Long considered the only book an audio engineer needs on their shelf, Sound System Engineering provides an accurate, complete and concise tool for all those involved in sound system engineering. Fully updated on the design, implementation and testing of sound reinforcement systems this great reference is a necessary addition to any audio engineering library. Packed with revised material, numerous illustrations and useful appendices, this is a concentrated capsule of knowledge and industry standard that runs the complete range of sound system design from the simplest all-analog paging systems to the largest multipurpose digital systems.

Handbook for Sound Engineers is the most comprehensive reference available for audio engineers, and is a must read for all who work in audio. With contributions from many of the top professionals in the field, including Glen Ballou on interpretation systems, intercoms, assistive listening, and fundamentals and units of measurement, David Miles Huber on MIDI, Bill Whitlock on audio transformers and preamplifiers, Steve Dove on consoles, DAWs, and computers, Pat Brown on fundamentals, gain structures, and test and measurement, Ray Rayburn on virtual systems, digital interfacing, and preamplifiers, Ken Pohlmann on compact discs, and Dr. Wolfgang Ahnert on computer-aided sound system design and room-acoustical fundamentals for auditoriums and concert halls, the Handbook for Sound Engineers is a must for serious audio and acoustic engineers. The fifth edition has been updated to reflect changes in the industry, including added emphasis on increasingly prevalent technologies such as software-based recording systems, digital recording using MP3, WAV files, and mobile devices. New chapters, such as Ken Pohlmann’s Subjective Methods for Evaluating Sound Quality, S. Benjamin Kanters’s Hearing Physiology—Disorders—Conservation, Steve Barbar’s Surround Sound for Cinema, Doug Jones’s Worship Styles in the Christian Church, sit aside completely revamped staples like Ron Baker and Jack Wrightson’s Stadiums and Outdoor Venues, Pat Brown’s Sound System Design, Bob Cordell’s Amplifier Design, Hardy Martin’s Voice Evacuation/Mass Notification Systems, and Tom Danley and Doug Jones’s Loudspeakers. This edition has been honed to bring you the most up-to-date information in the many aspects of audio engineering.

Sound System Engineering Third Edition is a complete revision and expansion of the former work. Written by two leading authorities in the field of audio engineering, this highly respected guide covers the fundamentals necessary for the understanding of today's systems as well as for those systems yet to come. The space formerly occupied by outdated photographs of manufacturers' product and of older system installations has now been filled with new measurements and discussions of the measurement process. The "Mathematics for Audio chapter has been expanded to include the mathematics of phasors. The "Interfacing Electrical and Acoustic Systems chapter has a completely new section covering the analysis of alternating current circuits. Additionally, system gain structure is now treated by both the available input power method and the voltage only method, complete with illustrations of each. All chapters dealing with loudspeaker directivity and coverage, the acoustic environment, room acoustics, speech intelligibility, and acoustic gain appear in up to date versions. In addition there is new material on signal delay and synchronization and equalization. There are completely new chapters on microphones, loudspeakers and loudspeaker arrays including line arrays with steering and beam-width control, and signal processing, both analog and digital. The book runs the gamut of sound system design from the simplest all-analog paging system to the largest multipurpose digital systems. In writing this third edition, the authors kept in mind the needs of sound system installers, sound system service technicians, and sound system designers. All three groups will find the material to be useful for everyday work as well as beneficial in the furtherance of their overall audio education.

A comprehensive text useful in the day-to-day work of designing sound systems. It is a practical manual that carefully examines a step-by-step method of accurately predicting such variables as accoustic gain, clarity of sound, and required electrical input power while plans are still on the drawing board. Emphasizing the time-energy frequency analyzer, the authors discuss problems that might occur in a sound system as it evolves through design, installation, equalization, operation, and maintenance. A necessary addition to the library of anyone involved in audio engineering.

Long considered the only book an audio engineer needs on their shelf, Sound System Engineering provides an accurate, complete and concise tool for all those involved in sound system engineering. Fully updated on the design, implementation and testing of sound reinforcement systems this great reference is a necessary addition to any audio engineering library. Packed with revised material, numerous illustrations and useful appendices, this is a concentrated capsule of knowledge and industry standard that runs the complete range of sound system design from the simplest all-analog paging systems to the largest multipurpose digital systems.

Sound System Engineering Third Edition is a complete revision and expansion of the former work. Written by two leading authorities in the field of audio engineering, this highly respected guide covers the fundamentals necessary for the understanding of today's systems as well as for those systems yet to come. The space formerly occupied by outdated photographs of manufacturers' product and of older system installations has now been filled with new measurements and discussions of the measurement process. The "Mathematics for Audio chapter has been expanded to include the mathematics of phasors. The "Interfacing Electrical and Acoustic Systems chapter has a completely new section covering the analysis of alternating current circuits. Additionally, system gain structure is now treated by both the available input power method and the voltage only method, complete with illustrations of each. All chapters dealing with loudspeaker directivity and coverage, the acoustic environment, room acoustics, speech intelligibility, and acoustic gain appear in up to date versions. In addition there is new material on signal delay and synchronization and equalization. There are completely new chapters on microphones, loudspeakers and loudspeaker arrays including line arrays with steering and beam-width control, and signal processing, both analog and digital. The book runs the gamut of sound system design from the simplest all-analog paging system to the largest multipurpose digital systems. In writing this third edition, the authors kept in mind the needs of sound system installers, sound system service technicians, and sound system designers. All three groups will find the material to be useful for everyday work as well as beneficial in the furtherance of their overall audio education.

(Book). This up-to-date book comprehensively covers all aspects of speech and music sound reinforcement. It is roughly divided into four sections: Section 1 provides the tutorial fundamentals that all audio engineers will need, discussing subjects such as fundamentals of acoustics, psychoacoustics, basic electrical theory and digital processing. Section 2 deals with the fundamental classes of hardware that the modern engineer will use, such as loudspeaker systems and components, microphones, mixers, amplifiers and signal processors. Special attention is given to digital techniques for system control and to audio signal analysis. Section 3 deals with the basics of system design, from concept to final realization. It covers topics such as basic system type and speech intelligibility, site survey, user needs analysis and project management. Section 4 discusses individual design areas, such as sports facilities, large-scale tour sound systems, high-level music playback, systems for the theater, religious facilities, and other meeting spaces. The book is written in an accessible style, but does not lack for ample amounts of technical information. It is truly a book for the 21st century! The Senior Director of Product Development and Application for JBL Professional, John Eargle is the author of The Handbook of Recording Engineering, The Microphone Book, Handbook of Sound System Design, Electroacoustical Reference Data, Music, Sound and Technology and The Loudspeaker Handbook . A 2000 Grammy Award-winner for Best Classical Engineering, Mr. Eargle is an honorary member and past national president of the Audio Engineering Society, a faculty-member of the Aspen Audio Recording Institute, and a member of the National Academy of Recording Arts and Sciences and the Academy of Motion Picture Arts and Sciences.