Leonid Stein was a three-time Soviet Chess Champion and one of the World’s strongest players during his career, which was tragically cut short at its peak by his premature death in 1973. Stein was a fierce competitor who defeated virtually all of his closest rivals and enjoyed excellent results even against World Champions. Stein possessed a unique creative attacking style, and his legacy includes a number of wonderful attacking games. In this book, International Master Thomas Engqvist invites readers to join him in a study of his favourite Stein games, and shows how we can all improve by learning from Stein’s masterpieces. Move by Move provides an ideal platform to study chess. By continually challenging the reader to answer probing questions throughout the book, the Move by Move format greatly encourages the learning and practising of vital skills just as much as the traditional assimilation of knowledge. Carefully selected questions and answers are designed to keep you actively involved and allow you to monitor your progress as you learn. This is an excellent way to improve your chess skills and knowledge.

Details how a labor dispute in Chicago during 1894 progressed into a strike which held up train service in twenty-seven states.

Beginning at the stroke of midnight on January 1, 2014, and ending on January 1, 2015, Leslie Stein drew a comics page a night. Fueled by an urge toward visual and narrative experimentation and made possible by serendipitous bouts of insomnia, Stein has combined words and images in a series of comic strips, paintings, and collages that reflect her life. Bright-Eyed at Midnight collects the best of the 365 pages she made in 2014. By turns funny, unsettling, charming, improvisational, honest, and evocative, Stein explores her 1980s childhood, dreams, travel, artist’s block, drinking, recording and playing rock shows, and bar patrons, along with quiet moments of introspection and loneliness in the most exciting city in America. Drawn in pen and ink and vibrant watercolors, and written in a minimalist, poetic cadence, Bright-Eyed at Midnight is a thoughtful, meditative visual diary from an acclaimed cartoonist.

Although often hailed as a 'quintessentially American' writer, the modernist poet, novelist and playwright Gertrude Stein (1874-1946) spent most of her life in France. With chapters written by leading international scholars, Gertrude Stein in Europe is the first sustained exploration of the European artistic and intellectual networks in which Stein's work was first developed and circulated. Along the way, the book investigates the European contexts of Stein's writing, how her own work intersected with European thought, including phenomenology and the vitalist work of Henri Bergson, and ultimately how it was received by scholars and artists across the continent. Gertrude Stein in Europe opens up new perspectives on Stein as a writer and on the centrality of artistic and intellectual networks to European modernism.

What Amateurs Can Learn from Ulf Andersson's Positional Masterpieces One of the most effective ways to improve your chess is to take a world class-player as your example. By collecting his games, studying his choices and examining his style, you will understand what made him rise to the very top. This is what Guido Kern and Jurgen Kaufeld have done with Swedish chess legend Ulf Andersson, a positional genius with a crystal-clear style, who rose to the number 4 spot of the FIDE world rankings. Kaufeld and Kern have selected 80 of Andersson’s games and grouped them into 15 thematic strategy lessons, pinpointing exactly how the Swede made the difference in each case. Their instructive verbal explanations will improve your strategic skills and your positional feeling. Every chess player knows how difficult it can be to convert an advantage into a win. Positional technique is what you need and Grandmaster Chess Strategy teaches you exactly that. Throughout the book the authors have selected dozens of test positions at particularly instructive stages of the games.

Recent scholarly trends and controversies in Gertrude Stein scholarship have focused on her politics and her friendships as well as on Stein the collector, the celebrity, the visual icon. Clearly, these recent examinations not only deepen our understanding of Stein but also attest to her staying power. Yet Stein’s writing itself too often remains secondary. The central premise of Primary Stein is that an extraordinary amount of textual scholarship remains to be done on Stein’s work, whether the well-known, the little-known, or yet unpublished. The essays in Primary Stein draw on recent interdisciplinary examinations, using cultural and historical contexts to enrich and complicate how we might read, understand, and teach Stein’s writing. Following Stein’s own efforts throughout her lifetime to shift the focus from her personality to her writing, these innovative essays turn the lens back to a wide range of her texts, including novels, plays, lectures and poetry. Each essay takes Stein’s primary works as its core interpretive focus, returning scholarly conversations to the challenges and pleasures of working with Stein’s texts.