Out of the darkness of the fetid Hudson River, the undead rose to eat their victims alive.... Horror-movie monsters burst from late-night TV screens -- to turn their viewers into victims. Biker gangs of decomposing corpses rode the highways of America, on the hunt for unsuspecting motorists.... Take a front seat in the baddest nightmare in town. Superstar Izzy Stark has the power to make your dreams -- and nightmares -- come true. He's the master of disaster, the guru of gore, the doctor of doom, the duke of death and destruction -- and you can't escape this command performance. This first-ever reprint of Garrett Boatman's rare '80s paperback horror gem Stage Fright (1988) features a new introduction by Will Errickson and the original cover art.

An affectionate, nostalgic, and unflinchingly funny celebration of the horror fiction boom of the 1970s and ’80s Take a tour through the horror paperback novels of two iconic decades . . . if you dare. Page through dozens and dozens of amazing book covers featuring well-dressed skeletons, evil dolls, and knife-wielding killer crabs! Read shocking plot summaries that invoke devil worship, satanic children, and haunted real estate! Horror author and vintage paperback book collector Grady Hendrix offers killer commentary and witty insight on these trashy thrillers that tried so hard to be the next Exorcist or Rosemary’s Baby. Complete with story summaries and artist and author profiles, this unforgettable volume dishes on familiar authors like V. C. Andrews and R. L. Stine, plus many more who’ve faded into obscurity. Also included are recommendations for which of these forgotten treasures are well worth your reading time and which should stay buried.

Nightmare Fuel by Nina Nesseth is a pop-science look at fear, how and why horror films get under our skin, and why we keep coming back for more. Do you like scary movies? Have you ever wondered why? Nina Nesseth knows what scares you. She also knows why. In Nightmare Fuel, Nesseth explores the strange and often unexpected science of fear through the lenses of psychology and physiology. How do horror films get under our skin? What about them keeps us up at night, even days later? And why do we keep coming back for more? Horror films promise an experience: fear. From monsters that hide in plain sight to tension-building scores, every aspect of a horror film is crafted to make your skin crawl. But how exactly do filmmakers pull this off? The truth is, there’s more to it than just loud noises and creepy images. With the affection of a true horror fan and the critical analysis of a scientist, Nesseth explains how audiences engage horror with both their brains and bodies, and teases apart the elements that make horror films tick. Nightmare Fuel covers everything from jump scares to creature features, serial killers to the undead, and the fears that stick around to those that fade over time. With in-depth discussions and spotlight features of some of horror’s most popular films—from classics like The Exorcist to modern hits like Hereditary—and interviews with directors, film editors, composers, and horror academics, Nightmare Fuel is a deep dive into the science of fear, a celebration of the genre, and a survival guide for going to bed after the credits roll. “An invaluable resource, a history of the horror genre, a love letter to the scary movie—it belongs on any horror reader’s bookshelf.” —Lisa Kröger, Bram Stoker Award-winning author of Monster, She Wrote At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Each story in this four-part series of young ecology books tells of how the lives of plants and animals change when human beings become involved. This is the story of two birds who are building their nest and rearing their young. It tells of the danger they face from the children's kitten.

First published in Germany in 1929, The End and the Beginning is a lively personal memoir of a vanished world and of a rebellious, high-spirited young woman's struggle to achieve independence. Born in 1883 into a distinguished and wealthy aristocratic family of the old Austro-Hungarian Empire, Hermynia Zur Muhlen spent much of her childhood travelling in Europe and North Africa with her diplomat father. After five years on her German husband's estate in czarist Russia she broke with both her family and her husband and set out on a precarious career as a professional writer committed to socialism. Besides translating many leading contemporary authors, notably Upton Sinclair, into German, she herself published an impressive number of politically engaged novels, detective stories, short stories, and children's fairy tales. Because of her outspoken opposition to National Socialism, she had to flee her native Austria in 1938 and seek refuge in England, where she died, virtually penniless, in 1951. This revised and corrected translation of Zur Muhlen's memoir - with extensive notes and an essay on the author by Lionel Gossman - will appeal especially to readers interested in women's history, the Central European aristocratic world that came to an end with the First World War, and the culture and politics of the late nineteenth and early twentieth centuries.

'What are the possibilities of my strength? That is a thought I have never had before. What if some morning as the old woman stood at the head of the staircase she were suddenly to feel a weight thrusting against the back of her legs? What if she were to lunge forward, grasping at the air, striking her thin skull against the edge of a stair? What would become of me if she were found unmoving at the bottom of the stairway?' Such are the thoughts of Baxter, a sociopathic bull terrier on the hunt for the perfect master, as he contemplates the demise of his first victim. The basis for the acclaimed 1989 film Baxter, Ken Greenhall's utterly chilling and long-unobtainable Hell Hound (1977) has earned a reputation as a lost classic of horror fiction. This reissue includes a new introduction by Grady Hendrix. 'An unsung classic of the bizarre that ranks with Crash and The Wasp Factory.' - Fright.com 'Deserves to be much more well-known and not simply as a "cult classic" . . . I cannot recommend it highly enough!' - Too Much Horror Fiction 'An author who has been criminally neglected by modern readers . . . It's time to start celebrating Ken Greenhall.' - Jonathan Janz