The Argentine tango is one of the world’s best-known partner dances. Though tango is much admired and discussed, very little has been written on its ongoing evolution. In this innovative work, Carolyn Merritt surveys tango history while focusing on the most recent iteration of the dance, tango Nuevo, and the práctica scene that has exploded in Buenos Aires since the early 2000s. After starting with an overview of tango, Merritt leads readers on a great adventure through the traditional dance halls and the less formal prácticas of Buenos Aires to tango communities on both coasts of the United States. Along the way, Merritt’s personal observations show the dance’s emotional depth and the challenges dancers face in tango venues old and new. Her investigation also demonstrates how innovation, globalization, and fusion, which many associate with nuevo, have always been at work in tango. Combining sensuous prose, provocative images, and often heartbreaking stories, this book takes an unflinching look at the complex motivations driving the pursuit to master this intricate dance. Throughout, Merritt questions the "newness" of Nuevo through portraits of machismo, violence, and elitism in contemporary tango. The result is a volume that highlights the tensions between preservation and evolution of this--or any--cultural art form. Members of the global tango community as well as students of dance, folklore, anthropology, and the social sciences will embrace this book. For those who are devoted to Argentine tango as dance, this book will be indispensable to understanding its most recent transformations.

From its earliest manifestations on the street corners of nineteenth-century Buenos Aires to its ascendancy as a global cultural form, tango has continually exceeded the confines of the dance floor or the music hall. In Tango Lessons, scholars from Latin America and the United States explore tango's enduring vitality. The interdisciplinary group of contributors—including specialists in dance, music, anthropology, linguistics, literature, film, and fine art—take up a broad range of topics. Among these are the productive tensions between tradition and experimentation in tango nuevo, representations of tango in film and contemporary art, and the role of tango in the imagination of Jorge Luis Borges. Taken together, the essays show that tango provides a kaleidoscopic perspective on Argentina's social, cultural, and intellectual history from the late nineteenth to the early twenty-first centuries. Contributors. Esteban Buch, Oscar Conde, Antonio Gómez, Morgan James Luker, Carolyn Merritt, Marilyn G. Miller, Fernando Rosenberg, Alejandro Susti

You are invited to tango, the world's most sensual and intimate dance, through the stories and memoirs of two American tangueros. The Temptation to Tango: Journeys of Intimacy and Desire will take you where no other book on tango ever has. Short fictional pieces enter the world of tango through the dancer's eyes, heart, and skin; expository pieces provide background with lively accounts of tango's history and evolution, of personal experiences learning to tango, and of the pleasures and challenges of adding tango to our own lives. Alternating fiction and non-fiction the way we have is the only way to capture the multiple voices of tango. Ours is not a "how-to" manual or an historical treatise, but a tour of the erotic steam of crowded late night dance floors as well as the frightening challenges to body and heart. The Temptation to Tango: Journeys of Intimacy and Desire is divided into four parts: "The Lure", "The Reality", "The Challenge" and "The Reward". First, we explore tango's romantic allure, mysterious origins, and exotic dark side. The first short story is about a Catholic priest whose hidden life of tango is exposed. Next, we focus on why tango is so hard to learn; the stresses on the body and inner-world of emotion. We investigate the cultural issues around dominance and submission. Six more short stories tell tales of couples and singles who take-on the tango with very different goals and results. Even after mastery of the dance, challenges abound: the tango scene and how to fit into it, the intimacy factor and how far to take it, and the impact on established relationships. What one can get from persevering along the arduous tango trail is sensual and emotional fulfillment, rewards frequently lacking in our society.

This book is the first to explore tango argentino as translocal practice, with a focus on the European context. Beyond that, the book crosses borders in the use of both qualitative and quantitative methods, ranging from participant observation to statistical data evaluation, including optical motion capture for movement analysis. Most of all, it is an important contribution to the emerging field of choreomusicology, focusing on movement and sound structures, dancers and musicians, and the complex relations between all of these factors that all have their share in shaping tango argentino practice.

Regarding the Tango Dance Amalgamation, it includes the original Argentine Tango and its Genre which Musically featured its Bandonean sound, the American Tango, Continental Tango, and the International Tango, among others. This book is the story of Tango.

In the twenty-first century, values of competition underpin the free-market economy and aspirations of individual achievement shape the broader social world. Consequently, ideas of winning and losing, success and failure, judgment and worth, influence the dance that we see and do. Across stage, studio, street, and screen, economies of competition impact bodily aesthetics, choreographic strategies, and danced meanings. In formalized competitions, dancers are judged according to industry standards to accumulate social capital and financial gain. Within the capitalist economy, dancing bodies compete to win positions in prestigious companies, while choreographers hustle to secure funding and attract audiences. On the social dance floor, dancers participate in dance-offs that often include unspoken, but nevertheless complex, rules of bodily engagement. And the media attraction to the drama and spectacle of competition regularly plays out in reality television shows, film documentaries, and Hollywood cinema. Drawing upon a diverse collection of dances across history and geography, The Oxford Handbook of Dance and Competition asks how competition affects the presentation and experience of dance and, in response, how dancing bodies negotiate, critique, and resist the aesthetic and social structures of the competition paradigm.

What constitutes the good life and authentic Christian leadership in a high-speed technological society geared to perpetual economic growth? In a world of rapid change and heightened risks, how do we move beyond the tyranny of emergency and polarization toward a politics of engagement and time oriented to the long-term common good? Taking up key themes in the social teaching of Popes Benedict XVI and Francis, Sustainable Abundance for All argues that life in a risky, runaway world requires new forms of Christian praxis that are both forward-looking and rooted in tradition. Among the issues addressed are pathways toward sustainable development in the Anthropocene, automation and the transition to post-jobs society, the proactionary-precautionary debate over new technologies, and the dangers of becoming "people of the device." Sustainable Abundance for All lays the groundwork for new kinds of Christian social action and prophetic witness in the twenty-first century.