DIVNearly 100 tales offer an unparalleled glimpse into beliefs, culture of Pueblo Indians: "The Kachina Suitors and Coyote," "The Envious Hunter," "The Jealous Girls," "Echo Boy," many more. /div

The '60s--the music, the clothes, the political and sexual idealism, the experimentation with drugs, the hunger for peace, creativity, and sharing--were a watershed in the way America sees itself. Hippie culture was at the very zenith of that watershed, and Taos was its beating heart, a Mecca that beckoned young pilgrims from all over the country. Iris Keltz was one of those pilgrims who came to Taos in the '60s. She stayed to become a folk historian of the tribe.

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In this extraordinary collection, Tony Hillerman presents the Southwest as only he can, choosing remarkable true tales from his personal archives of local lore. As you read these stories, you will be amazed, astounded, and oftentimes confounded by the power of ingenuity, serendipity, and the strange, comical coincidence of life and how it proves, once again, that truth is ultimately stranger than fiction. From the amusing title story of the holdup that didn't happen, to the riveting account of scientists tracking Black Death through the arroyos, to the ironic account of how a black cowboy's commonsense intelligence destroyed the dogma of the Smithsonian Institution, master storyteller Tony Hillerman reveals the present and timeless past of one of America's most beautiful and haunting regions.

The underground world of con men, winos, prostitutes, laborers, and artists has been an abundant source of material for great writers from Dickens to Bukowski. The underground world of Taos, New Mexico, is no different. In the late 1950s this mountain town was higher, brighter, poorer, and farther removed than London, Paris, or Los Angeles, but it was every bit as rich for the explorations of a young writer. Max Evans, the beloved New Mexican writer of such enduring classics of Western fiction as The Rounders and The Hi-Lo Country, returns to form with The King of Taos. Set in the late 1950s, the novel tells the stories of sharp-witted Zacharias Chacon, aspiring artist Shaw Spencer, and a circle of characters who drink, fight, love, argue, and—mostly—talk. Readers will enjoy this witty and moving evocation of unforgettable characters as they look for work, love, comfort, dignity, and bottomless oblivion.

Kopecky's journals take us back to the beginnings of New Buffalo, one of the most successful of the communes that dotted the country in the 1960s and 1970s, where he and his comrades encountered magic, wisdom, a mix of people, the Peyote Church, planting, and hard winters.