From acclaimed British sensation Mal Peet comes a masterful story of adventure, love, secrets, and betrayal in time of war, both past and present. When her grandfather dies, Tamar inherits a box containing a series of clues and coded messages. Out of the past, another Tamar emerges, a man involved in the terrifying world of resistance fighters in Nazi-occupied Holland half a century before. His story is one of passionate love, jealousy, and tragedy set against the daily fear and casual horror of the Second World War -- and unraveling it is about to transform Tamar’s life forever.

2001 Christy Award finalist! Unveiled is the story of Tamar, one of the women in the lineage of Jesus. Francine brings the story to life in her trademark style, showing the grace of God in the life of Tamar and her father-in-law, Judah. Unveiled is the first in the Lineage of Grace series of five novellas covering the stories of Tamar, Rahab, Ruth, Bathsheba, and Mary.

Now seen through the eyes of the young woman who became the unwilling catalyst to cruel events - incest, murder, and war, this is the controversial retelling of the epic of Absalom. Tamar, daughter of the famous King David, is raped by her half-brother. Although angered, David does nothing. Tamar's full-brother Absalom is outraged over the crime and the King's inaction. Absalom and his mother Makha plot revenge. While this turmoil unfolds, Bathsheba (David's most favored wife) quietly maneuvers to have her son Solomon inherit the throne, bypassing Absalom and the older brothers. Tamar loves her family above all others and is horrified to see her family's quarrel escalate out of control. She bravely struggles to prevent the clash from degenerating into civil war and undertakes a remarkable journey on foot to find the King. Her companion Hana accompanies her, disguised as a warrior to protect Tamar. But she cannot prevent the tragic denouement. As her world crumbles about her, Tamar keeps focus and has personal triumph in the end. After three thousand years, Tamar tells the story in her own words. The novel is an interesting study of two charismatic leaders who were themselves very flawed personalities, about the anguish within a family that was torn apart by their clash, and about a mother and daughter, whose love for each other is strained by their differing loyalties.

In An Everlasting Meal, Tamar Adler has written a book that “reads less like a cookbook than like a recipe for a delicious life” (New York magazine). In this meditation on cooking and eating, Tamar Adler weaves philosophy and instruction into approachable lessons on feeding ourselves well. An Everlasting Meal demonstrates the implicit frugality in cooking. In essays on forgotten skills such as boiling, suggestions for what to do when cooking seems like a chore, and strategies for preparing, storing, and transforming ingredients for a week’s worth of satisfying, delicious meals, Tamar reminds us of the practical pleasures of eating. She explains what cooks in the world’s great kitchens know: that the best meals rely on the ends of the meals that came before them. With that in mind, she shows how we often throw away the bones, skins, and peels we need to make our food both more affordable and better. She also reminds readers that almost all kitchen mistakes can be remedied. Summoning respectable meals from the humblest ingredients, Tamar breathes life into the belief that we can start cooking from wherever we are, with whatever we have. An empowering, indispensable work, An Everlasting Meal is an elegant testimony to the value of cooking.

Evangelical and feminist approaches to Old Testament interpretation often seem to be at odds with each other. The authors of this volume argue to the contrary: feminist and evangelical interpreters of the Old Testament can enter into a constructive dialogue that will be fruitful to both parties. They seek to illustrate this with reference to a number of texts and issues relevant to feminist Old Testament interpretation from an explicitly evangelical point of view. In so doing they raise issues that need to be addressed by both evangelical and feminist interpreters of the Old Testament, and present an invitation to faithful and fruitful reading of these portions of Scripture.

The Faces series is an attempt to paint as honestly as possible the faces of characters we read about in the Bible so that readers can identify and relate to the naked, common-life truths that these characters present and hold to the promises that each story or event offers to us as we seek to know and walk with God. Walking through the Bible, an adult Sunday School class enters 11 Samuel 13, a dark room where a princess is found weeping. She has been sexually abused by her half brother while her family members conspire a cover-up. Her own brother, her mothers son, secretly vows revenge on the aggressor as well as on his father, King David. The succeeding chaos multiplies, and Tamar, the victim, sticks her face out of the closet to tell the pain of it all, only to find that her story holds relevant connections to a number of class members and, in fact, to many readers in the contemporary world.