Takin' It to the Streets is a comprehensive collection of primary documents covering political, social and cultural aspects of the 1960's. Drawn from mainstream sources, little-known sixties periodicals, pamphlets and public speeches, this anthology brings together representative writings many of which have been unavailable for years or have never been reprinted, from the Port Huron Statement and Malcolm X's "The Ballot or the Bullet" to Richard Nixon's "If Mob Rule Takes Hold in the U.S." and Ronald Reagan's "Freedom versus Anarchy on Campus." Introductions and headnotes by the editors help highlight the importance of particular documents while relating them to each other and placing them within the broader context of the decade. While paying particular attention to civil rights, anti-war activity, Black power, the counter-culture, the women's and gay/lesbian struggles for recognition, the authors also take into account the conservative backlashes these sparked and thus present a balanced portrait of a tumultous era. Covering an extremely popular period of history, Takin' It to the Streets stands out as a thorough and accessible collection of documents, an authoritative reader for a decade such as America had not seen before or experienced since.

Taking It to the Streets: Public Theologies of Activism and Resistance is an edited volume that explores the critical intersection of public theology, political theology, and communal practices of activism and political resistance. This volume functions as a sister/companion to the text Religion and Science as Political Theology: Navigating Post-Truth and Alternative Facts and focuses on public, civic, performative action as a response to experiences of injustice and diminishments of humanity. There are periods in a nation’s civil history when the tides of social unrest rise into waves upon waves of public activism and resistance of the dominant uses of power. In American history, activism and public action including and extending beyond the Women’s Suffrage, the Million Man March, protests against the Vietnam War, the Civil Rights Movement, Boston Tea Party, Black Lives Matter, the Stonewall Rebellion are hallmarks of transitional or liminal moments in our development as a society. Critical periods marked by increases in public activism and political resistance are opportunities for a society to once again decide who we will be as a people. Will we move towards a more perfect union in which all persons gain freedom in fulfilling their potential or will we choose the perceived safety of the status quo and established norms of power? Whose voices will be heard? Whose will be silenced through intimidation or harm? Ultimately, these are theological questions. Like other forms of non-textual research subjects (movement, dance, performance art), public activism requires a set of research lenses that are often neglected in theological and religious studies. Attention to bodies, as a category, performance, or epistemological vehicle, is sorely lacking so it is no wonder that attention to the mass of moving bodies in activism is largely absent. Activism and public political resistance are a hallmark of our current social webbing and deserve scholarly attention.

An original and valuable assessment of American political theater in the 1960s and 1970s

Stanley, William G. Tierney--Jamie Merisotis, Lumina Foundation, author of America Needs Talent: Attracting, Educating & Deploying the 21st-Century Workforce

An insider's view of the idealism, anger and vitality of the much-maligned group known as the Young Lords as they rose to become the most respected and powerful voice of Latin American empowerment in the US. From their emergence in the 60's to their fracture in 1972, this is the story of how one group took on the establishment - and won.

Recklessly loyal. That's how seventeen-year-old Arden Huntley has always thought of herself. Taking care of her loved ones is what gives Arden purpose in her life and makes her feel like she matters. But lately she's grown resentful of everyone--including her needy best friend and her absent mom--taking her loyalty for granted. Then Arden stumbles upon a website called Tonight the Streets Are Ours, the musings of a young New York City writer named Peter, who gives voice to feelings that Arden has never known how to express. He seems to get her in a way that no one else does, and he hasn't even met her. Until Arden sets out on a road trip to find him. During one crazy night out in New York City filled with parties, dancing, and music--the type of night when anything can happen, and nearly everything does--Arden discovers that Peter isn't exactly who she thought he was. And maybe she isn't exactly who she thought she was, either.

In 2001, at the age of only 22, the virtually unknown Mike Skinner was signed for a five album record deal. Since then, Mike Skinner has won a worldwide reputation for fusing home-grown hip-hop with the proud British tradition of observational song writing, which stretches from The Beatles and The Kinks to Blur and the Arctic Monkeys. In the multi-faceted guise of The Streets he, along with the likes of his friend and peer Dizzy Rascal, has been largely responsible for giving British rap its own identity, distinct from that of its American influences. Alternating between spells of reckless indulgence and sardonic commentary on his own excesses, Mike Skinner has established the kind of instantly accessible pop persona which only comes along once or twice a generation. Now he brings us The Story of the Streets. Moving chronologically through five albums, and the different phases of his life that they represent, Mike shares personal details of his modest upbringing in Birmingham, as well as the wild extravagances of life in the showbiz fast lane. Personal, shocking and funny; but deeply intelligent, insightful, opinionated and searingly honest - this is a lesson in the making of pop history, narrated by a voice that has informed a generation.