Limited, finite, contaminated, unavailable or expensive, water divides people all around the globe. We all cannot do without water for long, but can for long enough to fight for it. This commonsensical narration of water conflicts, however, follows a pattern of scarcity and necessity that is remarkably unvaried despite different social and geographical contexts. Through in-depth case studies from around the globe, this volume investigates this similarity of narration—confronting the power of a single story by taking it seriously instead of dismissing it. In so doing, it invites the reader to rethink water conflicts and how they are commonly understood and managed. This book: Posits the existence of the idea of water conflict, and asks what it is and what it produces, thus how it is used to pursue particular interests and to legitimise specific historical, technological and environmental relations; Examines the meaning and power of ideas as compared to other categories of knowledge, advancing theoretical frameworks related to environmental knowledge, discursive power, social constructivism; Presents an alternative agenda to deepen the conversation around water conflicts among scholars and activists. Of interest to scholars and activists alike, this volume is addressed to those involved with environmental conflicts, environmental knowledge and justice, disasters and climate change from the disciplinary angles of environmental anthropology and sociology, political ecology and economy, science and technology studies, human geography and environmental sciences, development and cooperation, public policy and peace studies. Essays by Gina Bloodworth, Ben Bowles, Patrick Bresnihan, Luisa Cortesi, Mattia Grandi, K. J. Joy, Midori Kawabe, Adrianne Kroepsch, Vera Lazzaretti, Leslie Mabon, Renata Moreno Quintero, Madhu Ramnath, Jayaprakash Rao Polsani, Dik Roth, Theresa Selfa,Veronica Strang, Mieke van Hemert, Jeroen Warner, Madelinde Winnubst.

Otto von Guericke has been called a neglected genius, overlooked by most modern scholars, scientists, and laymen. He wrote his Experimenta Nova in the seventeenth century in Latin, a dead language for the most part inaccessible to contemporary scientists. Thus isolated by the remoteness of his time and his means of communication, von Guericke has for many years been denied the recognition he deserves in the English speaking world. Indeed, the century in which he lived witnessed the invention of six important and valuable scientific instruments -- the microscope, the telescope, the pendulum clock, the barometer, the thermometer, and the air pump. Von Guericke was associated with the development of the last three of these; he also experimented with a rudimentary electric machine. Thus his Experimenta Nova was an important work, heralding the emerging empiricism of seventeenth century science, and merits this first English translation of von Guericke's magnus opus.

While honoring the historical context and literary diversity of the Old Testament, Telling the Old Testament Story is a thematic reading that construes the OT as a complex but coherent narrative. Unlike standard, introductory textbooks that only cover basic background and interpretive issues for each Old Testament book, this introduction combines a thematic approach with careful exegetical attention to representative biblical texts, ultimately telling the macro-level story, while drawing out the multiple nuances present within different texts and traditions. The book works from the Protestant canonical arrangement of the Old Testament, which understands the story of the Old Testament as the story of God and God’s relationship with all creation in love and redemption—a story that joins the New Testament to the Old. Within this broader story, the Old Testament presents the specific story of God and God’s relationship with Israel as the people called, created, and formed to be God’s covenant partner and instrument within creation. The Old Testament begins by introducing God’s mission in Genesis. The story opens with the portrait of God’s good, intended creation of right-relationships (Gen 1—2) and the subsequent distortion of that good creation as a result of humanity’s rebellion (Gen 3—11). Genesis 12 and following introduce God’s commitment to restore creation back to the right-relationships and divine intentions with which it began. Coming out of God’s new covenant engagement with creation in Gen 9, this divine purpose begins with the calling of a people (who turn out to be the manifold descendants of Abraham and Sarah) to be God’s instrument of blessing for all creation and thus to reverse the curse brought on by sin. The diverse traditions that comprise the remainder of the Pentateuch then combine to portray the creation and formation of Israel as a people prepared to be God’s instrument of restoration and blessing. As the subsequent Old Testament books portray Israel’s life in the land and journey into and out of exile, the reader encounters complex perspectives on Israel’s attempts to understand who God is, who they are as God’s people, and how, therefore, they ought to live out their identity as God’s people within God’s mission in the world. The final prophetic books that conclude the Protestant Old Testament ultimately give the story of God’s mission and people an open-ended quality, suggesting that God’s mission for God’s people continues and leading Christian readers to consider the New Testament’s story of the Church as an extension and expansion of the broader story of God introduced in the Old Testament. The main methodological perspective that informs the book includes work on the phenomenological function of narrative (especially story’s function to shape the identity and practice of the reader), as well as more recent so-called “missional” approaches to reading Christian scripture. Canonical criticism provides the primary means for relating the distinctive voices within the Old Testament texts that still honor the particularity and diversity of the discrete compositions. Accessibly written, this book invites readers to enter imaginatively into the biblical story and find the Old Testament's lively and enduring implications.