"Stage Lighting Design" covers the complete history, theory and - above all - practice of lighting design. It contains 450 black and white half tones, 60 colour photos and innumerable diagrams, lighting plots etc. "Stage Lighting Design" is arranged in four sections: Design: the basic principles, illustrated with reference to specific productions; History: a brief survey of the historical development of stage lighting; Life: interviews with 14 other lighting designers, plus notes on Pilbrow's own career; and Mechanics: a vast section dealing with all the technical data today's designer will need.

Stage Lighting Design is a comprehensive introduction to technical theatre, tracing the evolution of lighting design from ancient drama to contemporary performance. Neil Fraser covers everything that today's designers will need to know, from the simple nuts and bolts of equipment, through to the complexity of a full lighting rig, including all aspects of the stage electrician and lighter designer's roles. This revised second edition includes new material on historical development, intelligent control systems and the latest advances in LED fixtures and luminaires. Each chapter includes key exercises, now totalling 100, that enable the reader to practise their skills on a wide variety of lighting challenges. The work of current designers is showcased and analysed, with examples from complete and detailed lighting designs.Includes: Choosing and using equipment; Applying colour; Techniques for focusing; Lighting in the round and other stage layouts; Creating mood and atmosphere; Lighting effects and LED source fixtures; Planning, testing and executing a lighting design.Superbly llustrated with over 150 colour, black & white photographs and line artworks.

This invaluable reference book covers the fundamentals of stage lighting, focusing on the qualitites of light, how to use available tools and how to process a lighting design

The long awaited new edition of this celebrated bestseller.

Revised, updated and expanded, this classic primer on theatrical lighting design features the latest technological advances as well as photos and diagrams from the author?s newest productions.A virtuoso in the field, Max Keller has set new standards of technical and artistic excellence. In this book he divulges his extensive knowledge of every aspect of stage lighting, from natural phenomena and the history of light in the theater, to Goethe and Runge?s theories of color, to the fundamentals of optics and projection. This revised edition of Light Fantastic includes new images from Keller?s most recent productions as well as completely updated information on optics, lamps, lanterns, projection and lighting consoles. In more than 600 stunning photographs and illustrations, the power of Keller?s expertise shines through, making this a visually exciting and highly informative work for those involved in theater technology.Max Keller is an internationally acclaimed designer and consultant for productions on some of the world?s most celebrated stages, including the Metropolitan Opera House, the Royal Opera House, the Salzburg Festival and The Munchner Kammerspiele.

The Art of Light on Stage is the first history of theatre lighting design to bring the story right up to date. In this extraordinary volume, award-winning designer Yaron Abulafia explores the poetics of light, charting the evolution of lighting design against the background of contemporary performance. The book looks at the material and the conceptual; the technological and the transcendental. Never before has theatre design been so vividly and excitingly illuminated. The book examines the evolution of lighting design in contemporary theatre through an exploration of two fundamental issues: 1. What gave rise to the new directions in lighting design in contemporary theatre? 2. How can these new directions be viewed within the context of lighting design history? The study then focuses on the phenomenological and semiotic aspects of the medium for light – the role of light as a performer, as the medium of visual perception and as a stimulus for imaginative representations – in selected contemporary theatre productions by Robert Wilson, Romeo Castellucci, Heiner Goebbels, Jossi Wieler and David Zinder. This ground-breaking book will be required reading for anyone concerned with the future of performance.