"From the celebrated biographer of Nancy Mitford, and Evelyn Waugh: a full and fascinating biography--the very first--of the long-admired and universally-acclaimed English writer. When Sybille Bedford died in 2006 at the age of 94, she had written ten books, including four novels and a biography of Aldous Huxley. Her novels--the last of which was shortlisted for the Booker--all fictionalized her extraordinarily colorful, peripatetic life and dramatic family history. Born just outside Berlin, she lived alternately in Baden, the south of France, New York, Los Angeles, Paris, Rome and London. As an adolescent she was mentored by Aldous Huxley . . . Martha Gellhorn convinced her to write her first novel, A Legacy, which would finally be published in 1956 . . . in the 1960s she wrote for magazines and newspapers, covering nearly 100 trials including that of Auschwitz officials, and Jack Ruby's for the murder of Lee Harvey Oswald . . . she was an important figure in the lesbian community in Europe and America . . . and though she often found herself in dire financial straits, her life was just as often underwritten by devoted men or her women lovers. She was possessed of a fierce intelligence, wit, curiosity, compassion, and unstinting engagement with all the vagaries and variety of life. And Selina Hastings has brilliantly captured the woman and the writer in all the richness of her character and achievements"--

Shortlisted for the Booker Prize, Bedford's autobiographical novel paints a vivid picture of life in 1920s Europe between the wars. Sybille Bedford placed the ambiguous and inescapable stuff of her own life at the center of her fiction, and in Jigsaw—her fourth and final novel, which was shortlisted for the 1989 Booker Prize—she did it with particular artistry. “What I had in mind,” she was later to say, “was to build a novel out of the events and people who had made up, and marked, my early youth...Truth here was an artistic, not moral, requirement...It involved...writing about myself, my feelings, my actions.” And so she assembled the puzzle pieces of her singular past into a picture of her “unsentimental education.” We learn of a childhood spent alone with her father, “a stranded man of the world” living a life of “ungenteel poverty in quite grand surroundings,” a château, that is, deep in the German countryside, with wine but little else for him and his young daughter to hold body and soul together. We learn of her return to Italy and her mother, “the one character I wished to keep minor and knew all along that it could not be done,” and the dark secret consuming her mother’s life. Finally, she tells us how she lived with and learned from Aldous and Maria Huxley on the French Riviera, developing the sense of purpose and determination that made her the great writer she would become.

A Favourite of the Gods is the story of two generations of a single family, united by a strong matrilineal bond but divided by the customs of their differing nationalities. Anna Howland, the matriarch and American heiress, born in the 1870s to a prominent, liberal New England family marries an Italian prince and makes her home in Rome; her daughter Constanza, the favorite of the title, inherits her mother’s beauty, intelligence, and wealth, along with her father’s Catholicism, which she soon rejects. When disaster strikes, Anna and the prince fall back on the standards of behavior of their disparate cultures; Constanza, with her European upbringing, is free to plot her own course, and she does so with daring, making an unconventional life for herself in England and on the continent during and after the First World War. Her own daughter Flavia is the heroine of A Compass Error, which begins where the first novel concludes. Flavia too is a brilliant young woman, though both more brash and more faltering than her mother, studying for her entrance exam to Oxford when she becomes involved with a mysterious woman whose arrival at a sensitive moment in Flavia’s adolescence will alter both her and her mother’s lives forever.

Mexico, through the eyes of Sybille Bedford is a country of passion and paradox: arid desert and shrieking jungle, harsh sun and deep shadow, violence and sentimentality. In her frank descriptions of the horrors of travel - through bug-infested jungle, trapped in a broiling stationary train, or in a bus with a dead fish slapping against her face - she gains our trust. But it is the charmed world of Don Otavio which steals our imagination. He is, she says, "one of the kindest men I ever met". She stays in his crumbling ancestral mansion, living a life of provincial ease and observing with glee the intense life of a Mexican neighbourhood.

The first full and intimate biography of writer and bon viveur Sybille Bedford 'A fantastic read' India Knight, Sunday Times 'A wonderful biography' Sara Wheeler, Spectator Born in Germany to aristocratic parents, Sybille Bedford's (1911-2006) life contained all the grand feeling and seismic event of the twentieth century: war and peace, love and trauma, friendship and death, as well as the need to write and rescue something from this wreckage. Openly gay, Bedford once said 'I wish I'd written more books and spent less time being in love. It's very difficult doing both at the same time.' In her forties she published her breakthrough novel, A Legacy, continuing to publish until her early nineties, writing some of the outstanding and most original novels, memoirs and travel books of the century. Bedford's father died when she was just fourteen and her mother, a great socialite and litterateur, fell victim to a debilitating morphine addiction. Striking out on her own, Bedford fell under the spell of Aldous Huxley, who was to become her friend and mentor. Staying with Aldous and his wife Maria in their sunlit villa in the south of France between the wars were some of the happiest and most enlivening years of Bedford's life - even as she failed and failed again at finding her own voice on the page. And yet it was these years that would provide the material for Jigsaw: An Unsentimental Education, widely considered to be her masterwork and which was shortlisted for the Booker Prize in 1989. A bon viveur, lover of French wine and cuisine, and admired by her peers ('One of the most dazzling practitioners of English prose' Bruce Chatwin once commented) she roamed from country to country - Germany, France, England, Italy and the United States - in search of fresh experience, with ear and eye attuned to her surroundings, typewriter at the ready. Full of intense friendships (Martha Gellhorn and Elizabeth Jane Howard among them), a fierce commitment to the craft of writing, as well as an insatiable appetite for love and sex, Sybille Bedford blazed her own path in her life and her art. *A DAILY TELEGRAPH, THE TIMES AND SUNDAY TIMES BOOK OF THE YEAR 2020*

Beginning in 1956 with the publication of A Legacy, Sybille Bedford has narrated - in fiction and non-fiction - what has been by turns her sensuous, harrowing, altogether remarkable life. In this magnificent memoir, she moves from Berlin during the Great War to the artists' set on the Côte d'Azur of the 1920s, through lovers, mentors, seducers and friends, and from genteel yet shabby poverty to relative comfort in London's Chelsea. Whether evoking the simple sumptuousness of a home-cooked meal or tracing the heart-rending outline of an intimate betrayal, she offers spellbinding reflections on how history imprints itself on private lives.

'Going to law courts is a good education for a novelist. It provides you with the most extravagant material, and it teaches the near impossibility of reaching the truth.' Sybille Bedford, Paris Review (1993) For The Faces of Justice (1961) Sybille Bedford journeyed through Europe to sit in the press box of the courts of law - high courts, low courts, police courts. In England, Germany, Austria, Switzerland, France, she watched the prisoners at the bar, the accusing community arrayed against them, the advocates, the jurors, the judges on the bench. She saw justice being attempted under the law - the best we can do, the worst we can do - varying in subtle yet astonishing ways from country to country. The result is a story about justice, humanity and the individual - moving, dramatic, superbly observed, splendidly told.