'The first time I committed suicide was when I was ten years old. There have been many more suicides since.'??Adam is cursed. He cannot die.But one man's burden is another man's blessing, and there are people who are out to harness Adam's special talents. However, Adam soon discovers that immortality comes at a cost; every time he dies, he loses a little bit of himself. So when Adam meets Lilyanne - his reason for living - he's forced to choose between life and love.

A group of glamorous English socialites spend the summer of 1930 holidaying on the Italian Riviera where the poet Shelley died in a sailing accident in 1822. To pass the time, they tell amusing stories, much as Shelley, Byron and their friends had done a century earlier. For their theme they choose the death of Shelley and the stories progress towards a solution to the "murder mystery". Yet is that truly what the stories are about? Or, despite their witty surface, are they a code for dark and dangerous secrets hidden behind an urbane façade? Guy Parrot, a naive young doctor, finds himself falling in love with the beautiful and enigmatic Julia, the truth of whose past flickers between the lines of the stories, tantalising both Guy and the Reader. Guy discovers that truth, and its terrible reality leads to two murders and the destruction of his happiness and sanity. In 1945, in the aftermath of war, Guy returns to Italy with the army and is given an opportunity to re-examine the events of fifteen years before. This time will he understand what happened and finally redeem himself? The Strange Death of a Romantic offers the Reader romance, comedy, suspense, and an intriguing solution to a historical Whodunit - but without the inconvenience of a crime.

THE LAST LOVE begins as Napoleon, defeated and a prisoner, arrives at the island of St. Helena to begin his exile. But while Longwood, a broken-down, rat-infested farmhouse, is being readied for the captive hero and his entourage, he stays at an Englishman's country mansion, where he meets lovely young Betsy Balcome--high-spirited, outspoken, and the only French-speaking member of the family. Betsy acts as interpreter for the hero, and through this inspired rendering of their great friendship, this colorful conqueror emerges as a compelling human figure . . . an extraordinary man and a transcendent genius. Here is a stirring narrative of magnificent tenderness and understanding, the moving magnificent tenderness and understanding, the moving story of the great man.

An eminent lyric poet at the top of his form writes indelibly of grief and love. In his twelfth volume, “master of the lyric poem” (Paris Review) Gregory Orr returns with a passionate exploration of the forces that shape us. Moving from personal trauma (“Song of What Happens”) to public catastrophe (“Charlottesville Elegy”), Orr seeks innovative ways for the imagination to respond to and create meaning out of painful experiences, while at the same time rejoicing in love and language. The Last Love Poem I Will Ever Write engages the deepest existential issues with wisdom and humor and transforms them into celebratory song. FROM “AFTERMATH INVENTORY” My wounds? If, Somehow, I Grow through them, Aren’t they also a boon?

‘I am tired and confused. I am surrounded by darkness, and am groping for the right path. Only you can take me to the light, but unless you love me body, mind and soul, it won’t work. Only you, loving me totally and unconditionally – physically, mentally and emotionally – will provide the magic balm. I can understand if you are tired, but I need your help, support and love. I am full of negativity, frustration and bitterness. Only your love can wash away this muck. Every time we make love, my anger, fear and confusion melt away, a bit at a time. Every time you hug and kiss me I feel wanted and special again. You are the balm to my tortured soul. Nothing else – family, career, drugs, money, films, friends or golf – can help me the way you can. I am wired to you. My life is in your hands, but do you want to help me anymore?’ A visceral, honest, deeply moving cry from the heart of a man dogged by misfortune and deemed unworthy of love.

The fourth work in the widely acclaimed, laugh-out-loud Trash n' Treasures series by the husband-and-wife writing team, "New York Times"-bestselling author Max Allan Collins and mystery-writer Barbara Collins.

Romantic writers invoked prophecy throughout their work. However, the failure of prophecy to materialize didn't deter them. Why then do Romantic writers repeatedly invoke prophecy when it never works? The answer to this question is at the heart of Romantic Prophecy and the Resistance to Historicism. In this remarkably erudite work, Christopher Bundock argues that the repeated failure of prophecy in Romantic thought is creative and enables a renewable potential for expression across disciplines. By focusing on new readings of canonical Romantic authors as well as their more obscure works, Bundock makes a bold intervention into major concepts such as Romantic imagination, historicity, and mediation. Romantic Prophecy and the Resistance to Historicism glides across Kant's Swedenborgian dreams to Mary Shelley's Last Man and reveals how Romanticism reinvents history by turning prophecy inside out.