Science fiction-roman.

A human narrator from England is transported out of his body via unexplained means. He realizes he is able to explore space and other planets. After exploring a civilization on another planet in our galaxy at a level of development similar to our own that existed millions of years ago thousands of light years from Earth (the "Other Earth") in some detail, his mind merges with that of one of its inhabitants, and as they travel together, they are joined by still more minds or group-minds. This snowballing process is paralleled by the expansion of the book's scale, describing more and more planets in less and less detail. The disembodied travelers encounter many ideas that are interesting from both science-fictional and philosophical points of view. Star Maker tackles philosophical themes such as the essence of life, of birth, decay and death, and the relationship between creation and creator. A pervading theme is that of progressive unity within and between different civilizations.

The grisly discovery of a body at the bottom of a subway entrance in mid-town Manhattan, leads NYPD detectives Gordon Hodges and Carl Furillo on the path of a monumental serial killer--one who may be a Major League Baseball player.

Jim Halsey, veteran music manager who built the number one country-music agency in the world, shares the secrets he learned while shepherding the careers of The Oak Ridge Boys, Roy Clark and many other entertainment giants. Halsey digs deep into the fundamentals: how to develop an act, how to get an agent, how to use the press to build your audience, how to play the biggest and best forums. His incisive advice will help you find your place on the teama "the position that will give you the most successful and most fulfilling career. Whether you dream of seeing your name in lights or prefer a powerful position behind the scenes, Jim Halsey can tell you how to achieve your dream."

This memoir by the legendary publicist offers “an intimate glimpse into the best and the worst of the golden age of Hollywood” (Stacy Keach, Golden Globe Award–nominated actor). Jay Bernstein, an entertainment industry fixture who helped launch the careers of celebrities including Farrah Fawcett and Suzanne Somers, was famed for his sense of showmanship, his outrageous style, and the publicity stunts he engineered to get attention for his clients. Starmaker tells his story, from his childhood in Oklahoma City and his first job in a Hollywood mailroom to the ownership of his own public relations firm and his work as a television producer. In addition to a behind-the-scenes look at several generations of show business and hard-hitting insights about how the industry changed over the decades, Bernstein also describes the relationships he had with stars and his notorious techniques, such as paying women to throw hotel keys at Tom Jones, having Entertainment Tonight host Mary Hart’s legs insured for one million dollars, and getting married underwater for an episode of Lifestyles of the Rich and Famous. With the wisdom of experience and a sense of humor, this autobiography shares the intimate details of a fascinating Hollywood life.

David O. Selznick (1902–1965) was one of the most prominent film producers of the Hollywood studio era, responsible for such artistic and commercial triumphs as King Kong, David Copperfield, Anna Karenina, A Star Is Born, Gone with the Wind, Rebecca, Spellbound, and The Third Man. However, film production was not his only domain. Starting in the late 1930s, he built an impressive stable of stars within his own independent company, including Ingrid Bergman, Vivien Leigh, Joan Fontaine, Jennifer Jones, and Gregory Peck. In Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System, author Milan Hain reveals the mechanisms by which Selznick and his collaborators discovered and promoted new stars and describes how these personalities were marketed, whether for financial gain or symbolic recognition and prestige. Using a wide range of archival materials, the book significantly complements and reshapes our understanding of Selznick’s celebrated career by focusing on heretofore neglected aspects of his creative and business activities. It also sheds light on the US film industry during the Golden Age of Hollywood studios and in the postwar period when the established order began to break down. By structuring the book around Selznick and his role as a starmaker, Hain demonstrates that star production and development in the Hollywood studio system was a highly organized and systematic activity, though the respective strategies and procedures were often hidden from the public eye.

An exploration of the work by American artist Richard Bernstein that celebrates his larger-than-life portraits for the covers of Andy Warhol’s Interview magazine, as well as his visually arresting fine art, movie posters, and album covers created from the mid-1960s to the 1990s. Richard Bernstein, a fixture at Studio 54 and with fashion and art insiders, captured the allure of the disco era through his iconic hyper-colored graphic portraits of superstars for the covers of Andy Warhol’s Interview magazine. Warhol’s influence on Bernstein’s bold, playful, and graphic artwork is evident, and it was often thought that Warhol created the covers himself. Yet it was Bernstein, an American artist and art director, whose distinctive craft of retouching photographs with pastels, stencils, and airbrushing monumentalized his subjects into dazzling pop-art incarnations—sexy, captivating, and forever young. The book features his legendary Interview covers of Madonna, Grace Jones, Mick Jagger, Cher, Calvin Klein, Michael Jackson, and Aretha Franklin, and Bernstein’s rarely seen fine artwork, album covers, and editorial work for Time, Vogue Italia, New York Magazine, and Playboy, complete with intimate anecdotes and interviews with his closest friends and collaborators. This volume is an essential addition to any fashion, pop culture, style, or art lover’s library.