcomed into the exclusive club venue, Annabel’s, to peruse an impressive photo collection of the who’s who of British film, complemented by former Harper’s Bazaar UK editor Lucy Yeomans’s insights on Red Carpet fashion moments in film"--Provided by the publisher.

This book discusses Tatler, a monthly glossy magazine aimed at the wealthiest groups in British society, to consider how it addresses social change. The volume addresses specifically the period from 1997, the year New Labour was elected under Tony Blair, up to 2010, when the Conservative party and David Cameron came in to power. Sallie McNamara scrutinizes how the magazine negotiates ideas of ‘Britishness’, class, gender and national identity in a changing social, political, economic and cultural climate. Additionally, she explores the magazine’s humorous approach, and looks at how that distinctive address can potentially lead to misinterpretation. The British class system has seen many challenges over the period of the magazine’s history, and this study expertly grapples with exactly how Tatler has maintained its audience in a continually changing social environment.

'Wot No Bike' is a limited print run publication of the work of Paul Simonon (b.1955, London). Growing up in London in the 1960s and 70s he found himself part of the community of Bikers and Rockers that emerged from the shadow of post-war austerity and which lit the touch paper for the punk revolution within which Simonon came to prominence as bass

The stolen snapshot is a staple of the modern tabloid press, as ubiquitous as it is notorious. The first in-depth history of British tabloid photojournalism, this book explores the origin of the unauthorised celebrity photograph in the early 20th century, tracing its rise in the 1900s through to the first legal trial concerning the right to privacy from photographers shortly after the Second World War. Packed with case studies from the glamorous to the infamous, the book argues that the candid snap was a tabloid innovation that drew its power from Britain's unique class tensions. Used by papers such as the Daily Mirror and Daily Sketch as a vehicle of mass communication, this new form of image played an important and often overlooked role in constructing the idea of the press photographer as a documentary eyewitness. From Edward VIII and Wallis Simpson to aristocratic debutantes Lady Diana Cooper and Margaret Whigham, the rage of the social elite at being pictured so intimately without permission was matched only by the fascination of working class readers, while the relationship of the British press to social, economic and political power was changed forever.Initially pioneered in the metropole, tabloid-style photojournalism soon penetrated the journalistic culture of most of the globe. This in-depth account of its social and cultural history is an invaluable source of new research for historians of photography, journalism, visual culture, media and celebrity studies.

Richard Avedon’s most indelible images of Dior fashions and portraits from the 1940s through the ’70s, including many never-before-published photographs. Richard Avedon’s iconic fashion work not only changed fashion photography but also changed the way the world looks at fashion. One of his most prolific collaborations was with the house of Dior, which can be traced back to 1947, just after the haute couture house had taken the Paris fashion world by storm.This lavish volume includes 150 iconic and many never-before-published photographs by Avedon, featuring glamorous models and celebrities, including Marlene Dietrich, Suzy Parker, Sunny Hartnett, Dovima, Carmen Dell’Orefice, Dorian Leigh, Capucine, Lauren Hutton, Anjelica Huston, and Barbra Streisand. Avedon’s images document Dior’s fashion, as well as fashion history from the 1940s through the ’70s. With an eye for moments of grace, drama, and humor, as well as a mastery of light and contrast, Avedon captures the essence of Dior’s elegant designs, the style and personality of the iconic women who wore them, and incredible moments in photography that will intrigue photography, art, and fashion lovers alike.