“A story about the threat of bioterrorism as seen through the eyes of the generation that will grow up with it as a reality . . . page-turning intensity.”—Kirkus Reviews (starred review) Bioterrorism has come to a small town in New Jersey. Two residents die of brain aneurysms within twenty-four hours and several teens become ill with a mysterious flu, leading the government to suspect that a terrorist cell has unleashed a deadly biochemical agent. With each glass of water they drink, the people of Trinity Falls are poisoning themselves. A world away in Pakistan, a sixteen-year-old computer genius working as a spy for the U.S. sees an influx of chatter from extremists about a substance they call Red Vinegar that will lead to many deaths. Can he warn the victims before it’s too late? “The teens are the focus here, all excellent character studies drawn adeptly with few words. The swift pace grabs the reader right from the start . . . Plum-Ucci takes the incredible and makes it all too believable.”—Kirkus Reviews (starred review) “A compelling tale of bioterror . . . a tautly paced thriller that will force readers to think about the complexities of living in a post-9/11 world.”—School Library Journal “A page-turner . . . Plum-Ucci has also fleshed out a basic panic-inducing scenario into a thriller more thoughtful than most.”—Booklist

The four teen survivors from Streams of Babel face a new terroristic threat in a thriller that “will keep readers enthralled right up to the climax” (School Library Journal). ShadowStrike poisoned the water of Trinity Falls two months ago. Now the Trinity Four, the teens most affected by the poison, have been isolated in a remote mansion under twenty-four-hour medical care while scientists on four continents rush to discover a cure. Meanwhile, US operatives scour the world for the bioterrorists responsible for this heinous crime, as two teen virtual spies, also infected, hunt for the criminals on the Internet. The danger remains real—for ShadowStrike has every reason to pursue the Trinity Four, and their evil plan will unleash a new designer virus that’s even deadlier than the first. “Figuring out whom to trust gets harder for everyone, including the reader, and the narrative picks up speed. Sexual tension and fragile relationships are part of the story as much as the terrorist hunt is, and the two couples’ fears about their own possible impending mortality will captivate a high-school audience.” —Booklist

The often-tortured class weirdo has disappeared, leaving an enigmatic note on the school library computer. Is he a runaway, a suicide, or a murder victim?

The north and the west and the south are good hunting ground, but it is forbidden to go east. It is forbidden to go to any of the Dead Places except to search for metal and then he who touches the metal must be a priest or the son of a priest. Afterwards, both the man and the metal must be purified. These are the rules and the laws; they are well made. It is forbidden to cross the great river and look upon the place that was the Place of the Gods-this is most strictly forbidden. We do not even say its name though we know its name. It is there that spirits live, and demons-it is there that there are the ashes of the Great Burning. These things are forbidden- they have been forbidden since the beginning of time.

TAR FOR MORTAR offers an in-depth exploration of one of literature's greatest tricksters, Jorge Luis Borges. His short story "The Library of Babel" is a signature examplar of this playfulness, though not merely for the inverted world it imagines, where a library thought to contain all possible permutations of all letters and words and books is plumbed by pious librarians looking for divinely pre-fabricated truths. One must grapple as well with the irony of Borges's narration, which undermines at every turn its narrator's claims of the library's universality, including the very possibility of exhausting meaning through combinatory processing. Borges directed readers to his non-fiction to discover the true author of the idea of the universal library. But his supposedly historical essays are notoriously riddled with false references and self-contradictions. Whether in truth or in fiction, Borges never reaches a stable conclusion about the atomic premises of the universal library - is it possible to find a character set capable of expressing all possible meaning, or do these letters, like his stories and essays, divide from themselves in a restless incompletion? While many readers of Borges see him as presaging our digital technologies, they often give too much credit to our inventions in doing so. Those who elide the necessary incompletion of the Library of Babel compare it to the Internet on the assumption that both are total archives of all possible thought and expression. Though Borges's imaginings lend themselves to digital creativity (libraryofbabel.info is certainly evidence of this), they do so by showing the necessary incompleteness of every totalizing project, no matter how technologically refined. Ultimately, Basile nudges readers toward the idea that a fictional/imaginary exposition can hold a certain power over technology.

It is 1973, and the stately airships of the Great Powers hold benign sway over a peaceful world. The balance of power is maintained by the British Empire - a most equitable and just Empire, ruled by the beloved King Edward VIII. A new world order, with peace and prosperity for all under the law. Yet, moved by the politics of envy and perverse utopianism, not all of the Empire's citizens support the marvelous equilibrium. Flung from the North East Frontier of 1902 into this world of the future, Captain Oswald Bastable is forced to question his most cherished ideals, discovering to his horror that he has become a nomad of the time streams, eternally doomed to travel the wayward currents of a chaotic multiverse. The first in the trilogy, The Warlord of the Air sees Bastable fall in with the anarchists of this imperial society and set in train a course of events more devastating than he could ever have imagined.

The incredible final book in the phenomenon fantasy series described as “future classics" follows one man's dangerous journey through a labyrinthine world and the mysteries he uncovers along the way. (Los Angeles Times). "Josiah Bancroft is a magician. His books are that rare alchemy: gracefully written, deliriously imaginative, action packed, warm, witty, and thought provoking." —Madeline Miller, New York Times bestselling author of Circe As Marat's siege engine bores through the Tower, erupting inside ringdoms and leaving chaos in its wake, Senlin can do nothing but observe the mayhem from inside the belly of the beast. Caught in a charade, Senlin desperately tries to sabotage the rampaging Hod King, even as Marat's objective grows increasingly clear. The leader of the zealots is bound for the Sphinx's lair and the unimaginable power it contains. In the city under glass at the Tower's summit, Adam discovers a utopia where everyone inexplicably knows the details of his past. As Adam unravels the mystery of his fame, he soon discovers the crowning ringdom conceals a much darker secret. Aboard the State of Art, Edith and her crew adjust to the reality that Voleta has awoken from death changed. She seems to share more in common with the Red Hand now than her former self. While Edith wars for the soul of the young woman, a greater crisis looms: They will have to face Marat on unequal footing and with Senlin caught in the crossfire. And when the Bridge of Babel is finally opened, and the Brick Layer's true ambition revealed, neither they nor the Tower will ever be the same again. Also by Josiah Bancroft: The Books of Babel Senlin Ascends Arm of the Sphinx The Hod King The Fall of Babel