An exploration of Eliot's lifelong interest in Indic philosophy and religion.

This Book Is The Outcome Of The Author S Continued Study And Research In T.S. Eliot Literature, Demonstrating As It Does His Valid Critical Insight And Sound Judgement. There Are Scholars Who Might Initially Differ With Him In Regard To His Formulations About Eliot S Indebtedness To Indian Thought And Tradition, But They Will Have To Accept Them Ultimately In The Presence Of Well-Researched And Well-Documented Internal And External Evidences. Even Established Western Scholars Like Grover Smith Of The Duke University And Charles M. Holmes Of The Transylvania University, U.S.A., Besides A Host Of Indian Professors And Scholars, Have Acknowledged The Truth.The Book Comprising Eighteen Papers Present A Comprehensive View Of Eliot And Bring Out His Multi-Pronged Genius.Eliot Was An American By Birth And Education, An Anglo-Catholic By Religion, A Britisher By Way Of Naturalized Citizenship , A Deep-Rooted European By Sense Of Culture, A Universal Poet And An International Hero By Means Of His Creative Talent And Art.The Book Highlightes Eliot S Literary Personality And The Different Aspects Of His Creative Art. These Papers Undoubtedly Broaden The Scope Of Approach To Eliot. The Book Is Designed In Such A Way That It Will Attract Both Common And Specialist Readers.

The Hindu words "Shantih shantih shantih" provide the closing of The Waste Land, perhaps the most famous poem of the twentieth century. This is just one example among many of T. S. Eliot’s immersion in Sanskrit and Indian philosophy and of how this fascination strongly influenced his work. Centering on Eliot’s study of sources from ancient India, this new book offers a rereading of the poet’s work, analyzing his unpublished graduate school notebooks on Indian philosophy and exploring Eliot’s connection with Buddhist thought. Eliot was crucially influenced by his early engagement with Indian texts, and when analyzed through this lens, his poems reveal a criticism of the attachments of human desire and the suggestion that asceticism might hold out the possibility that desire can be cultivated toward a metaphysical absolute. Full of such insights, Upton’s book represents an important intervention in modernist studies.

From his early "e;Curtain Raiser"e; to the late Four Quartets, T. S. Eliot took an interest in all the arts, drawing on them for poetic inspiration and for analysis in his prose. T. S. Eliot and the Arts provides extensive, high quality research about his many-sided engagement with painting, sculpture, museum artefacts, architecture, music, drama, music hall, opera and dance, as well as the emerging media of recorded sound, film and radio. Building on the newly published editions of Eliot's prose and poetry, this contemporary research collection opens avenues for understanding Eliot both in his own right as a poet and critic and as a foremost exemplar of interarts modernism.

The central themes of this collection of essays are the mystery of time past, present and future, and the problems of redemption. They are concerned with modern literature, the threat of meaninglessness in the postmodern condition, and the possibility of salvation. In an age of deferral and difference, this book addresses itself to eschatology and apocalypse, and redemption in, through, but particularly of, time itself. Hell and madness are never far away, yet the reconfiguration of time and the breaking in of the transcendent continue to suggest theological possibilities beyond the wastelands of the twentieth century. To those possibilities we look in hope.

This is the first comprehensive, in-depth study of Eliot's unpublished verse. Through a close reading of the poems themselves, Mayer offers a new look at the familiar works by approaching them as a Modernist poetry of consciousness, expressed in a new poetic form as the psychic monologue. Uncovering new themes discovered in unpublished poetry, he develops a new approach to The Wasteland that shows for the first time how the separate voices of the poem relate to the poem's protagonist, how they simultaneously shape his experience of release, and how they culminate in a prophetic statement. Calling attention to the operation of play, routines, and cycles in the unpublished and familiar works, to the interplay of City and Psyche, and to the relationship between voices and vision, the book establishes the undeniable value of Eliot's unpublished verse in shaping the form and preoccupations of his early poetry.

T. S. Eliot enjoyed a profound relationship with Earth. Criticism of his work does not suggest that this exists in his poetic oeuvre. Writing into this gap, Etienne Terblanche demonstrates that Eliot presents Earth as a process in which humans immerse themselves. The Waste Land and Four Quartets in particular re-locate the modern reader towards mindfulness of Earth’s continuation and one’s radical becoming within that process. But what are the potential implications for ecocriticism? Based on its careful reading of the poems from a new material perspective, this book shows how vital it has become for ecocriticism to be skeptical about the extent of its skepticism, to follow instead the twentieth century’s most important poet who, at the end of searing skepticism, finds affirmation of Earth, art, and real presence.