A low-budget breakout film that wowed critics and audiences on its initial release, Stranger Than Paradise would prove to be a seminal film in the new American independent cinema movement and establish its director, Jim Jarmusch, as a hip, cult auteur. Taking inspiration from 1960s underground filmmaking, international art cinema, genre cinema, and punk culture, Jarmusch’s film provides a bridge between midnight movie features and a new mode of quirky, offbeat independent filmmaking. This book probes the film's production history, initial reception, aesthetics, and legacy in order to understand its place within the cult film canon. In examining the film's cult pedigree, it explores a number of threads that fed into the film—including New York downtown culture of the early 1980s and Jarmusch’s involvement in music—as well as reflecting on how the film's status has developed alongside Jarmusch’s subsequent output and reputation.

(Limelight). A ground-breaking critical survey of the talented, audacious, and influential directors Hal Hartley, Jim Jarmusch, Spike Lee, John Sayles, Quentin Tarantino, among others who, dominating the "independent scene," have revitalized American film. Illustrated throughout, index.

An Apache hit man arrives in Paradise to find a missing girl and snuff out her mother. But his conscience is getting the best of him. If he doesn’t make the hit, he’ll pay for it. So might Jesse Stone, who’s been enlisted to protect them all.

The remarkable memoir of healing and forgiveness from Julie Chimes, who survived a horrific stabbing on her own driveway In 1986, Julie Chimes allowed an emotionally distressed acquaintance to wait in her cottage for Julie's doctor boyfriend to return. Before he could, the woman - who was suffering from paranoid schizophrenia and, unknown to all, had stopped taking her medication - attacked Julie with a carving knife. This book describes what happened in detail, and the long period of healing and coming to terms with the attack that followed. Julie tells of her out-of-body experiences during the crisis, as well as the dreams and premonitions leading up to it. She describes what it feels like to die, and then unforeseeably, to live to tell the tale. But most remarkably of all, she tells of her hardest journey: learning to forgive.

Collected interviews with the American independent film director of Permanent Vacation, Stranger Than Paradise, and Ghost Dog: The Way of the Samurai

An astonishing fact is that the vast majority of the wealthy come from middle-class or working-class backgrounds. Born and raised in modest economic circumstances, they find themselves as adults in the wonderful but unfamiliar world of wealth, like immigrants to a new land. Their adjustment is often harder than they anticipate. Yet awaiting wealth's newcomers is an even more daunting task: how to raise children and grandchildren successfully in the family's new world of affluence. Written by a prominent wealth psychologist, Strangers in Paradise takes an innovative approach to the challenges facing wealth's "immigrants and natives." Combining clear reasoning with real-world stories, Strangers in Paradise outlines for the first time how the key process for families of wealth - like all immigrant families - is adaptation.

“An illuminating work of massive insight” on the complex ideas and events that initiated the historical shift between the 19th and 20th centuries (Alan Moore, author of V for Vendetta and Watchmen). “An always-provocative view of an era that many people would just as soon forget . . . an absorbing tour of the 20th century.” —Kirkus Reviews In Stranger Than We Can Imagine, John Higgs argues that before 1900, history seemed to make sense. We can understand innovations like electricity, agriculture, and democracy. The twentieth century, in contrast, gave us relativity, cubism, quantum mechanics, the id, existentialism, Stalin, psychedelics, chaos mathematics, climate change and postmodernism. In order to understand such a disorienting barrage of unfamiliar and knotty ideas, Higgs shows us, we need to shift the framework of our interpretation and view these concepts within the context of a new kind of historical narrative. Instead of looking at it as another step forward in a stable path, we need to look at the twentieth century as a chaotic seismic shift, upending all linear narratives. Higgs invites us along as he journeys across a century “about which we know too much” in order to grant us a new perspective on it. He brings a refreshingly non-academic, eclectic and infectiously energetic approach to his subjects as well as a unique ability to explain how complex ideas connect and intersect—whether he’s discussing Einstein’s theories of relativity, the Beat poets' interest in Eastern thought or the bright spots and pitfalls of the American Dream.