This award-winning collection of essays about culture and identity was written from the perspective of post-apartheid South Africa. Voted best special issue of 2001 by the Council of Editors of Learned Journal.

Winner of the 2001 CELJ Award for the Best Special Issue This special issue of Poetics Today explores the development of a South African literary identity in the face of its staggering cultural, historical, and linguistic diversity. The collection uses the idea of the "global imaginary" to explore the ways the outside world has constructed ideas about South African literature as well as the way South Africans themselves have fashioned their literary selfhood. Articles address the legacy of colonialism and apartheid and wrestle with the fact that in spite of the fact that there are eleven official languages in South Africa and that many of the cultures have historically relied on an oral tradition, the dominant works continue to be those that are written down, in English. As de Kock writes in his introduction, the collection "raises a multiplicity of questions about the colonization of culture." There has been a "trope of binary pairing," he writes, between white and black, civilized and backward, home and exile, colonizer and colonized, which obscures the richness and complexity of the South African literary tradition. This collection promises to at least begin to correct that oversimplification. Contributors: Louise Bethlehem, Jonathan Crewe, Dirk Klopper, Leon de Kock, Loren Kruger, Sonja Laden, Simon Lewis, Peter Merrington, Patricia Watson Shariff, Pippa Skotnes

Manfred B. Steger’s extensive body of work on globalization has made him one of the most influential scholars working in the field of global studies today. His conceptualization of the global imaginary is amongst the most significant developments in thinking about globalization of the last three decades. Revisiting the Global Imaginary pays tribute to Steger’s contribution to our intellectual history with essays on the evolution, ontological foundations and methodological approaches to the study of the global imaginary. The transdisciplinary framework of this field of enquiry lends itself to investigation in diverse sites. This volume of essays explores practices associated with the reproduction of the global imaginary in such diverse sites as mobile money, Irish pubs, cyber-capitalism, urban space, music in post-apartheid South Africa and global political movements, amongst others.

Introduction -- Reconsidering current theory: Ishtiyaq Shukri's The silent minaret and 'South Africa in the global imaginary' -- Writing South Africa in diaspora: Imraan Coovadia's The wedding and Shamin Sarif's The world unseen [sic: common spelling is Shamim Sarif] -- Performing race, reconsidering history: Achmat Dangor's recent fiction -- Ordinary secrets and the bounds of memory: traversing the TRC in Farida Karodia's Other secrets and Beverley Naidoo's Out of bounds -- Reconsidering late apartheid literature: the short stories of Agnes Sam and Jayapraga Reddy -- Conclusion: reconsidering -- Appendix: brief historical chronology from colonialism onwards.

This book considers the key critical interventions on short story writing in South Africa written in English since the year 2000. The short story genre, whilst often marginalised in national literary canons, has been central to the trajectory of literary history in South Africa. In recent years, the short story has undergone a significant renaissance, with new collections and young writers making a significant impact on the contemporary literary scene, and subgenres such as speculative fiction, erotic fiction, flash fiction and queer fiction expanding rapidly in popularity. This book examines the role of the short story genre in reflecting or championing new developments in South African writing and the ways in which traditional boundaries and definitions of the short story in South Africa have been reimagined in the present. Drawing together a range of critical interventions, including scholarly articles, interviews and personal reflective pieces, the volume traces some of the aesthetic and thematic continuities and discontinuities in the genre and sheds new light on questions of literary form. Finally, the book considers the place of the short story in twenty-first century writing and interrogates the ways in which the short story form may contribute to, or recast ideas of, the post-apartheid or post-transitional. The perfect guide to contemporary short story writing in South Africa, this book will be essential reading for researchers of African literature.

South African Essays on ’Universal’ Shakespeare collects new scholarship and extant (but previously unpublished) material, reflecting the changing nature of Shakespeare studies across various ’generation gaps’. Each essay, in exploring the nuances of Shakespearean production and reception across time and space, is inflected by a South African connection. In some cases, this is simply because of the author’s nationality or institutional affiliation; in others, there is a direct engagement with what Shakespeare means, or has meant, in South Africa. By investigating the universality of Shakespeare from both implicitly and explicitly ’southern’ perspectives, the book presents new possibilities for considering (and reassessing) shifting manifestations of Shakespeare’s work in major Shakespearean ’centres’ such as Britain and the United States, as well as across the global North and South.