The Standing Rock Reservation is home to 8,250 Lakota, Dakota, and Nakota people of the Oceti Sakowin Nation. It is located in south-central North Dakota and in north-central South Dakota. The reservation is the sixth largest in the United States, with a land area of 3,571 square miles. It comprises all of Sioux County, North Dakota, Corson County, South Dakota, and small tracts of northern Dewey and Ziebach Counties in South Dakota. The tribe has a very rich culture and history, both of which are showcased in this series of photographs of the Standing Rock Reservation and its people.

"More than a hundred years ago (1899), photographer Frank Bennett Fiske (1883-1952) began photographing members of the Standing Rock Sioux in his studio at Fort Yates, North Dakota. He was 16 years old when he took over the studio from S.T. Fransler. The men and women Fiske photographed were his friends and neighbors, Native Americans who had lived on the reservation for more than 20 years. Fiske lived there nearly all his life. Made with a large studio camera on glass plate negatives, the resulting images are stunning in their clarity and composition, and have rarely been seen in public and never published in book form until now. Dakota native, photographer and graphic designer Murray Lemley has curated a selection of Fiske's work for the world to see for the first time."--Back cover

Winner of the Oakland “Blue Collar” PEN Award A work of history, a manifesto, and an intergenerational story of resistance that shows how two centuries of Indigenous struggle created the movement proclaiming “Water is Life” In 2016, a small protest encampment at the Standing Rock reservation in North Dakota, initially established to block construction of the Dakota Access oil pipeline, grew to be the largest Indigenous protest movement in the twenty-first century, attracting tens of thousands of Indigenous and non-Native allies from around the world. Its slogan “Mni Wiconi”—Water is Life—was about more than just a pipeline. Water Protectors knew this battle for Native sovereignty had already been fought many times before, and that, even after the encampment was gone, their anti-colonial struggle would continue. In Our History is the Future, Nick Estes traces traditions of Indigenous resistance leading to the #NoDAPL movement from the days of the Missouri River trading forts through the Indian Wars, the Pick-Sloan dams, the American Indian Movement, and the campaign for Indigenous rights at the United Nations. While a historian by trade, Estes also draws on observations from the encampments and from growing up as a citizen of the Oceti Sakowin (the Nation of the Seven Council Fires), making Our History is the Future at once a work of history, a personal story, and a manifesto.

There is a rock of incredible legend and history that stands before the Standing Rock Agency. Years ago a Dakota man took a second wife, thereby bruising the ego of his first. As camp was breaking up and the tribe was moving on, the first wife pouted and refused to move. She stayed behind with her baby. The tribe moved on and the husband repented, sending his brothers to collect her. They returned to camp to find that she and her child had turned to stone. From that point on, the stone was thought holy and was moved with the tribe, always given a place of honor at the center of camp. Now resting upon a brick pedestal, from this stone the agency derives its name.

Explores the history, events, and aftermath of the Standing Rock Sioux Tribe’s protest of the Dakota Access Pipeline. Through insightful text, “In Their Own Words” special features, and critical thinking questions, this title will introduce readers to a modern example of social activism.

2022 High Plains Book Award Winner for First Book 2022 Eric Hoffer Award Grand Prize Short List 2022 Eric Hoffer Award Honorable Mention in Culture 2022 IPPY Gold Medal in Environment/Ecology 2022 Next Generation Indie Book Award Finalist in Regional Nonfiction 2022 Montaigne Medal Finalist 2021 Foreword Indies Honorable Mention for History The controversial Dakota Access Pipeline (DAPL) made headlines around the world in 2016. Supporters called the pipeline key to safely transporting American oil from the Bakken oil fields of the northern plains to markets nationwide, essential to both national security and prosperity. Native activists named it the "black snake," referring to an ancient prophecy about a terrible snake that would one day devour the earth. Activists rallied near the Standing Rock Reservation in North Dakota for months in opposition to DAPL, winning an unprecedented but temporary victory before the federal government ultimately permitted the pipeline. Oil began flowing on June 1, 2017. The water protector camps drew global support and united more than three hundred tribes in perhaps the largest Native alliance in U.S. history. While it faced violent opposition, the peaceful movement against DAPL has become one of the most crucial human rights movements of our time. Black Snake is the story of four leaders--LaDonna Allard, Jasilyn Charger, Lisa DeVille, and Kandi White--and their fight against the pipeline. It is the story of Native nations combating environmental injustice and longtime discrimination and rebuilding their communities. It is the story of a new generation of environmental activists, galvanized at Standing Rock, becoming the protectors of America's natural resources.

This book explores tensions surrounding news media coverage of Indigenous environmental justice issues, identifying them as a fruitful lens through which to examine the political economy of journalism, American history, human rights, and contemporary U.S. politics. The book begins by evaluating contemporary American journalism through the lens of "deep media", focusing especially on the relationship between the drive for profit, professional journalism, and coverage of environmental justice issues. It then presents the results of a framing analysis of the Standing Rock movement (#NODAPL) coverage by news outlets in the USA and Canada. These findings are complemented by interviews with the Standing Rock Sioux Tribe, whose members provided their perspectives on the media and the pipeline. The discussion expands by considering the findings in light of current U.S. politics, including a Trump presidency that employs "law and order" rhetoric regarding people of color and that often subjects environmental issues to an economic "cost-benefit" analysis. The book concludes by considering the role of social media in the era of "Big Oil" and growing Indigenous resistance and power. Examining the complex interplay between social media, traditional journalism, and environmental justice issues, Journalism, Politics, and the Dakota Access Pipeline: Standing Rock and the Framing of Injustice will be of great interest to students and scholars of environmental communication, critical political economy, and journalism studies more broadly.