An oral history about the life of Steve Nelson, the immigrant teenage son of a Croatian miller, and later an American Communist Party organizer. Follows Nelson's varied career, and his rise in the ranks of the Party. Tells the inside story of the workings of the Party, from a small group of Detroit autoworkers to the Party leaders in New York.

And overview -- The 1920s: birth, insurgency, retrenchment -- Militancy and combat: third period communism, 1929-1934 -- The popular front against fascism, 1935-1945 -- Cold War and demise, 1945--

As garment workers, longshoremen, autoworkers, sharecroppers and clerks took to the streets, striking and organizing unions in the midst of the Depression, artists, writers and filmmakers joined the insurgent social movement by creating a cultural front. Disney cartoonists walked picket lines, and Billie Holiday sand 'Strange Fruit' at the left-wing cabaret, Café Society. Duke Ellington produced a radical musical, Jump for Joy, New York garment workers staged the legendary Broadway revue Pins and Needles, and Orson Welles and his Mercury players took their labor operas and anti-fascist Shakespeare to Hollywood and made Citizen Kane. A major reassessment of US cultural history, The Cultural Front is a vivid mural of this extraordinary upheaval which reshaped American culture in the twentieth century.

This companion volume to The Roots of American Communism brings to completion what the author describes as the essence of the relationship of American Communism to Soviet Russia in the first decade after the Bolsheviks seized power. The outpouring of new archive materials makes it plain that Draper's premise is direct and to the point: The communist movement "was transformed from a new expression of American radicalism to the American appendage of a Russian revolutionary power." Each generation must find this out for itself, and no better guide exists than the work of master historian Theodore Draper. American Communism and Soviet Russia is acknowledged to be the classic, authoritative history of the critical formative period of the American Communist Party. Based on confidential minutes of the top party committees, interviews with party leaders, and public records, this book carefully documents the influence of the Soviet Union on the fundamental nature of American Communism. Draper's reflections on that period in this edition are a fitting capstone to this pioneering effort. Daniel Bell, in Saturday Review, remarked about this work that "there are surprisingly few scholarly histories of individual Communist parties and even fewer which treat of this crucial decade in intimate detail. Draper's account is therefore of great importance." Arthur M. Schlesinger, in The New York Times Book Review, says that "in reading Draper's closely packed pages, one hardly knows whether to marvel more at the detachment with which he examines the Communist movement, the patience with which he unravels the dreary and intricate struggles for power among the top leaders, or the intelligence with which he analyzes the interplay of factors determining the development of American Communism." And Michael Harrington in Commonweal asserted that Draper's book "will long be a definitive source volume and analysis of the Stalinization of American Communism." Theodore Draper is the author of many books on contemporary politics and international relations. He is a Fellow of the American Academy of Arts & Sciences, and lives in Princeton, New Jersey. This is the third work of his to be reissued by Transaction.

Founded in 1919, the Communist Party (CP) in San Francisco survived an ineffectual early period to become a force in the trade union heyday of the 1930s. Robert Cherny uses the lives and careers of more than fifty members to tell the story of the city’s CP from its founding through 1958. Cherny draws on FBI files, the records of the CP at the Russian State Archive for Social and Political History, interviews, and memoirs to follow male and female party and union leaders, rank-and-file members, and others. His history reveals why people joined the CP while charting the frequent changes in policy, constant member turnover, and disruptive factionalism that limited party aims and successes. Cherny also follows his subjects through their resignations, expulsions, or other reasons for departure and looks at the CP’s influence on their lives in subsequent years. Vivid and exhaustively researched, San Francisco Reds is a long view account of the personal motivations and activism of an Old Left generation in a West Coast city.