In Chinese literary history, the Six Dynasties (317-588) and the T'ang (618-906) were the great creative times for the production of supernatural and fantastic stories in the classical language. This major collection of ninety-six stories, most of them newly translated, represents the very best of this tradition. These are all basically fictional narratives or stories, but unlike Western supernatural stories, are considered more or less as records of observable facts and have the effect of giving the fantastic a rootedness in historical reality. Underlying the recording of these supernatual stories is a belief in supernaturalism and magic and, above all, the acceptance of the unnatural and the supernormal on their face value as factual.

Drawn from the pages of Alfred Hitchcock's Mystery Magazine, this collection of more than thirty stories features the talents of Lawrence Block, Rob Kanter, Patricia Moyes, Chet Williamson, Taylor McCafferty, and George Chesbro.

Chinese culture of the Six Dynasties period (220–589) saw a blossoming of stories of the fantastic. Zhiguai, “records of the strange” or “accounts of anomalies,” tell of encounters with otherness, in which inexplicable and uncanny phenomena interrupt mundane human affairs. They depict deities, ghosts, and monsters; heaven, the underworld, and the immortal lands; omens, metamorphoses, and trafficking between humans and supernatural beings; and legendary figures, strange creatures, and natural wonders in the human world. Hidden and Visible Realms, traditionally attributed to Liu Yiqing, is one of the most significant zhiguai collections, distinguished by its varied contents, elegant writing style, and fascinating stories. It is also among the earliest collections heavily influenced by Buddhist beliefs, values, and concerns. Beyond the traditional zhiguai narratives, it includes tales of karmic retribution, reincarnation, and Buddhist ghosts, hell, and magic. In this annotated first complete English translation, Zhenjun Zhang gives English-speaking readers a sense of the wealth and wonder of the zhiguai canon. Hidden and Visible Realms opens a window into the lives, customs, and religious beliefs and practices of early medieval China and the cultural history of Chinese Buddhism. In the introduction, Zhang explains the key themes and textual history of the work.

An anthology of thrillers and chillers from 19th Century France. In Theophile Gautier's The Dead in Love, a man develops an obsessive passion for a woman who has returned from the grave, while Honore de Balzac's The Red Inn is on a crime which is committed by one person in thought and another in deed.

The acclaimed author presents “a rich and wide-ranging anthology” of 19th century fantasy and horror stories—with an original introduction for each (Library Journal). Vampires, ghosts, and other horrors abound in this collection of nineteenth-century fantastic literature, selected and edited by Italo Calvino, a twentieth-century master of the speculative. As Calvino explains in his introduction to this collection, “the true theme of the nineteenth-century fantastic tale is the reality of what we see: to believe or not to believe in phantasmagoric apparitions, to glimpse another world, enchanted or infernal, behind everyday appearances.” This anthology of twenty-six enchanting, uncanny, terrifying, and immortally entertaining short stories includes E.T.A. Hoffmann’s “The Sandman,” Nikolai Gogol’s “The Nose,” Edgar Allan Poe’s “The Tell-Tale Heart,” Robert Louis Stevenson’s “The Bottle Imp,” and many more, each with a introduction by Calvino. “Impressive and utterly pleasing…Each story [Calvino] picks is absorbing, unique, and continually surprising.”—Los Angeles Times

Classic stories of occult fiction by Dion Fortune, Edgar Allan Poe, Oscar Wilde, H. P. Lovecraft, Bram Stoker, Marie Corelli, R. W. Chambers, and more. These are the authors and tales that inspired modern masters like Stephen King, Neil Gaiman, and Nic Pizzolatto—edited and introduced by leading occult author and scholar Judika Illes. These powerfully evocative stories—some of which have been forgotten over the years, like buried treasure—will thrill and chill readers to the bone. During the dark, eerie hours, when the wind is blowing and the ghosts are roaming outside, these tales can fill a night with pleasant terror—as well as encouraging our minds to venture beyond the mundane into the realm of the fantastic.

Lawrence Venuti, winner of a Guggenheim fellowship and the Global Humanities Translation Prize, among many other awards, has translated into English these Italian Gothic tales of obsessive love, mysterious phobias, and the hellish curse of everlasting life. In this collection of nine eerie stories, Iginio Ugo Tarchetti switches effortlessly between the macabre and the breezily comical. Set in nineteenth-century Italy, his characters court spirits and blend in with the undead: passionate romances filled with jealousy and devotion are fueled by magic elixirs. Time becomes fluid as characters travel between centuries, chasing affairs that never quite prosper. First published by Mercury House in 1992.