The spellbinding classic that started it all, from the #1 New York Times bestselling author—the inspiration for the hit television series “A magnificent, compulsively readable thriller . . . Rice begins where Bram Stoker and the Hollywood versions leave off and penetrates directly to the true fascination of the myth—the education of the vampire.”—Chicago Tribune Here are the confessions of a vampire. Hypnotic, shocking, and chillingly sensual, this is a novel of mesmerizing beauty and astonishing force—a story of danger and flight, of love and loss, of suspense and resolution, and of the extraordinary power of the senses. It is a novel only Anne Rice could write.

From two acclaimed experts in the genre, a brand-new volume of supernatural stories showcasing the forgotten female horror writers from 1852–1923. While the nineteen-year-old Mary Shelley may be hailed as the first modern writer of horror, the success of her immortal Frankenstein undoubtedly inspired dozens of female authors who wrote their own evocative, chilling tales. Weird Women, edited by award-winning anthologists Lisa Morton and Leslie S. Klinger, collects some of the finest tales of terror by authors as legendary as Louisa May Alcott, Frances Hodgson Burnett, and Charlotte Gilman-Perkins, alongside works of writers who were the bestsellers and critical favorites of their time—Marie Corelli, Ellen Glasgow, Charlotte Riddell—and lesser known authors who are deserving of contemporary recognition. As railroads, industry, cities, and technology flourished in the mid-nineteenth century, so did stories exploring the horrors they unleashed. This anthology includes ghost stories and tales of haunted houses, as well as mad scientists, werewolves, ancient curses, mummies, psychological terrors, demonic dimensions, and even weird westerns. Curated by Klinger and Morton with an aim to presenting work that has languished in the shadows, all of these exceptional supernatural stories are sure to surprise, delight, and frighten today’s readers.

The Scribner Writers Series has set the standard for literary reference for more than 25 years. In addition to addressing the lives and careers of important writers, the articles discuss the themes and styles of major works and place them in pertinent historical, social and political contexts for today's readers. Novelists, playwrights, essayists, poets, short story writers, and more recently, genre writers in science fiction and mystery, are all expertly discussed in the more than 16 sets comprising this series. This critical survey of more than 150 writers extends from Greco-Roman times to Stephen King and Patricia McKillip. Each article includes description and critical analysis of major works, historical position of the writer and biography,

Brings together authors of fiction with philosophers and academics in Early Modern England and compares their ways of describing and understanding the world; Explores popular culture as well as the culture of the learned and elite; Examines the intellectual consequences of the Reformation and compares the spiritual and doctrinal practices of the occult to those of orthodoxy. Magic and the supernatural are common themes in the philosophy and fiction of the sixteenth and seventeenth centuries. Supernatural Fiction in Early Modern Drama and Culture explores varieties of scepticism and belief exhibited by a selection of philosophers and playwrights, including Heinrich Cornelius Agrippa, Giordano Bruno, John Dee, Christopher Marlowe, William Shakespeare, Ben Jonson, and Thomas Middleton, explicating how each author defines the supernatural, whether he assumes magic to operate in the world, and how he uses occult principles to explain what can be known and what is ethical. Beliefs and claims concerning impossible phenomena and superhuman agency require literary historians to determine whether an occult system of magical operation is being described in a given text. Each chapter in this volume evaluates whether a chosen early modern author is endorsing magic as efficacious or divinely sanctioned, or criticizing it for being fraudulent or unholy. By examining works of fiction, it is possible to explore fantastic settings which were not intended to be synonymous with the early modern audiences everyday experience, settings where magic exists and operates according to the playwrights designs. This book also sets out to determine what historical sources provided given authors with knowledge of the occult and speculates on how aware an audience would have been of academic, classical, or popular contexts surrounding the text at hand.

Sixteen tales that combine the otherworldly with hardboiled crime fiction—from Joe R. Lansdale, Caitlín R. Kiernan, Paul G. Tremblay, Melanie Tem, and others. Here are the femme fatales, the tough guys, the down-on-their-luck detectives—but with a twist. Collected by Hugo and Bram Stoker Award–winning editor Ellen Datlow, these stories of the murderous and macabre will take you onto the dark streets of worlds unlike our own, where the monstrous stalk their prey. At the behest of a beautiful blonde client, a small-town East Texas private eye is drawn into a case of grave robbing by someone—or something—with an unholy interest in “Dead Sister” by Joe R. Lansdale. Elizabeth Bear’s “The Romance” takes partygoers on a wild ride when the centerpiece of a birthday celebration turns out to be a haunted merry-go-round. After robbing a pawnshop, a group of small-time crooks get their shocking comeuppance as they flee the scene in “The Getaway” by Paul G. Tremblay. “Little Shit” by Melanie Tem follows a college student with a very unique skill set as she makes money on the side taking down criminals. Supernatural Noir also includes bone-chilling tales from Lucius Shepard, Laird Barron, Brian Evenson, Gregory Frost, Richard Bowes, Jeffrey Ford, Lee Thomas, Tom Piccirilli, Nate Southard, Nick Mamatas, and John Langan. “This anthology has some of the most exciting fiction published in 2011. This is fiction that will make you uncomfortable, that will haunt you, that will show up in your dreams. . . . Horrifyingly wonderful.” —Fantasy Literature

Profiles the most significant contemporary British and American writers of fantasy and horror. Entries cover all aspects of each writer's career.