Examines the posthumous reception of Turner's work.

John Constable (1776-1837) is best known for his idyllic paintings of the English countryside. Yet he was also a brilliant innovator who brought a new vivacity to the observation of nature. He practiced oil painting in the open air, capturing in particular the "effervescent" effects of atmospherics--as can be seen, for example, in his wonderful studies of clouds. His art became a benchmark for naturalist painters throughout Europe and America in the 19th century, and he continues to be one of the most popular and influential artists today. This book draws extensively on the artist's own correspondence to provide a fresh understanding of his artistic aims and achievements, and reassesses his role in the development of modern art.

Wyndham Lewis (1882-1957), the self-styled 'Enemy', was arguably the most significant British artist-writer of the twentieth century. As well as creating a unique oeuvre of paintings and drawings, he wrote short stories, novels, essays and books on philosophy, literature, politics and cultural criticism. A draughtsman of exceptional skill and verve, he also pioneered cutting-edge modernism in Britain before the First World War, leading the Vorticist movement and editing its typographically startling journal Blast. Lewis, along wth figures including and sculptor Gaudier-Brzeska and poet Ezra Pound, turned London into an international 'vortex' of creative activity. His cultural revolution was brought to a halt by the First World War, in which he served as an artillery officer and as a major official war artist.

Black artists of African and Caribbean descent and major contributions to the British art scene Black artists have been making major contributions to the global art scene since at least the middle of the 20th century. While some of these artists of African and Caribbean descent have been embraced at times by the art world, they have mostly been neglected or have not received the recognition they deserve. Taking its starting point as the Windrush-era Caribbean Artists Movement, and considering and contextualizing the political, cultural, and artistic climate from which it emerged, this concise introduction showcases the work of 70 Black-British artists from the 1930s to the present. Artwork in a range of media offer a lens through which to understand some of the events and issues confronted and explored, shedding light on the Black-British experience. Constructed around contemporary ideas on race, national identity, citizenship, gender, sexuality, and aesthetics in Britain, this book interrogates themes at the heart of Black-British art, revealing art in dialogue with a complex past and present. Featuring some of the most prominent and influential Black-British artists of recent decades, as well as less well-known artists, it also includes work from a new generation of artists on the cutting edge of contemporary art. At a time when visibility within the art world has taken on a renewed urgency, this is a timely and accessible introduction celebrating Black-British artists and their outstanding contribution to art history.

Gwen John (1876-1939) was an artist with a singular vision, one whose intense gaze produced some of the most beguiling and atmospheric paintings of the late 19th and early 20th centuries. This concise survey of her life and work places John--often unfairly thought of as a recluse--at the artistic heart of London and Paris. A seminal figure within these circles, her work is reappraised in that context and explored in terms of the alliances and differences John had with her contemporaries. Gwen John's representation of the female nude, her paintings of interiors, and the effect of her Catholic faith on her work are all discussed. The author also discusses the key relationship between John's position as a woman artist and her lifelong fascination with the portrayal of the female sitter.

Contrary to the myth which divorces modernist painting from literature, this new interpretation of Whistler shows that his art was profoundly influenced by it. The book also examines the nature of Whistler's modernity, his relationship with English and French painting, and throws new light on the famous libel trial with Ruskin. Forms part of Tate Publishing's British Artists series.

Throw yourself into British art with this zany book of activities based on artworks by some of Britain's most exciting artists. There are fascinating facts about the artists dotted throughout the book and when you're ready to take a break from creating, delve into an Op Art maze inspired by Bridget Riley or take your pencil on a Word Walk like Richard Long. The Tate Kids British Art Activity Book explains the key concepts behind historical, modern and contemporary artworks in a succinct and fun way. Art activities and games encourage a deeper understanding of each artist's ideas and introduce children to artworks in a variety of media including photography, mixed media, sculpture, conceptual art, installation art, and painting. Featured artworks: Gillian Wearing's I'm desperate 1992 - 3 Bridget Riley's Blaze 1964 * Chris Ofili's No Woman, No Cry 1998 * Cornelia Parker's Thirty Pieces of Silver 1988 - 9 * Richard Long's Two Straight Twelve Mile Walks on Dartmoor, England 1980 1980 * Damien Hirst's Mother and Child Divided 1993 * Barbara Hepworth's Tides I 1946 * Sonia Boyce's From Tarzan to Rambo 1987 * L.S. Lowry's Coming Out of School 1927 * J.M.W. Turner's The Scarlet Sunset c.1830 - 40.