In this exciting follow-up to Shimmer and Burn, Faris has given up love to save her sister’s life and the dying kingdom of Avinea, but will her sacrifices be enough to overcome the poisoned magic and villains surrounding her on all sides? The fight is just beginning. Faris has been forced to give up the man she loves for a dangerous but necessary alliance. Her loyalty is bound by magic to his future bride, the villainous Bryn. And her mother’s powerful spell that could be the key to saving Avinea fights with poisoned magic for control of her heart. None of that matters though because everything Faris has done has been for Cadence, the little sister she’s been trying to rescue from the king’s slavery. Now they’re finally reunited, but Cadence has a gut-wrenching confession: she remembers everything from while she was under the king’s enchantment. She wants nothing to do with Faris. Heartbroken, Faris focuses on tracking Merlock, the king who must be killed to stop The Burn, by manipulating her mother’s spell through her dreams. Before long though, Faris realizes these aren’t normal dreams, they might just be real, and they may show her a way to kill Merlock herself. But there are things darker than poison that lie in The Burn, and not even the spell deep in Faris’s chest can stop them. Faris will again be faced with impossible choices. Does she risk everything to save Avinea, even if she might lose North and further betray her sister’s trust? Or does she succumb to the poison inside that begs her to think this time, finally, of herself?

To save her sister’s life, Faris must smuggle magic into a plague-ridden neighboring kingdom in this exciting and dangerous start to a brand-new fantasy duology. Faris grew up fighting to survive in the slums of Brindaigel while caring for her sister, Cadence. But when Cadence is caught trying to flee the kingdom and is sold into slavery, Faris reluctantly agrees to a lucrative scheme to buy her back, inadvertently binding herself to the power-hungry Princess Bryn, who wants to steal her father’s throne. Now Faris must smuggle stolen magic into neighboring Avinea to incite its prince to alliance—magic that addicts in the war-torn country can sense in her blood and can steal with a touch. She and Bryn turn to a handsome traveling magician, North, who offers protection from Avinea’s many dangers, but he cannot save Faris from Bryn’s cruelty as she leverages Cadence’s freedom to force Faris to do anything—or kill anyone—she asks. Yet Faris is as fierce as Bryn, and even as she finds herself falling for North, she develops schemes of her own. With the fate of kingdoms at stake, Faris, Bryn, and North maneuver through a dangerous game of magical and political machinations, where lives can be destroyed—or saved—with only a touch.

Cacciari discusses Vienna at a crucial turning point in Western thinking, as the 19th century ended, treating this extraordinarily rich concentration of people and events as the hub upon which wheeled into the 20th century.

A slender satirical gem from the “master of malice and mayhem” (The New York Times) The Ballad of Peckham Rye is a wickedly farcical tale of an English factory town turned upside-down by a Scot who may or may not be in league with the Devil. Dougal Douglas is hired to do “human research” into the lives of the workers, Douglas stirs up mutiny and murder.

Cultural boundaries and group identity are often forged in relation to the Other. In every society, conceptions of otherness, which often reflect a group's fears and vulnerabilities, result in deep-rooted traditions of inclusion and exclusion that permeate the culture's literature, religion, and politics. This volume explores the ways in which Jews have traditionally defined other groups and, in turn, themselves. The contributors, a distinguished international group of scholars, explore the discursive processss through which Jewish identity and culture have been constructed, disseminated, and perpetuated. Among the topics addressed are: Others in the biblical world; the construction of gender in Roman-period Judaism; the Other as woman in the Greco-Roman world; the gentile as Other in rabbinic law; the feminine as Other in kabbalah; the reproduction of the Other in the Passover Haggadah; the Palestinian Arab as Other in Israeli politics and literature; the Other in Levinas and Derrida; Blacks as Other in American Jewish literature; the Jewish body image as symbol of Otherness; and women as Other in Israeli cinema. Contributors to this interdisciplinary volume are: Jonathan Boyarin (New School for Social Research), Robert L. Cohn (Lafayette College), Gerald Cromer (Bar-Ilan University), Trude Dothan (Hebrew University of Jerusalem), Elizabeth Fifer (Lehigh University), Steven D. Fraade (Yale University), Sander L. Gilman (Cornell University), Hannan Hever (Tel Aviv University), Ross S. Kraemer (University of Pennsylvania), Orly Lubin (Tel Aviv University), Peter Machinist (Harvard University), Jacob Meskin (Williams College), Adi Ophir (Tel Aviv University), Ilan Peleg (Lafayette College), Miriam Peskowitz (University of Florida), Laurence J. Silberstein (Lehigh University), Naomi Sokoloff (University of Washington), and Elliot R. Wolfson (New York University).