In 1991, Anita Hill's testimony during Clarence Thomas's Senate confirmation hearing brought the problem of sexual harassment to a public audience. Although widely believed by women, Hill was defamed by conservatives and Thomas was confirmed to the Supreme Court. The tainting of Hill and her testimony is part of a larger social history in which women find themselves caught up in a system that refuses to believe what they say. Hill's experience shows how a tainted witness is not who someone is, but what someone can become. Why are women so often considered unreliable witnesses to their own experiences? How are women discredited in legal courts and in courts of public opinion? Why is women's testimony so often mired in controversies fueled by histories of slavery and colonialism? How do new feminist witnesses enter testimonial networks and disrupt doubt? Tainted Witness examines how gender, race, and doubt stick to women witnesses as their testimony circulates in search of an adequate witness. Judgment falls unequally upon women who bear witness, as well-known conflicts about testimonial authority in the late twentieth and early twenty-first centuries reveal. Women's testimonial accounts demonstrate both the symbolic potency of women's bodies and speech in the public sphere and the relative lack of institutional security and control to which they can lay claim. Each testimonial act follows in the wake of a long and invidious association of race and gender with lying that can be found to this day within legal courts and everyday practices of judgment, defining these locations as willfully unknowing and hostile to complex accounts of harm. Bringing together feminist, literary, and legal frameworks, Leigh Gilmore provides provocative readings of what happens when women's testimony is discredited. She demonstrates how testimony crosses jurisdictions, publics, and the unsteady line between truth and fiction in search of justice.

Every small town has a moment when the real world abruptly intrudes, shattering the town's notions of itself and its people. For citizens of Marshall, Michigan, that moment came August 18, 1967. Nola Puyear was working downtown at the Tasty Cafe that morning when she received a package. She opened it and was instantly killed in a fiery explosion. In the months that followed, law enforcement and prosecutors wrestled with a crime that to all appearances was senseless. Evidence recovered from the blown-up restaurant, including a bottle of pills that had been tainted with lye, suggested a concerted plot to murder Mrs. Puyear. But why had someone wanted to kill the well-liked woman, by all accounts a pillar of her close-knit community? For that matter, was Marshall really the quaint paradise it seemed to be? Secret Witness brings to light startling new evidence and freshly uncovered facts to address these and other questions that, to this day, surround one of Michigan's most brutal murders. Based on extensive interviews with surviving prosecutors, police, and witnesses, Blaine Pardoe re-creates the investigation that pried into Marshall's dark underbelly and uncovered the seamy private lives led by some of the town's citizenry but led to only tenuous theories about the bombing. The book also examines the pivotal role played by the Secret Witness program, an initiative by the Detroit News that offered rewards for anonymous tips related to violent crimes. What's ultimately revealed is the true depth of evil that occurred in Marshall that day. Every small town has dirty little secrets. This time, they were deadly.

The Care of the Witness explores the historical shifts in the crises of witnessing to genocide, war, and disaster and their contribution to nongovernmental politics.

A Deadly Game of Deception Notorious and beautiful, Vidia Swanson works as an "angel," trying to coax incriminating secrets from powerful men who may or may not be traitors of the Crown. Her latest target is suspected of stealing gold from Wellington's troops, but matters take an alarming turn when Vidia realizes that her spymaster thinks she is the one who is tainted—a double agent working for Napoleon. Backed into a corner, she can only hope to stay one step ahead of the hangman in a race to stop the next war before it destroys her—and destroys England. Tainted Angel offers up a compelling game of cat and mouse in which no one can be trusted and anyone can be tainted. "Espionage and passion—Regency style—burning up the pages from chapter one."—New York Times bestselling author Raine Miller "A world of spies and traitors where no one is quite what they seem and the truth is only true for a moment...a thrilling take that will keep you guessing until the very last page."—Victoria Thompson, author of Murder in Chelsea

In The Limits of Autobiography, Leigh Gilmore analyzes texts that depict trauma by combining elements of autobiography, fiction, biography, history, and theory in ways that challenge the constraints of autobiography. Astute and compelling readings of works by Michel Foucault, Louis Althusser, Dorothy Allison, Mikal Gilmore, Jamaica Kincaid, and Jeanette Winterson explore how each poses the questions "How have I lived?" and "How will I live?" in relation to the social and psychic forms within which trauma emerges. First published in 2001, this new edition of one of the foundational texts in trauma studies includes a new preface by the author that assesses the gravitational pull between life writing and trauma in the twenty-first century, a tension that continues to produce innovative and artful means of confronting kinship, violence, and self-representation.

A fascinating police story filled with unrelenting drama, from the author of A Faint Cold Fear. When a murder suspect guns down five cops in a police raid, New York City's long-simmering racial unrest explodes in turmoil. Caught in the middle, Assistant DA Karen Henning falls for her star witness, and the results are shattering.

Resonant Witness gathers together a wide, harmonious chorus of voices from across the musical and theological spectrum to show that music and theology can each learn much from the other and that the majesty and power of both are profoundly amplified when they do. With essays touching on J. S. Bach, Hildegard of Bingen, Martin Luther, Karl Barth, Olivier Messiaen, jazz improvisation, South African freedom songs, and more, this volume encourages musicians and theologians to pursue a more fruitful and sustained engagement with one another. What can theology do for music? Resonant Witness helps answer this question with an essential resource in the burgeoning interdisciplinary field of music and theology. Covering an impressively wide range of musical topics, from cosmos to culture and theology to worship, Jeremy Begbie and Steven Guthrie explore and map new territory with incisive contributions from the very best musicians, theologians, and philosophers. Bennett Zon Durham University This volume represents a burst of cross-disciplinary energy and insight that can be celebrated by musicians and theologians, music-lovers and God-lovers alike. John D. Witvliet (from afterword)