S.O.S. Songs of the Sea is the perfect mix of music, creativity, and fun for music teachers, classroom teachers, child care providers and kids! Students will enjoy learning about the sea and its creatures through the engaging songs and activities. Classroom curriculum, music, crafts, and snacks are integrated, overlapped and joined to immerse students in a joyful, creative learning experience.

Harmony, a white whale, relates how a group of marine animals came together to fight against man's abuse of the ocean.

SYMMYSTS OF SYZYGY & SAVING OUR SPHERECIES FROM MOM [A] MOM TO POP [A] POP TO SAVING OUR STORE by an ‘Apo’kstrophes’ in concert with the Sounds of Silence the SCREAMS OF SCIENCE & SUSTAINS OF SUSTAINABIITY BEHOLD THE HOLDING OF OUR GROUND OF THE HELD GAIA & ATLAS HUGGED SPHERE AND SPECIES HOLDING EACH AS ONE SACRALS OF SENTIENCE

In Lamentations, well-known theologian Harvey Cox draws on a wide array of sources including poetry, novels, films, paintings, and photography to offer a contemporary theological reading of Lamentations which is provocative and sure to stir numerous theological reflections and responses. The biblical book of Song of Songs has historically been seen as a book pointing to Christ's love for the church and has been interpreted in allegorical ways. Author Stephanie Paulsell suggests that the Song can still have profound meaning for us, teaching us "to love not only what we can see shining on the surface but also those depths of the other which are out of our reach."

While rock groups such as the Beach Boys and Jan and Dean defined the beach music of Southern California during the 1960s, a different, R&B influenced sound could be heard along South Carolina's Grand Strand. Drawing on extensive research and exclusive interviews, this richly illustrated reference work covers the music, songwriters and performers who contributed to the genre of classic Carolina beach music from 1940 to 1980. Detailed entries tell the stories behind nearly 500 classic recordings, with release dates, label information, chart performance and biographical background on more than 200 artists.

A fascinating exploration of the social, religious and cultural responses to the sinking of the Titanic.

Film Composers in America is a landmark in the history of film. Here, renowned film scholar Clifford McCarty has attempted to identify every known composer who wrote background musical scores for films in the United States between 1911 and 1970. With information on roughly 20,000 films, the book is an essential tool for serious students of film and a treasure trove for film fans. It spans all types of American films, from features, shorts, cartoons, and documentaries to nontheatrical works, avant-garde films, and even trailers. Meticulously researched over 45 years, the book documents the work of more than 1,500 composers, from Robert Abramson to Josiah Zuro, including the first to score an American film, Walter C. Simon. It includes not only Hollywood professionals but also many composers of concert music--as well as popular music and other genres--whose cinematic work has never before been fully catalogued. The book also features an index that lets readers quickly find the composer for any American film through 1970. To recover this history, much of which was lost or never recorded, McCarty corresponded with or interviewed hundreds of composers, arrangers, orchestrators, musical directors, and music librarians. He also conducted extensive research in the archives of the seven largest film studios--Columbia, MGM, Paramount, RKO, 20th Century-Fox, Universal, and Warner Bros.--and wherever possible, he based his findings on the most reliable evidence, that of the manuscript scores and cue sheets (as opposed to less accurate screen credits). The result is the definitive guide to the composers and musical scores for the first 60 years of American film.