The principal developments in Spanish American poetry in the second half of the twentieth century.

Since Whitman and Dickinson, most of the major poetry in the United States has been written against the literary establishments and prevailing canons of taste, and often far from the cultural centers. This is the first anthology in many years to gather the work from this continuing tradition of innovators and outsiders, presenting poets and poems that are still excluded from the academic collections. Opening with the last poems of the Modernist masters Ezra Pound, William Carlos Williams, and H.D., the book follows through four generations of writers who have been the primary figures of the new poetries and poetics since 1950. With a historical afterword, complete bibliographies, and generous selections from each of the thirty-five poets, this anthology is the only available introduction to the poets connected with such groups and movements as the Objectivists, the Beats, Black Mountain, the New York School, the San Francisco Renaissance, and ethnopoetics. American Poetry Since 1950 is a new map of the territory, an array of known and unknown contemporary classics. It is full of strange texts and startling procedures, histories and natural histories, high lyricism and extended meditations - extraordinary works that challenge our notions of what a poem ought to be.

Inspiring treasury of 40 poems ranging from the time of the Conquest to the first half of the 20th century. Works by Martí, Dario, Nervo, Mistral, Neruda, and many other poets are presented in their original Spanish-American versions with new literal English translations on facing pages. Brief biographical notes on each poet.

The Cambridge Companion to Latin American Poetry provides historical context on the evolution of the Latin American poetic tradition from the sixteenth century to the present day. It is organized into three parts. Part I provides a comprehensive, chronological survey of Latin American poetry and includes separate chapters on Colonial poetry, Romanticism/modernism, the avant-garde, conversational poetry, and contemporary poetry. Part II contains six succinct essays on the major figures Sor Juana Inés de la Cruz, Gabriela Mistral, César Vallejo, Pablo Neruda, Carlos Drummond de Andrade, and Octavio Paz. Part III analyses specific and distinctive trends within the poetic canon, including women's, LGBT, Quechua, Afro-Hispanic, Latino/a and New Media poetry. This Companion also contains a guide to further reading as well as an essay on the best English translations of Latin American poetry. It will be a key resource for students and instructors of Latin American literature and poetry.