My autobiography is about a child of molestation that survives that and domestic violence, and drug and alcohol addictions. Some would say I would never return to any normal life, but I did through God.

Part memoir, part sports adventure, Not Dead Yet tells the inspirational story of Phil Southerland's battle with Type 1 diabetes and how from diagnosis to sheer determination, Phil Southerland beat all odds and turned his diagnosis and his passion for cycling into a platform. From leading a Race Across America to now managing a world-class cycling program, his journey on and off the bike is changing the way the world views diabetes. When Phil Southerland was seven-months-old, he lost ten pounds in a week, his body was limp and his breathing slowed to what his mother called a "death rattle." Rushing him to the ER, she was informed that tiny Phil displayed the youngest case of diabetes on record in the world at that time. Blindness, kidney failure and death were all predicted for him by age twenty-five. Twenty-nine years later, not only is Phil alive and well but as the founder of Team Type 1, he and his team of championship cyclists — many of them diabetics—have become health and fitness role models for people the world over. Together, they have taken on some of the most challenging endurance events in the world, including winning the Race Across America—a grueling 3,000-mile endurance competition—twice. Today, Phil continues to lead Team Type 1 as its professional cycling team, among one of the top 30 teams in the world, races toward an invite to the world's top cycling event, the Tour de France in 2012. Leading the pack is a serious challenge for any athlete, but for Phil and his teammates, it presents two daily battles: one to stay in razor-sharp race-fit condition, the other, to stay alive. Not Dead Yet is Phil's powerful story: his account of his relationship with his mother, and how she struggled to keep him alive; growing up quickly in the New-Old South of the 1990s, learning at the tender age of 6 years old how to check his glucose and give himself injections; of how he fulfilled his dream of becoming a professional athlete using his team and the bike as a platform, inspiring thousands of individuals and families around the world who are battling diabetes to not just chase, but catch, their dreams.

Poetry. Asian American Studies. "In YOU ARE NOT DEAD Wendy Xu breaks all the old rules that have never done us any favors anyway. She writes beautifully, noticing who we are, and letting us see ourselves with a little more humanity, a little more humor, a little more humility. I'm happy to have read this book." James Tate "There's a wild and wondrous poet plundering-through our lives, collecting the oddest and most significant things, turning our thoughts toward things we couldn't have known before she turned us toward them. YOU ARE NOT DEAD is precisely how this book can get you to feel and that is an almost otherworldly power. The poet who imagines and builds these poems is irresistible." Dara Wier "That fluctuating space between the temporary and the infinite is an erogenous zone made all the more enticing when articulated so eloquently. 'We have a lifespan and O how we live it out.' Wendy Xu's poems posit for us a future, a presence, a body resistant to the ravages of time. Mortality is a far planet. Here in Xu's work, we are passionately, and gratefully, alive." D. A. Powell"

To cut dead means to refuse to acknowledge another with the intent to punish. Gregory Ellison says that this is the plight of African American young men. They are stigmatized with limited opportunity for education and disproportionate incarceration. At the same time, they are often resistant to help from social institutions including the church. They are mute and invisible to society but also in their inward being. Their voice and physical selves are not acknowledged, leaving them ripe for hopelessness and volatility. So if the need is so great yet the desire for help wanes, where is the remedy? Healing can begin by reframing the problem. While to cut dead is destructive, it also refers to pruning and repotting a disfigured plant—giving it new possibilities for life. In this provocative book, Ellison shows how caregivers can sow seeds of life, and nurture with guidance, admonition, training, and support in order to help create a community of reliable others, serving as an extended family.

Living sucks when you have to pretend to be dead. SPOLER ALERT: Denton didn't die. But as the only person in the world, apparently, not to have kicked it on his deathdate, there are lots of people after him. And some of those people are not good people. And some of them would rather just kill him than have to deal with it. And also his Mum's involved. Even though he thought she was dead too. It's all pretty confusing. Lance Rubin's incredible sense of humour shines through once again in this laugh-out-loud sequel to DENTON LITTLE'S DEATHDATE. An outrageously funny read, perfect for fans of Judd Apatow, The Big Bang Theory and John Green. Praise for Denton Little's Deathdate: 'Denton's funny, self-effacing genuineness will keep readers rooting for him' Kirkus Reviews 'Full belly-laugh funny' Notes From The Underground 'Freaking hilarious' goodreads.com 'Very, very funny . . . fresh, original and an absolute joy to read' thebookbag.co.uk 'This book! Oh my god, this book is brilliant! … It's so exciting and awesome! Who has ever heard of a teen angsty, hilariously funny, fast-paced, exciting dystopian? I love it!...' Once Upon a Bookcase 'Nothing short of incredible' Diva Booknerd 'This page-turner sparkles with hilarious dialogue, deadpan drollness, roller-coaster plot twists, and wryly presented coming-of-age revelations' School Libraries Journal

A riveting medical memoir: actor/writer/director Robby Benson takes us on a candid journey from athletic soft spoken heartthrob on Broadway and film, to husband, father, professor and courageous survivor of 4 open heart surgeries. From One On One, Ice Castles, The Chosen and Disney's Beauty and The Beast to directing TVs Ellen and Friends, the funny and explicit narrative: with the author's beautiful photography, career and personal photos, and helpful medical links: is a must for fans and essential reading for heart patients and their loved ones, and anyone searching for what should be the template for medical care in America. (Standard Version) "When you read this funny and courageously blunt book, you will understand how to gain the vibrancy that Robby (and Karla) have. YES, the Cleveland Clinic Provides Many with Miracles but that is not the story. What a great read, and what an important story for YOU, too." Michael F. Roizen, M.D. New York Times #1 Bestselling Author and Chair of the Wellness Institute at the Cleveland Clinic

“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."