This pioneering work spans more than four centuries of publishing, from 1593, when the first book was printed in the country, to 2003, when the first nationwide survey on reading attitudes and preference was conducted.

The most comprehensive bibliography of Filipino novels compiled so far, this book lists novels in Tagalog (Filipino), Tagalog (Filipino) translation, and English published in the Philippines during the twentieth century.

Extricating liberalism from the haze of anti-modernist and anti-European caricature, this book traces the role of liberal philosophy in the building of a new nation. It examines the role of toleration, rights, and mediation in the postcolony. Through the biographies of four Filipino scholar-bureaucrats—Camilo Osias, Salvador Araneta, Carlos P. Romulo, and Salvador P. Lopez—Lisandro E. Claudio argues that liberal thought served as the grammar of Filipino democracy in the 20th century. By looking at various articulations of liberalism in pedagogy, international affairs, economics, and literature, Claudio not only narrates an obscured history of the Philippine state, he also argues for a new liberalism rooted in the postcolonial experience, a timely intervention considering current developments in politics in Southeast Asia.

Introduction to Contemporary Print Culture examines the role of the book in the modern world. It considers the book’s deeply intertwined relationships with other media through ownership structures, copyright and adaptation, the constantly shifting roles of authors, publishers and readers in the digital ecosystem and the merging of print and digital technologies in contemporary understandings of the book object. Divided into three parts, the book first introduces students to various theories and methods for understanding print culture, demonstrating how the study of the book has grown out of longstanding academic disciplines. The second part surveys key sectors of the contemporary book world – from independent and alternative publishers to editors, booksellers, readers and libraries – focusing on topical debates. In the final part, digital technologies take centre stage as eBook regimes and mass-digitisation projects are examined for what they reveal about information power and access in the twenty-first century. This book provides a fascinating and informative introduction for students of all levels in publishing studies, book history, literature and English, media, communication and cultural studies, cultural sociology, librarianship and archival studies and digital humanities.

"Mother Figured" is a wide-ranging study of apparitions and miracles of the Virgin Mary in the Philippines from the mid-nineteenth century to the present. While most analyses have read Marian revival as antimodern, de la Cruz demonstrates that its origins actually lie "within "secular modernity. She takes inspiration from one of Mary s titles that has grown in popularity in modern times Mary the Mediatrix to show how modern print and technological media enable and support the circulation of miraculous narratives and images. While thoroughly grounded in local tradition, the resurgence of Marianism in the Philippines is a subject of global relevance. De la Cruz portrays Filipino Catholics not as mere followers of the faith from the margins or from below but as guardians of orthodoxy and aggressive purveyors of their own sort of Christian universalism. In this sense, the book offers a timely analysis of the social and political implications of contemporary Christianity s shift to the Global South."

The romance publishing landscape in the Philippines is vast and complex, characterised by entangled industrial players, diverse kinds of texts, and siloed audiences. This Element maps the large, multilayered, and highly productive sector of the Filipino publishing industry. It explores the distinct genre histories of romance fiction in this territory and the social, political and technological contexts that have shaped its development. It also examines the close connections between romance publishing and other media sectors alongside unique reception practices. It takes as a central case study the Filipino romance self-publishing collective #RomanceClass, analysing how they navigate this complex local landscape as well as the broader international marketplace. The majority of scholarship on romance fiction exclusively focuses on the Anglo-American industry. By focusing here on the Philippines, the authors hope to disrupt this phenomenon, and to contribute to a more decentred, rhizomatic approach to understanding this genre world.