Highlighting the wide variety of ethical concerns considered by writers such as Timothy Findley, Thomas King, Carol Shields, Julian Barnes, A.S. Byatt, and Salman Rushdie, Deborah Bowen makes the case for a new category of "postmodern realism" and shows how contemporary stories about "the real" and "the good" are constructed. Applying theoretical insights from Emmanuel Levinas and Mikhail Bakhtin, Bowen investigates categories of postmodern realism such as magic realism, parody, and metafiction while laying the groundwork for Christian readings of a medium that is often perceived as largely irreligious. An illuminating study of well-known contemporary writers, Stories of the Middle Space is a critically nuanced and methodologically innovative work that reads the postmodern from a faith-based perspectives to create new literary insights.

A #1 New York Times bestseller “This little mouse may well inspire some big dreams.” —Kirkus Reviews “In this picture book based on the space shuttle Endeavor…Meteor is one of the smallest mice, but the most hardworking…the values of being small, useful, solving problems, and working hard—as opposed to being big and strong—will inspire young readers.” —School Library Journal “Inspired by this real-life mouse, Kelly’s first children’s book tells the story of Meteor, a lightly anthropomorphized rodent who turns his tininess into an advantage when an important key gets stuck in a crack between two monitors…textured images and vivid portraits that make it absolutely clear that space travel is a larger-than-life adventure.” —Publishers Weekly A heartwarming picture book tale of the power of the small, from bestselling author and retired NASA astronaut Commander Mark Kelly. Astronaut Mark Kelly flew with “mice-tronauts” on his first spaceflight aboard space shuttle Endeavour in 2001. Mousetronaut tells the story of a small mouse that wants nothing more than to travel to outer space. The little mouse works as hard as the bigger mice to show readiness for the mission . . . and is chosen for the flight! While in space, the astronauts are busy with their mission when disaster strikes—and only the smallest member of the crew can save the day. With lively illustrations by award-winning artist C. F. Payne, Mousetronaut is a charming tale of perseverance, courage, and the importance of the small!

One girl's mission to find life in space leads to an out-of-this-world adventure perfect for the astronaut-in-training in your life. Una loves imagining a life in space. Life on Earth is just so-so. But how will she get there? Can she complete her mission to discover life in space? Oh! And did she remember to feed her goldfish? From award-winning creator Philip Bunting, Give Me Some Space is a delightful story that expertly merges nonfiction facts with imaginative play. Readers will love blasting off with Una, and learning along the way!

A new model of youth work and outreach is emerging across the UK and elsewhere, in which churches and faith communities are no longer content to invite outsiders across the great threshold that is the front door of the church. On the other hand, detached youth work has made great strides into taking the church out into the streets. Between these two polarities is nestled a third way. Middle Space models carve out space in the middle ground for dialogue, relationships, safe spaces, exchange of ideas, not to mention inclusive activities. The concept of Middle Space is simple. It’s not our space, nor is it their space, but a shared space somewhere in the middle. However, Middle Space is about much more than simply utilising so-called “third spaces.” Rather, it’s a whole new approach to youth work, in which the physical space becomes a metaphor for the youth work itself. While the concept is simple, it is a profoundly new way of doing youth ministry. This book will be the first of its kind in describing and reflecting upon emerging Middle Space models, and also giving some tips and insights for best practices moving forward.

A Newbery Honor Book • BookPage Best Books • Chicago Public Library Best Fiction • Goodreads Choice Awards Nominee • Horn Book Fanfare • New York Times Notable Children’s Book • School Library Journal Best Book • Today Show Pick • An ALA Notable Book “A 10 out of 10 . . . Anyone interested in science, sibling relationships, and friendships will enjoy reading We Dream of Space.”—Time for Kids Newbery Medalist and New York Times–bestselling author Erin Entrada Kelly transports readers to 1986 and introduces them to the unforgettable Cash, Fitch, and Bird Nelson Thomas in this pitch-perfect middle grade novel about family, friendship, science, and exploration. This acclaimed Newbery Honor Book is a great choice for readers of Kate DiCamillo, Rita Williams-Garcia, and Rebecca Stead. Cash, Fitch, and Bird Nelson Thomas are three siblings in seventh grade together in Park, Delaware. In 1986, as the country waits expectantly for the launch of the space shuttle Challenger, they each struggle with their own personal anxieties. Cash, who loves basketball but has a newly broken wrist, is in danger of failing seventh grade for the second time. Fitch spends every afternoon playing Major Havoc at the arcade on Main and wrestles with an explosive temper that he doesn’t understand. And Bird, his twelve-year-old twin, dreams of being NASA’s first female shuttle commander, but feels like she’s disappearing. The Nelson Thomas children exist in their own orbits, circling a tense and unpredictable household, with little in common except an enthusiastic science teacher named Ms. Salonga. As the launch of the Challenger approaches, Ms. Salonga gives her students a project—they are separated into spacecraft crews and must create and complete a mission. When the fated day finally arrives, it changes all of their lives and brings them together in unexpected ways. Told in three alternating points of view, We Dream of Space is an unforgettable and thematically rich novel for middle grade readers. We Dream of Space is illustrated throughout by the author.

This volume contributes to medical history in Antiquity and the Middle Ages by significantly widening our understandings of health and treatment through the theme of space . The fundamental question about how space was conceived by different groups of people in these periods has been used to demonstrate the multi-variant understandings of the body and its functions, illness and treatment, and the surrounding natural and built environments in relation to health. The subject is approached from a variety of source materials: medical, philosophical and religious literature, archaeological remains and artistic reproductions. By taking a multi-disciplinary approach to the subject the volume offers new interpretations and methodologies to medical history in the periods in question. Contributors are Helen King, Michael McVaugh, Maithe Hulskamp, Glenda McDonald, Roberto Lo Presti, Fabiola van Dam, Catrien Santing, Ralph Rosen, and Irina Metzler.

Winner of the 2022 Charles Rufus Morey Award from the College Art Association Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures. Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death. Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.