While the first few films about space travel-primarily those by George Pal- were relatively serious and full of good intentions to get it right, the prime sources of inspiration for most of the films of the 1950s and early '60s-the first sci-fi boom-were not so much austere scientific journals and speculative studies, but rather the mad, bad pulp magazines of the 1930s, '40s, and '50s. These glorious mind-meddlers had already inspired movie serials and comic books of the same period, from Republic, Columbia, and Universal in the movie houses to EC, DC, and Atlas (later Marvel) on the newsstands. Feature films followed much the same pattern, and so, well-meaning trying-to-be-intelligent fare like Destination: Moon and Conquest of Space gradually gave way to more brainless frolics such as Cat-Women of the Moon and The Angry Red Planet. But there was room for both, and a market for both. This book looks in detail at space travel films of the '50s in chronological order, from the relatively sober but hilariously dated Destination: Moon and Rocketship X-M to the B-movie insanity of Cat Women of the Moon and Queen of Outer Space. Along the way, we'll take a Flight to Mars, see what happens When Worlds Collide, visit the Forbidden Planet, find out what so aggravated The Angry Red Planet, and witness humankind's Conquest of Space. The book also includes the lowbrow parodies of Abbott And Costello and the Three Stooges, the less disreputable Trek-like World Without End and It, the Terror from Beyond Space, the film that inspired the Alien and Predator genre. Plus Missile to the Moon, The Phantom Planet, and 1964's First Men in the Moon. Also includes a brief cover gallery of books and magazines of the era, and a photo feature of space travel on TV during that period. Not bad for the price of a couple of magazines! Jon Abbott has been writing about film and television professionally for nearly forty years. He has contributed to most of the major sci-fi magazines in that time. He is the author of numerous books on popular culture, including the highly regarded Cool TV series. He currently writes for Infinity magazine. In the previous three titles in this series, which can be enjoyed individually or as a set, we looked at the creatures who came here... or who were already here and got defrosted, mutated, or irradiated! This final volume deals with our efforts to Go There... So brace yourself, buckle up, ray guns at the ready, fish bowls on your heads, and don't forget to take a packet of three for all those delightful space babes you're going to encounter in this, the fourth and final of our studies of 1950s sci-fi movies...

While the first few films about space travel-primarily those by George Pal- were relatively serious and full of good intentions to get it right, the prime sources of inspiration for most of the films of the 1950s and early '60s-the first sci-fi boom-were not so much austere scientific journals and speculative studies, but rather the mad, bad pulp magazines of the 1930s, '40s, and '50s. These glorious mind-meddlers had already inspired movie serials and comic books of the same period, from Republic, Columbia, and Universal in the movie houses to EC, DC, and Atlas (later Marvel) on the newsstands. Feature films followed much the same pattern, and so, well-meaning trying-to-be-intelligent fare like Destination: Moon and Conquest of Space gradually gave way to more brainless frolics such as Cat-Women of the Moon and The Angry Red Planet. But there was room for both, and a market for both. This book looks in detail at space travel films of the '50s in chronological order, from the relatively sober but hilariously dated Destination: Moon and Rocketship X-M to the B-movie insanity of Cat Women of the Moon and Queen of Outer Space. Along the way, we'll take a Flight to Mars, see what happens When Worlds Collide, visit the Forbidden Planet, find out what so aggravated The Angry Red Planet, and witness humankind's Conquest of Space. The book also includes the lowbrow parodies of Abbott And Costello and the Three Stooges, the less disreputable Trek-like World Without End and It, the Terror from Beyond Space, the film that inspired the Alien and Predator genre. Plus Missile to the Moon, The Phantom Planet, and 1964's First Men in the Moon. Also includes a brief cover gallery of books and magazines of the era, and a photo feature of space travel on TV during that period. Not bad for the price of a couple of magazines! Jon Abbott has been writing about film and television professionally for nearly forty years. He has contributed to most of the major sci-fi magazines in that time, and is the author of numerous books on popular culture, including the highly regarded Cool TV series. He currently writes for Infinity magazine. In the previous three titles in this series, which can be enjoyed individually or as a set, we looked at the creatures who came here... or who were already here and got defrosted, mutated, or irradiated! This final volume deals with our efforts to Go There... So brace yourself, buckle up, ray guns at the ready, fish bowls on your heads, and don't forget to take a packet of three for all those delightful space babes you're going to encounter in this, the fourth and final of our studies of "Sci-Fi before Star Wars"...

Over the course of several decades, scientific fact has overtaken science fiction as humankind's understanding of the universe has expanded. Mirroring this development, the cinematic depictions of space exploration over the last century have evolved from whimsical sci-fi fantasies to more fact-based portrayals. This book chronologically examines 75 films that depict voyages into outer space and offers the historical, cultural, and scientific context of each. These films range from Georges Melies' fantastical A Trip to the Moon to speculative science fiction works such as 2001: A Space Odyssey, Solaris, and Contact, and fact-based accounts of actual space missions as depicted in The Right Stuff, Apollo 13, Salyut 7 and First Man. Each film is analyzed not only in terms of its direction, screenplay, and other cinematic aspects but also its scientific and historical accuracy. The works of acclaimed directors, including Fritz Lang, George Pal, Stanley Kubrick, Andrei Tarkovsky, Robert Wise, Ron Howard, Robert Zemeckis, Ridley Scott, and Christopher Nolan, are accorded special attention for their memorable contributions to this vital and evolving subgenre of science fiction film.

People dreamed of cosmic exploration—winged spaceships and lunar voyages; space stations and robot astronauts—long before it actually happened. Space and the American Imagination traces the emergence of space travel in the popular mind, its expression in science fiction, and its influence on national space programs. Space exploration dramatically illustrates the power of imagination. Howard E. McCurdy shows how that power inspired people to attempt what they once deemed impossible. In a mere half-century since the launch of the first Earth-orbiting satellite in 1957, humans achieved much of what they had once only read about in the fiction of Jules Verne and H. G. Wells and the nonfiction of Willy Ley. Reaching these goals, however, required broad-based support, and McCurdy examines how advocates employed familiar metaphors to excite interest (promising, for example, that space exploration would recreate the American frontier experience) and prepare the public for daring missions into space. When unexpected realities and harsh obstacles threatened their progress, the space community intensified efforts to make their wildest dreams come true. This lively and important work remains relevant given contemporary questions about future plans at NASA. Fully revised and updated since its original publication in 1997, Space and the American Imagination includes a reworked introduction and conclusion and new chapters on robotics and space commerce.

Filmmakers employ various images to suggest the strangeness of outer space, but protective spacesuits most powerfully communicate its dangers and the frailty of humans beyond the cradle of Earth. (Many films set in space, however, forgo spacesuits altogether, reluctant to hide famous faces behind bulky helmets and ill-fitting jumpsuits.) This critical history comprehensively examines science fiction films that portray space travel realistically (and sometimes not quite so) by having characters wear spacesuits. Beginning [A] with the pioneering Himmelskibet (1918) and Woman on the Moon (1929), it discusses [B] other classics in this tradition, including Destination Moon (1950), Riders to the Stars (1954), and 2001: A Space Odyssey (1968); [C] films that gesture toward realism but betray that goal with melodramatic villains, low comedy, or improbable monsters; [D] the distinctive spacesuit films of Western Europe, Russia and Japan; and [E] America's spectacular real-life spacesuit film, the televised Apollo 11 moon landing (1969).

Bill Warren’s Keep Watching the Skies! was originally published in two volumes, in 1982 and 1986. It was then greatly expanded in what we called the 21st Century Edition, with new entries on several films and revisions and expansions of the commentary on every film. In addition to a detailed plot synopsis, full cast and credit listings, and an overview of the critical reception of each film, Warren delivers richly informative assessments of the films and a wealth of insights and anecdotes about their making. The book contains 273 photographs (many rare, 35 in color), has seven useful appendices, and concludes with an enormous index. This book is also available in hardcover format (ISBN 978-0-7864-4230-0).