"This is the 6th edition of Stolen Sharpie Revolution, including both Stolen Sharpie Revolution and Stolen Sharpie revolution 2. The distinction between the two was only made in the 4th edition to show the change in publisher, I hope that wasn't too confusing. 2020 marks the 18th anniversary of this little red book!"--Introduction

Since 2002, Stolen Sharpie Revolution: a DIY Resource for Zines and Zine Culture has been the go-to guide for all things zine-related. This little red book is stuffed with information about zines. Things you may know, stuff you don't know and even stuff you didn't know you didn't know! Stolen Sharpie Revolution contains a cornucopia of information about zines and zine culture for everyone from the zine newbie to the experienced zinester to the academic researcher. Sharpie Revolution consists of thoughtful lists and step-by-step how-to guides on everything from definitions of a "zine," where to find zines, why they are important, how to make them and how to participate in zine culture. This book has everything you need to get started creating your own zine, or to figure out what to do with the zine you just made. Stolen Sharpie Revolution serves as both an introduction into the wide world of zine culture and as a guide to taking the next step to become a part of it.

"This is the 5th edition of Stolen Sharpie Revolution, including both Stolen Sharpie Revolution and Stolen Sharpie Revolution 2."

In Microcosm’s DIY guide to zine-making, editors Bill Brent, Joe Biel, and a cast of contributors take you from the dreaming and scheming stages onto printing, publication and beyond! Covering all the bases for beginners, Make a Zine! hits on more advanced topics like Creative Commons licenses, legality, and sustainability. Says Feminist Review, “Make a Zine! is an inspiring, easy, and digestible read for anyone, whether you’re already immersed in a cut-and-paste world, a graphic designer with a penchant for radical thought, or a newbie trying to find the best way to make yourself and your ideas known.” Illustrated by an army of notable and soon-to-be-notable artists and cartoonists, Make a Zine! also takes a look at the burgeoning indie comix scene, with a solid and comprehensive chapter by punk illustrator Fly (Slug and Lettuce, Peops). Part history lesson, part how-to guide, Make a Zine! is a call to arms, an ecstatic, positive rally cry in the face of TV show book clubs and bestsellers by celebrity chefs. As says Biel in the book’s intro, “Let’s go!”

Stroll through any public park in Brooklyn on a weekday afternoon and you will see black women with white children at every turn. Many of these women are of Caribbean descent, and they have long been a crucial component of New York's economy, providing childcare for white middle- and upper-middleclass families. Raising Brooklyn offers an in-depth look at the daily lives of these childcare providers, examining the important roles they play in the families whose children they help to raise. Tamara Mose Brown spent three years immersed in these Brooklyn communities: in public parks, public libraries, and living as a fellow resident among their employers, and her intimate tour of the public spaces of gentrified Brooklyn deepens our understanding of how these women use their collective lives to combat the isolation felt during the workday as a domestic worker. Though at first glance these childcare providers appear isolated and exploited—and this is the case for many—Mose Brown shows that their daily interactions in the social spaces they create allow their collective lives and cultural identities to flourish. Raising Brooklyn demonstrates how these daily interactions form a continuous expression of cultural preservation as a weapon against difficult working conditions, examining how this process unfolds through the use of cell phones, food sharing, and informal economic systems. Ultimately, Raising Brooklyn places the organization of domestic workers within the framework of a social justice movement, creating a dialogue between workers who don't believe their exploitative work conditions will change and an organization whose members believe change can come about through public displays of solidarity.

For amateurs and the accomplished, even devout aficionados, "Zine Scene" offers an insider's account of the blood, sweat, and determination it takes to envision, create, and maintain a do-it-yourself publication. Illustrations.

Archival material from the 1990s underground movement “preserves a vital history of feminism” (Ann Cvetkovich, author of Depression: A Public Feeling). For the past two decades, young women (and men) have found their way to feminism through Riot Grrrl. Against the backdrop of the culture wars and before the rise of the Internet or desktop publishing, the zine and music culture of the Riot Grrrl movement empowered young women across the country to speak out against sexism and oppression, creating a powerful new force of liberation and unity within and outside of the women’s movement. While feminist bands like Bikini Kill and Bratmobile fought for their place in a male-dominated punk scene, their members and fans developed an extensive DIY network of activism and support. The Riot Grrrl Collection reproduces a sampling of the original zines, posters, and printed matter for the first time since their initial distribution in the 1980s and ’90s, and includes an original essay by Johanna Fateman and an introduction by Lisa Darms.