A 2018 Bram Stoker Award Finalist Thought-provoking, powerful, and revealing, this anthology is composed of 28 dark stories and 14 poems written by African-American women writers. The tales of what scares, threatens, and shocks them will enlighten and entertain readers. The works delve into demons and shape-shifters from "How to Speak to the Bogeyman" and "Tree of the Forest Seven Bells Turns the World Round Midnight" to far future offerings such as "The Malady of Need". These pieces cover vampires, ghosts, and mermaids, as well as the unexpected price paid by women struggling for freedom and validation in the past. Contributors include: Tiffany Austin, Tracey Baptiste, Regina N. Bradley, Patricia E. Canterbury, Crystal Connor, Joy M. Copeland, Amber Doe, Tish Jackson, Valjeanne Jeffers, Tenea D. Johnson, R. J. Joseph, A. D. Koboah Nicole Givens Kurtz, Kai Leakes, A. J. Locke, Carole McDonnell, Dana T. McKnight , LH Moore, L. Penelope, Zin E. Rocklyn , Eden Royce, Kiini Ibura Salaam, Andrea Vocab Sanderson, Nicole D. Sconiers, Cherene Sherrard, RaShell R. Smith-Spears, Sheree Renée Thomas, Lori Titus, Tanesha Nicole Tyler, Deborah Elizabeth Whaley, L. Marie Wood, K. Ceres Wright, and Deana Zhollis.

Searching for Sycorax highlights the unique position of Black women in horror as both characters and creators. Kinitra D. Brooks creates a racially gendered critical analysis of African diasporic women, challenging the horror genre’s historic themes and interrogating forms of literature that have often been ignored by Black feminist theory. Brooks examines the works of women across the African diaspora, from Haiti, Trinidad, and Jamaica, to England and the United States, looking at new and canonized horror texts by Nalo Hopkinson, NK Jemisin, Gloria Naylor, and Chesya Burke. These Black women fiction writers take advantage of horror’s ability to highlight U.S. white dominant cultural anxieties by using Africana folklore to revise horror’s semiotics within their own imaginary. Ultimately, Brooks compares the legacy of Shakespeare’s Sycorax (of The Tempest) to Black women writers themselves, who, deprived of mainstream access to self-articulation, nevertheless influence the trajectory of horror criticism by forcing the genre to de-centralize whiteness and maleness.

Containing the biographies of over one hundred black women who write horror, 100+ Black Women in Horror is a reference guide, a veritable who's who of female horror writers from the African Diaspora. It is an expansion of the original 2014 book 60 Black Women in Horror. February is African American History Month here in the United States. It is also Women in Horror Month (WiHM). This list of black women who write horror was compiled at the intersection of the two. It consists of an alphabetical listing of the women with biographies, photos, and web addresses, as well as interviews with 17 of these women and an essay by David Watson on LA Banks and Octavia Butler.

The Tempest contains sublime poetry and catchy songs, magic and low comedy, while it tackles important contemporary concerns: education, power politics, the effects of colonization, and technology. In this guide, Alden T. Vaughan and Virginia Mason Vaughan open up new ways into one of Shakespeare's most popular, malleable and controversial plays.

This collection of essays explores a wealth of topics in children’s and young adult (YA) literature and culture. The contributions include an examination of the Watchbird cartoons by Munro Leaf and their attempts to teach morals and manners; an ethnographic study about the role of public youth librarians; and an exploration of the role popular video games can play in the secondary classroom. Other topics investigated here encompass the presentation of environmentalism in Hayao Miyazaki’s films, psychological analyses, and the role of race, gender, and culture in children’s and YA literature.

The Tempest and its Travels offers a new map of the play by means of an innovative collection of historical, critical, and creative texts and images.

Tordotcom Publishing is proud to present a sneak peek of its 2021 debut novel and novella authors. In the tradition of Italo Calvino’s Invisible Cities, debut author S. Qiouyi Lu has written a multifaceted story of borders, power, diaspora, and transformation with In the Watchful City. Lee Mandelo's debut Summer Sons is a sweltering, queer Southern Gothic that crosses Appalachian street racing with academic intrigue, all haunted by hungry ghost. Red White & Royal Blue meets Jonathan Strange and Mr. Norrell in debut author Freya Marske’s A Marvellous Light, featuring an Edwardian England full of magic, contracts, and conspiracies. In Aimee Ogden's Sun-Daughters, Sea-Daughters, one woman will travel to the stars and beyond to save her beloved in this lyrical space opera that reimagines The Little Mermaid. Flowers for the Sea is a dark, dazzling debut novella from Zin E. Rocklyn that reads like Rosemary's Baby by way of Octavia E. Butler In Burning Girls and Other Stories, Veronica Schanoes crosses borders and genres with stories of fierce women at the margins of society burning their way toward the center. This debut collection introduces readers to a fantasist in the vein of Karen Russell and Kelly Link, with a voice all her own. A Canticle for Leibowitz meets The Hunt for Red October in We Shall Sing a Song into the Deep, a lyrical and page-turning coming-of-age exploration of duty, belief, and the post-apocalypse from breakout newcomer Andrew Kelly Stewart. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.