Personal publications and books are a fundamental step for an artist as it is important to communicate the right messages to art lovers, galleries and collectors. Stature, credibility and elegance are of exceptional importance if an artist wishes to succeed. The function of Tangible Gallery is tied to the redefining of contemporary art-world values. Throughout history, artists have transformed communities, revitalized neighborhoods and inspired people to think, act, look outward, and inward. Artist have proved to be spiritual guides on how to live, how to creatively approach business and how to take part in the community. We began this series after realizing that there's space in the market for a magazine that covers bold, often unheralded music, art and culture in an unpretentious, approachable way. Art is a place, and that place is Tangible Gallery. Our books aren't a museum of what was, but of what is and what could be. We do not merely just want to see or print art; we strive to deliver a product that can hardly be put into words. We want to be united with the art we produce, to pass into it, to become a part of it. The more prestigious a publication is, the more prestigious an artist becomes and many galleries actually require printed publications to help present and promote an artist to their clients. This is the publication artists will read when they travel; take with them on photo-shoots; or crack open before they paint or illustrate. This tangible piece of art is that endless source of inspiration that's needed.

Drawing on the experience of Sotheby's Institute of Art, this text exposes the realities of the commercial trade in fine art, from its structure to legal issues and wider cultural policy, and including interviews with leading experts in the field.

Sound is an integral part of contemporary art. Once understood to be a marginal practice, increasingly we encounter sound in art exhibitions through an array of sound making works in various art forms, at times played to very high audio levels. However, works of art are far from the only thing one might hear: music performances, floor talks, exhibition openings and the noisy background sounds that emanate from the gallery café fill contemporary exhibition environments. Far from being hallowed spaces of quiet reflection, what this means is that galleries have swiftly become very noisy places. As such, a straightforward consideration of artworks alone can then no longer account for our experiences of art galleries and museums. To date there has been minimal scholarship directed towards the intricacies of our experiences of sound that occur within the bounds of this purportedly 'visual' art space. Kelly addresses this gap in knowledge through the examination of historical and contemporary sound in gallery environments, broadening our understanding of artists who work with sound, the institutions that exhibit these works, and the audiences that visit them. Gallery Sound argues for the importance of all of the sounds to be heard within the walls of art spaces, and in doing so listens not only to the deliberate inclusion of sound within the art gallery in the form of artworks, performances, and music, but also to its incidental sounds, such as their ambient sounds and the noise generated by audiences. More than this, however, Gallery Sound turns its attention to the ways in which the acoustic characteristics specific to gallery spaces have been mined by artists for creative outputs, ushering in entirely new art forms.

Arts Management is designed as an upper division undergraduate and graduate level text that covers the principles of arts management. It is the most comprehensive, up to date, and technologically advanced textbook on arts management on the market. While the book does include the background necessary for understanding the global arts marketplace, it assumes that cultural fine arts come to fruition through entrepreneurial processes, and that cultural fine arts organizations have to be entrepreneurial to thrive. Many cases and examples of successful arts organizations from the Unites States and abroad appear in every chapter. A singular strength of Arts Management is the author's skilful use of in-text tools to facilitate reader interest and engagement. These include learning objectives, chapter summaries, discussion questions and exercises, case studies, and numerous examples and cultural spotlights. Online instructor's materials with PowerPoints are available to adopters.

New York is the most varied and lively city in the world. This guide explores the transformation of Manhattan into an innovative district with ecologically sustainable buildings; ventures into the soul food restaurants of Harlem where celebrities from the worlds of music and entertainment dine; investigates the trendy Tribeca district, known for its refurbished industrial buildings, now residential lofts; admires the bohemian-chic style of Chelsea; and visits magnificent museums from the Metropolitan to MOMA, Guggenheim, and the Natural History Museum. Itineraries on foot, with maps and descriptions of the sites and sights: through the cast-iron buildings of SoHo in Greenwich Village, through the parks of the Upper West Side and Brooklyn Heights. Excursions along unusual itineraries, to discover West Point, the historical residence of the Hudson River Valley, and the vineyards of Long Island. The suggestions come from expert connoisseurs of New York and include destinations you absolutely must visit.