A young British -Brazilian woman from South London navigates growing up between two cultures and into a fuller understanding of her body, relying on signposts such as history, family conversation, and the eyes of the women who have shaped her: mother, grandmother, and aunt. During her trips to Brazil, sometimes alone, often with family, our narrator accesses a different side of herself that is as much of who she is as anything else. -- adapted from back cover

Shortlisted for the Goldsmiths Prize & the Orwell Prize for Fiction A Sunday Times Fiction Book of the Year 'a serious accomplishment' Sunday Times 'vivid and expansive' Sophie Mackintosh 'a lyrical celebration' TLS 'a glorious, poetic feat' Bolu Babalola This is a novel about two women - Melissa and Catarina. Catarina is born to a well-known political family in Brazil. Melissa, a South London native, is brought up by her mum and a crew of rebellious grandmothers. In 2016, they meet for the first time. Their story takes us across continents and generations. In it we see sisterhood and queerness, and, perhaps, glimpse a better way to live.

"Sue Black confronts death every day. As Professor of Anatomy and Forensic Anthropology, she focuses on mortal remains in her lab, at burial sites, at scenes of violence, murder and criminal dismemberment, and when investigating mass fatalities due to war, accident or natural disaster. In All That Remains she reveals the many faces of death she has come to know, using key cases to explore how forensic science has developed, and what her work has taught her. Do we expect a book about death to be sad? Macabre? Sue's book is neither. There is tragedy, but there is also humour in stories as gripping as the best crime novel. Our own death will remain a great unknown. But as an expert witness from the final frontier, Sue Black is the wisest, most reassuring, most compelling of guides."--Amazon.com.

"It was nearly the scene Ida knew was coming and her palms were sweating. Instead of fairground rides there were peeling beach huts, a small girl, shivering in her nightdress, and hundreds and hundreds of furious gulls. On-screen Ida pushed her sister into the sea, and then climbed in after her." Almost 30 and entirely irresponsible, Ida Irons returns home for her mother's funeral. It's the first time she's been back, or seen her younger sister Alice, in fourteen years. Their mother was the caustic and secretive writer Bridie Adair, who named Ida after her infamous play. While Ida has been struggling to escape its shadow, Alice has been dealing with problems of her own. Forced to confront their fractured relationship, the sisters deal with their troubling history and search for the true story behind the play, finally asking the question: what really happened to 'the other' Ida?

Tragedy erupts in an instant. Lives are shattered irrevocably. A young man drives off into the night, leaving a girl injured, perhaps fatally so. From that cliffhanger opening, Leipciger takes readers back and forward in time to tell the haunting story of one family's unraveling in rural logging country where the land is still the economic backbone. Like the novels of Annie Proulx, this debut is rooted in richly detailed nature writing and sharply focused on small town mores and regional culture. Marrying the propulsive story of a father and son who, in the wake of catastrophe, must confront their private demons to reach for redemption with an evocative meditation on our environmental legacy, The Mountain Can Wait introduces Leipciger as an exciting talent.

You will love this witty and warm novel from the Sunday Times best-selling author Fern Britton.

From the bestselling author of If You Knew Her comes this harrowing tale of suspense—a story ripped from today’s headlines—of a tight-knit English community, who’s rocked by the murder of a mother and the mysterious disappearance of her daughter, and the secrets that lie concealed beneath a carefully constructed facade. A small town’s beloved family. A shocking, senseless crime—and the dark secret at the heart of it all. Everyone in Ashford, Cornwall, knows Meg Nichols and her daughter, Grace. Meg has been selflessly caring for Grace for years, and Grace—smiling and optimistic in spite of her many illnesses—adores her mother. So when Meg is found brutally bludgeoned in her bed and her daughter missing, the community is rocked. Meg had lived in terror of her abusive, unstable ex, convinced that he would return to try and kidnap Grace…as he had once before. Now it appears her fear was justified. Jon Katrin, a local journalist, knows he should avoid getting drawn back into this story. The article he wrote about Meg and Grace caused rifts within his marriage and the town. Perhaps if he can help find Grace, he can atone for previous lapses in judgment. The Nichols’ neighbor, Cara—contending with her own guilt over not being a better friend to Grace—becomes an unexpected ally. But in searching for Grace, Jon and Cara uncover anomalies that lead to more and more questions. Through multiple viewpoints and diary entries, the truth about Grace emerges, revealing a tragedy more twisted than anyone could have ever imagined…