Written soon before and in the middle of the Covid-19 pandemic, when theatre ground to a halt and spectatorship was suspended, this book takes stock of spectatorship as theatre’s living archive and affirms its value in the midst of the present crisis. Drawing from a manifold affective archive of performances and installations (by Marina Abramović, Ron Athey, Forced Entertainment, Socìetas Raffaello Sanzio, Blast Theory, LIGNA, Doris Salcedo, Graeme Miller, Lenz Rifrazioni, Cristina Rizzo, etc.), and expanding on the work of many theorists and scholars, such as Roland Barthes and Jacques Rancière, Giorgio Agamben and Alain Badiou, Nicholas Ridout and Alan Read, among others, the book focuses on the spectator as the subject, rather than the object, of investigation. This is the right time to remember their secret power and theorise their collective time in the theatre. This book is an archive of their adventure and a manifesto rooted in their potentiality. It boldly posits the spectator as the inaugurator of theatre, the surplus that survives it. The book will be of great interest to spectators all and sundry, to scholars and students of theatre and performance studies, of spectatorship and politics.

I am writing this book for all of you postgraduate students and new nurses thinking of a career in the operating theatre. The aim of this book is to allow you get a glimpse of what you will see upon entering the operating theatres, as there is no other place like it. I love working in theatres, but I am under no delusion thinking it’s easy because I know how difficult some new graduates/students find it when they first commence. This book is written to help you gain insight and learn skills that will assist you to continue in and obtain a fulfilling career in theatres. Working in theatres is definitely not for the fainthearted, so these skills are essential for survival.

Drawing on a comprehensive range of early modern British, German and other European images and texts, this study offers the first interdisciplinary gendered assessment of early modern performing itinerant quacks. The contribution of women is taken as the focus for an investigation of the nature of the links between the theatrical and the medical, in the activities of quack troupes as they went about curing, selling and, above all, performing.

The ordeals of the POWs put to slave labour by their Japanese masters on the Burma Railway have been well documented yet never cease to shock. It is impossible not to be horrified and moved by their stoic courage in the face of inhuman brutality, appalling hardship and ever-present death.While Barry Custance Baker was enduring his 1000 days of captivity, his young wife Phyllis was attempting to correspond with him and the families of Barrys unit. Fortunately these moving letters have been preserved and appear, edited by their daughter Hilary, in this book along with Barrys graphic memoir written after the War. Surviving the Death Railways combination of first-hand account, correspondence and comment provide a unique insight into the long nightmare experienced by those in the Far East and at home. The result is a powerful and inspiring account of one of the most shameful chapters in the history of mankind which makes for compelling reading.

Investigations into the realities of staging dramatic performances, of a variety of kinds, in the middle ages.

(Applause Books). Shakespeare, Coward, Christie, Lloyd Webber and so many more ... you'll encounter them all using this wonderful tour guide on walks through theatrical history in present-day London. Applause is pleased to present a substantially revised, new edition of one of our most popular titles, London Theatre Walks . Jim De Young is out to entertain and educate as he guides his readers through the streets of London with authority, humor and relish. It's like having a personal tour guide escorting you from the magnificently restored Globe Theatre to the newly remodeled Lyceum Theatre, from Shakespeare to Les Miserables . London Theatre Walks reveals the original inspirations for some of the most famous plays in the English language. It visits the trysting spots of London's greatest actors and actresses, and the homes of England's greatest playwrights. All the tours begin and end at a well-known London landmark, making them easy and safe for even a first-time visitor. Every expedition is filled with enough detail to satisfy the most curious scholar, and enough juicy gossip and colorful legend to entertain every theatre fan. And the tour guides don't believe in walking with parched throats; they point out dozens of theatrical watering holes along the way. Detailed maps accompany the 13 easy-to-follow tours, which have been updated with the most contemporary information.

Routledge Handbook of Asian Theatre is an advanced level reference guide which surveys the rich and diverse traditions of classical and contemporary performing arts in Asia, showcasing significant scholarship in recent years. An international team of over 50 contributors provide authoritative overviews on a variety of topics across Asia, including dance, music, puppetry, make-up and costume, architecture, colonialism, modernity, gender, musicals, and intercultural Shakespeare. This volume is divided into four sections covering: Representative Theatrical Traditions in Asia. Cross-Regional Aspects of Classical and Folk Theatres. Modern and Contemporary Theatres in Asian Countries. Modernity, Gender Performance, Intercultural and Musical Theatre in Asia. Offering a cutting edge overview of Asian theatre and performance, the Handbook is an invaluable resource for academics, researchers and students studying this ever-evolving field.