The stories we tell are not limited to monsters and harsh otherworlds. Yet the fiction books in the Borealis imprint certainly belong to a world other than our own. This line encompasses our science fiction, fantasy and horror novels and anthologies.

A brilliant, unforgettable novel from bestselling author Ruth Ozeki, author of The Book of Form and Emptiness Finalist for the Booker Prize and the National Book Critics Circle Award “A time being is someone who lives in time, and that means you, and me, and every one of us who is, or was, or ever will be.” In Tokyo, sixteen-year-old Nao has decided there’s only one escape from her aching loneliness and her classmates’ bullying. But before she ends it all, Nao first plans to document the life of her great grandmother, a Buddhist nun who’s lived more than a century. A diary is Nao’s only solace—and will touch lives in ways she can scarcely imagine. Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox—possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into the past, into Nao’s drama and her unknown fate, and forward into her own future. Full of Ozeki’s signature humor and deeply engaged with the relationship between writer and reader, past and present, fact and fiction, quantum physics, history, and myth, A Tale for the Time Being is a brilliantly inventive, beguiling story of our shared humanity and the search for home.

A new era in Canadian poetry began in 1880 with the publication of Charles G.D. Roberts’ Orion and Other Poems. He was just twenty years old. Roberts was soon acknowledged as leader of the so-called Confederation Poets—Bliss Carman, Duncan Campbell Scott, and Archibald Lampman. During his long lifetime he wrote hundreds of poems as well as novels, histories, short stories, translations, and essays; he also originated the realistic animal story popularized by Ernest Thompson Seton. He awed literary critics with the versatility of his writing and shocked staid Canadians with the escapades of an unconventional private life. Married at twenty in his native New Brunswick, Roberts soon after began a series of romantic entanglements. While his wife, May, raised the children in Fredericton, he swanned around New York, Havana, and the capitals of Europe. He experienced the Bohemian life of Washington Square around the turn of the century and lived in Montparnasse long before it became famous as an expatriate haven. In 1907 he sailed off to Europe and stayed for eighteen years. When he finally returned aboard the Berengaria in 1925 for a reading tour, he was lionized from coast to coast. For almost two decades he remained a prominent figure in Canadian literary and social circles. He was national president of the Canadian Authors’ Association from 1927 to 1929, and in 1935 he was knighted. At the age of eighty-three, just three weeks before his death in 1943, he married for a second time. Perhaps over-praised as a writer in his own lifetime, Roberts’ reputation has since languished. His main literary achievement, Adams concludes, was in being the first Canadian writer to come to terms with the Canadian landscape, influencing his contemporaries to see their own surroundings with fresh and discerning eyes. The story of his personal life, recounted here fully and objectively for the first time, adds a vivid portrait to the gallery of Canada’s literary pioneers.

Fifteen-year-old Lucas Kane's life is forever changed when a new girl, Aza, comes to his tiny hometown of Crestone, Colorado and reveals to him the truth about his father who abandoned him when he was an infant. Aza takes Lucas to a training center in Sedona, Arizona where he learns he is the son of an archangel and the pawn in a battle between angels and demons. His adventure takes him across the Southwestern United States where he learns of Native American folklore and how it relates to his own story.

In recent years numerous films, television series, comic books, graphic novels and video games have featured time travel narratives, with characters jumping backward, forward and laterally through time. No rules govern time travel in these stories. Some characters move by machine, some by magic, others by unexplained means. Sometime travelers can alter the timeline, while others are prevented from causing temporal aberrations. The fluid forms of imagined time travel have fascinated audiences and prompted debate since at least the 19th century. What is behind our fascination with time travel? What does it mean to be out of one's own era? How do different media tell these stories and what does this reveal about the media's relationship to time? This collection of new essays--the first to address time travel across a range of media--answers these questions by locating time travel narratives within their cultural, historical and philosophical contexts. Texts discussed include Doctor Who, The Terminator, The Georgian House, Save the Date, Back to the Future, Inception, Source Code and others.