While previous scholarship on African Americans and the media has largely focused on issues such as stereotypes and program content, Struggles for Equal Voice reveals how African Americans have utilized access to cable television production and viewership as a significant step toward achieving empowerment during the post–Civil Rights and Black Power era. In this pioneering study of two metropolitan districts—Boston and Detroit—Yuya Kiuchi paints a rich and fascinating historical account of African Americans working with municipal offices, local politicians, cable service providers, and other interested parties to realize fair African American representation and media ownership. Their success provides a useful lesson of community organizing, image production, education, and grassroots political action that remains relevant and applicable even today.

Reveals how African Americans used cable television as a means of empowerment. While previous scholarship on African Americans and the media has largely focused on issues such as stereotypes and program content, Struggles for Equal Voice reveals how African Americans have utilized access to cable television production and viewership as a significant step toward achieving empowerment during the postCivil Rights and Black Power era. In this pioneering study of two metropolitan districtsBoston and DetroitYuya Kiuchi paints a rich and fascinating historical account of African Americans working with municipal offices, local politicians, cable service providers, and other interested parties to realize fair African American representation and media ownership. Their success provides a useful lesson of community organizing, image production, education, and grassroots political action that remains relevant and applicable even today.

Greater than Equal: African American Struggles for Schools and Citizenship in North Carolina, 1919-1965

Marian Anderson Loved to Sing. Her deep, rich voice thrilled audiences the world over. By the mid-1930s she was a famed vocalist who had been applauded by European royalty, welcomed at the White House, and adored by appreciative listeners in concert halls across the United States. But because of her race, she was denied the right to sing at Constitution Hall, Washington's largest and finest auditorium. Though Marian Anderson was not a crusader or a spokesperson by nature, her response to this injustice catapulted her into the center of the civil rights movement of the time. She came to stand for all black artists -- and for all Americans of color -- when, with the help of prominent figures such as Eleanor Roosevelt, she gave a landmark performance on the steps of the Lincoln Memorial that broke racial barriers and hastened the end of segregation in the arts. Drawing on Anderson's own writings and other first-person accounts, Newbery medalist Russell Freedman shows readers a singer pursuing her art in the context of the social and political climate of the day. Profusely illustrated with contemporary photographs, here is an inspiring account of the life of a talented, determined artist who left her mark on musical and social history. Russell Freedman was aware that Marian Anderson was one of the great vocal artists of the 20th century. He hadn't thought of writing a book about her, however, until he found out about the encounter between her and Eleanor Roosevelt that led to the Lincoln Memorial concert and established Anderson as a seminal figure in the civil rights movement. Mr. Freedman is the acclaimed author of more than 40 nonfiction books for young people, He is also the recipient of the Laura Ingalls Wilder Award for his body of work. Mr. Freedman lives in New York City Book jacket.

Essays debunking the notion that contemporary America is a colorblind society. More than half a century after the civil rights era of the mid-1950s to the late 1960s, American society is often characterized as postracial. In other words, that the country has moved away from prejudice based on skin color and we live in a colorblind society. The reality, however, is the opposite. African Americans continue to face both explicit and latent discriminations in housing, healthcare, education, and every facet of their lives. Recent cases involving law enforcement officers shooting unarmed Black men also attest to the reality: the problem of the twenty-first century is still the problem of the color line. In Race Still Matters, contributors drawn from a wide array of disciplines use multidisciplinary methods to explore topics such as Black family experiences, hate crimes, race and popular culture, residual discrimination, economic and occupational opportunity gaps, healthcare disparities, education, law enforcement issues, youth culture, and the depiction of Black female athletes. The volume offers irrefutable evidence that race still very much matters in the United States today.

The Struggle for Black Equality is a dramatic, memorable history of the civil rights movement. Harvard Sitkoff offers both a brilliant interpretation of the personalities and dynamics of civil rights organizations and a compelling analysis of the continuing problems plaguing many African Americans. With a new foreword and afterword, and an up-to-date bibliography, this anniversary edition highlights the continuing significance of the movement for black equality and justice.

Marian Anderson loved to sing and her deep, rich voice thrilled audiences the world over. When she was denied the right to sing at Constitution Hall, Washington's largest and finest auditorium, because of her race, she became involved in the civil rights movement and came to stand for all black artists. With the help of Eleanor Roosevelt, she gave a landmark performance on the steps of the Lincoln Memorial that broke racial barriers and hastened the end of segregation in the arts.