In Soviet Archaeology: Trends, Schools, and History, Russian archaeologist Leo S. Klejn looks at the peculiar phenomenon that is Soviet archaeology and how it differs to Western archaeology and the archaeology of pre-revolutionary Russia. Klejn shows that Soviet archaeology was not a monolithic block as Soviet ideologists attempted to represent it, but rather it was divided into competing schools and trends and, even under the veil of Marxist ideology,was often closely related to the movements occurring in western archaeology. As an archaeologist working during the turmoil of the Soviet government's rule over Russia, Klejn's scholarly account is laid out in ajournalistic manner, tracing the history of archaeology in Russian from 1917 to beyond 1991, as well as recounting the lives and fates of leading Soviet archaeologists in vivid descriptions with accompanying photographs.

An encyclopedic and richly detailed history of everyday life in the Soviet Union The Soviet Union is gone, but its ghostly traces remain, not least in the material vestiges left behind in its turbulent wake. What was it really like to live in the USSR? What did it look, feel, smell, and sound like? In The Soviet Century, Karl Schlögel, one of the world’s leading historians of the Soviet Union, presents a spellbinding epic that brings to life the everyday world of a unique lost civilization. A museum of—and travel guide to—the Soviet past, The Soviet Century explores in evocative detail both the largest and smallest aspects of life in the USSR, from the Gulag, the planned economy, the railway system, and the steel city of Magnitogorsk to cookbooks, military medals, prison camp tattoos, and the ubiquitous perfume Red Moscow. The book examines iconic aspects of Soviet life, including long queues outside shops, cramped communal apartments, parades, and the Lenin mausoleum, as well as less famous but important parts of the USSR, including the Great Soviet Encyclopedia, the voice of Radio Moscow, graffiti, and even the typical toilet, which became a pervasive social and cultural topic. Throughout, the book shows how Soviet life simultaneously combined utopian fantasies, humdrum routine, and a pervasive terror symbolized by the Lubyanka, then as now the headquarters of the secret police. Drawing on Schlögel’s decades of travel in the Soviet and post-Soviet world, and featuring more than eighty illustrations, The Soviet Century is vivid, immediate, and grounded in firsthand encounters with the places and objects it describes. The result is an unforgettable account of the Soviet Century.

Both the work and the life of Leo S. Klejn, Russia’s foremost archaeological theorist, remain generally unrecognized by Western scholars. Until now. In this biography and summary of his work, Stephen Leach outlines Klejn’s wide-ranging theoretical contributions on the place and nature of archaeology. The book details-Klejn’s diverse work on ethnogenesis, migration, Homeric studies, pagan Slavic religion, homosexuality, and the history of archaeology;-his life challenges as a Russian Jewish scholar, jailed for homosexuality by the KGB and for his challenges to Marxist dogma;-his key contributions to theoretical archaeology and, in particular, Klejn’s comparisons between archaeologists and forensic scientists.

The "Silver Age" (c. 1890-1917) has been one of the most intensely studied topics in Russian literary studies, and for years scholars have been struggling with its precise definition. Firmly established in the Russian cultural psyche, it continues to influence both literature and mass media. The Archaeology of Anxiety is the first extended analysis of why the Silver Age occupies such prominence in Russian collective consciousness. Galina Rylkova examines the Silver Age as a cultural construct-the byproduct of an anxiety that permeated society in reaction to the social, political, and cultural upheavals brought on by the Bolshevik Revolution, the fall of the Romanovs, the Civil War, and Stalin's Great Terror. Rylkova's astute analysis of writings by Anna Akhmatova, Vladimir Nabokov, Boris Pasternak and Victor Erofeev reveals how the construct of the Silver Age was perpetuated and ingrained. Rylkova explores not only the Silver Age's importance to Russia's cultural identity but also the sustainability of this phenomenon. In so doing, she positions the Silver Age as an essential element to Russian cultural survival.