Tapestry Of My Mother's Life is a biographical account of a woman coming of age in Germany during the 1930s. Malve von Hassell explores her mother's life through the fragmented lens of transmitted memory, and its impact on the second generation. Born at her grandfather's house in Farther Pomerania, 1923, Christa von Hassell had to contend with the increasing and pervasive impact of the Nazi regime. As the child of a German army officer, she moved with her parents often. Through boarding school, university, marriage, the Second World War, life under Soviet occupation, and a new beginning in the West, eventually in America, the biography is an incredible, emotional journey of childhood, survival, and relationships. The portrayal of Christa's life also focuses on the role of memory: shaped, distorted, and realigned in the continual process of telling stories of the past in conjunction with silence about many aspects. Children of women who shared similar experiences and life trajectories struggled with the challenge of learning about their parents' lives during extraordinary times, confounded by a wealth of stories on the one hand and a seemingly impenetrable veil of silence on the other. Working through such memorabilia, as well as the tales of the past, can offer ways in which one can come to terms with the inherited detritus of thoughts and memories. As such, this account of the life of a unique and complex individual has also wider relevance in that it addresses age-old questions of the relationship between one generation and the next.

You might learn a few useful things at school, but most of what matters, most of what makes you into a fully functioning human being, no teacher will ever tell you. This diamond-sharp, honest book of hard-earned wisdom is one mother's effort to equip her daughter for survival in the real world. Heartbreakingly funny, Navigating Life has invaluable tips for students of life of all ages. It will challenge you to lead a more meaningful life and to tackle the bumps along the way with grit, style, and ingenuity.

More than forty years afterleaving her native New Orleans as a young woman, Leta Weiss Marks awakened to the realization that her family history there was almost beyond the horizon of living memory. Rescuing it, for herself and posterity, became her mission and brought her home again. In a compelling, elegant blend of fact and fiction, Marks weaves a tapestry of family members and events, drawing mainly upon interviews with her nonagenarian mother and aunt. Letters, archival research, and Marks’s own recollections and imagination also contribute to the composition, which she calls “a song of myself and my family.” At the center are Marks’s mother and father, and the highs and lows of their courtship and marriage. Caroline Dreyfous was born into a prominent Jewish family of New Orleans; Leon Weiss, seventeen years her senior, always struggled to gain their acceptance. He was an ambitious, talented architect, the driving force in the famous firm of Weiss, Dreyfous and Seiferth, chosen by Huey Long to design the new state capitol and governor’s mansion, New Orleans’ Charity Hospital, and other landmarks. He also was implicated in the “Louisiana Scandals” and sentenced to two years in federal prison. Time’s Tapestry is in part Marks’s attempt to peel back her mother’s reticent yet unwavering loyalty toward her father and understand this man, who died when Marks was only twenty-one and preparing to move to Connecticut. Stories and memories of three generations of the Dreyfous branch of the family tree complete Marks’s portrait. She makes vivid not only the personalities of her kin but also the times in which they lived, conjuring the New Orleans of her great-grandfather, grandparents, parents, and own childhood—segregation, the alternate inclusion and exclusion of the Jewish community, the fervid politics of the Long era—and juxtaposing those scenes with her experiences as an adult returning to visit her family in a greatly changed city. Charming and evocative, a superb example of creative nonfiction—Time’s Tapestry makes for both an intimate family album and a priceless record of New Orleans’ cultural, social, and political history.

"One of those memoirs that remind you why you liked memoirs in the first place... It has the density of a very good novel... As you do with the best writers, you feel lucky to be in Ms. Brockes’s company." --Dwight Garner, The New York Times A chilling work of psychological suspense and forensic memoir, She Left Me the Gun is a tale of true transformation: the story of a young woman who reinvented herself so completely that her previous life seemed simply to vanish, and of a daughter who transcends her mother’s fears and reclaims an abandoned past. “One day I will tell you the story of my life,” promises Emma Brockes’s mother, “and you will be amazed.” Brockes grew up hearing only pieces of her mother’s past—stories of a rustic childhood in South Africa, glimpses of a bohemian youth in London—and yet knew that crucial facts were still in the dark. A mystery to her friends and family, Paula was clearly a strong, self-invented woman; glamorous, no-nonsense, and frequently out of place in their quaint English village. In awe of Paula’s larger-than-life personality, Brockes never asked why her mother emigrated to England or why she never returned to South Africa; never questioned the source of her mother’s strange fears or tremendous strengths. Looking to unearth the truth after Paula’s death, Brockes begins a dangerous journey into the land—and the life—her mother fled from years before. Brockes soon learns that Paula’s father was a drunk megalomaniac who terrorized Paula and her seven half-siblings for years. After finally mustering the courage to take her father to court, Paula is horrified to see the malevolent man vindicated of all charges. As Brockes discovers, this crushing defeat left Paula with a choice: take her own life, or promise herself never to be intimidated or unhappy again. Ultimately she chooses life and happiness by booking one-way passage to London—but not before shooting her father five times, and failing to kill him. Smuggling the fateful gun through English customs would be Paula’s first triumph in her new life. She Left Me the Gun carries Brockes to South Africa to meet her seven aunts and uncles, weighing their stories against her mother’s silences. Brockes learns of the violent pathologies and racial propaganda in which her grandfather was inculcated, sees the mine shafts and train yards where he worked as an itinerant mechanic, and finds in buried government archives the court records proving his murder conviction years before he first married. Brockes also learns of the turncoat stepmother who may have perjured herself to save her husband, dooming Paula and her siblings to the machinations of their hated father. Most of all, She Left Me the Gun reveals how Paula reinvented herself to lead a full, happy life. As she follows her mother’s footsteps back to South Africa, Brockes begins to find the wellsprings of her mother’s strength, the tremendous endurance which allowed Paula to hide secrets from even her closest friends and family. But as the search through cherished letters and buried documents deepens, Brockes realizes with horror that her mother’s great success as a parent was concealing her terrible past—and that unearthing these secrets threatens to undo her mother’s work. A beguiling and unforgettable journey across generations and continents, She Left Me the Gun chronicles Brockes’s efforts to walk the knife-edge between understanding her mother’s unspeakable traumas and embracing the happiness she chose for her daughter.

This book represents a tapestry of my life and the raw profound emotions of each situation that I was dealing with at each point of my life. Putting words down on paper made me acquire a sense of solace which in turn, came with a freedom of comfort. My collection of poems will resonate, with someone. Our voices were not made to be stifled and quieten down. They are made to be heard. Let us not be afraid of the dark to come into the light, let our dreams become reality, break our shackles, let us all rise like the phoenix from the ashes.This book is about the awareness of emotions in all aspects of our lives and learning how to find and explore our coping mechanisms. Moreover, not to be too afraid to discover our different ranges of inner moods. Therefore, look and seek help. Share our experiences, and capture each other's imaginations.About The Author: My name is Pauline Gilman nee Hanson, I was born in the parish of St Elizabeth, Jamaica. I am a mother of three fine young men and a grandmother to one grandson.My mother and father are from the Windrush era. I arrived in England in 1970 alongside my mother and sister, at the tender age of three years and some months old. We settled in the northern town of Huddersfield, where I remained until 1992. I then relocated to the south for several years before returning to the north in 2000.I have fond memories of writing in primary school especially writing poems. Unfortunately, my creative writing skills lay dormant until my late thirties when the love of writing started to energise me again.

My MotherÕs Funeral circles around the death of the authorÕs mother, but what also emerges is a landscape of personal loss and pain, of innocence, humor, violence and beauty. Drawing heavily upon her childhood experiences and Colombian heritage, P‡ramo describes the volatile bond linking mothers and daughters in a culture largely unknown to Americans. The book moves between past (Colombia in the 1940s) and present lives, and maps scenes both geographical (Bogot‡, Medell’n, Anchorage) as well as psychological--ultimately revealing the indomitable spirit of the women in her family. Especially from P‡ramoÕs mother the reader learns what it means to be a Colombian woman.

The workbook for My Mother's Story outlining the challenge, exercises and encouragement needed to make sure women's history is saved by following a writing recipe: the facts of your mother's life from beginning to end, in less than 2000 words, where you're just a footnote. This worldwide campaign posts stories at mymothersstory.org