A board book format introduces irrepressible Sophie to a younger audience. On Halloween night, Sophie and Grover trade her wooly mammoth costume for his black widow spider disguise. They are sure Grandma won't know who they are. But when a giant squid opens the door to greet the trick-or-treaters at Grandma's house, it's Grandma who has the last laugh.

A Halloween story for little ones! Charlotte is a young witch. For Halloween, her family insists she must wear her darkest clothes and scariest makeup. After all, a witch must be spooky! But Charlotte doesn't want to follow tradition-she wants to wear something that reflects who she is. She asks her grandmother to sew her a secret costume... But what will it be? An adorable Halloween story about an enthusiastic little witch who follows her heart and inspires others to do the same!

Sophie It's time for me to get over my crush on Austin. We're just study-buddies and maybe friends, and I have to accept that it will never be more. I'm not brave enough to try to find someone on my own. But Halloween is a great time to pretend to be someone else. And that's what I intend to do. Until Austin steps forward and asks me to dance... Austin Sophie's become my addiction. My temptation. I know she deserves better than a guy like me, so I've always kept my distance. But when I see her in that sexy Halloween costume, I can't hold back any longer. I take her home with me. She's convinced that I can't see through her disguise, and when I wake up the next morning alone, with only a single feather from her mask on my pillow, I can't let things go. Sophie's mine. And now it's time to show her...

Discover the page-turning Sophie Sayers cozy mystery series from Debbie Young 'A cracking example of cozy crime!' - Katie Fforde 'A warm page turner that puts the cosy into cosy mystery' - T A Williams This boxset contains the first three books in the Sophie Sayers cozy mystery series Best Murder in Show Murder at the Vicarage Murder in the Manger Best Murder in Show When amateur writer Sophie Sayers inherits a cottage in the sleepy English Cotswold village of Wendlebury Barrow, she's hoping for a fresh start and a chance to finally pursue her dream of becoming a writer... What she gets instead is a dead body found on a carnival float, an extraordinary assortment of suspects, and a murder to solve! But who might be to blame...? Murder at the Vicarage Just when Sophie Sayers is starting to feel at home in the Cotswold village of Wendlebury Barrow, a fierce new vicar arrives, quickly offending her and everyone else in the close community! But when a body turns up buried beneath the vicar’s bonfire Sophie knows this case is much hotter than she thought! Murder in the Manger It’s a time for goodwill to all men, but when Sophie Sayers’ plans for a cozy English country Christmas are interrupted by the arrival of her ex-boyfriend, her troubles are only just beginning. Before long, the whole village stands accused of murder! Damian says he’s come to direct the village Nativity play, but Sophie thinks he’s up to no good. What are those noises coming from his van? Who is the stranger lurking in the shadows? And whose baby, abandoned in the manger, disappears in plain sight?

Annotation After years as a drifting college instructor with no real home--her family and longtime friends scattered--Nancy McCabe yearned to settle down, establish a place she could call home, and rear a child there. A tough academic job market led her to accept a position at a church-connected college in the deep South, a move that felt like an uneasy return to the conservative environment of her childhood that she thought she had left behind. McCabe had many reservations about rearing a child alone in this climate, but the desire to become a mother would not go away. Meeting Sophie tells the story of McCabe adopting a Chinese daughter and the many obstacles she faced during the adoption and adjustment process. Especially poignant is her struggle to bond with a sick, grieving baby while in a foreign country during political unrest. Next she sought to renegotiate a role within her family and fought the difficulties she faced in her job as she learned to be a single mother. A series of crises tested her resolve--her father's sudden death, the subsequent deterioration of her mother's health, and the loss of her job. Before McCabe adopted her daughter, friends had told her that single parenthood would be difficult, but they offered few specifics. To cope with the process, she sought out other books about single parenthood; McCabe found some works that offered much-needed stories about other kinds of alternative families, but few that focused on the process of parenting alone. McCabe tells a story of people and identities and the aspects of human nature that bring us together and push us apart. Her memoir is both funny and touching, sharing experiences that are universal to anyone who has ever nurtured, or tried to nurture, a child.

In this “captivating, heartfelt, and utterly unique tale” (Emily Giffin, author of The Lies That Bind), a brilliant physicist studying the nature of time embarks on an unforgettable and life-changing journey to prove that those we love are always connected to us. Sophie Jones is a physics prodigy on track to unlock the secrets of the universe. When she meets Jake Kristopher during their first week at Yale they instantly feel a deep connection, as if they’ve known each other before. Slowly, their love lures Sophie away from school. When a shocking development forces Sophie into a new reality, she returns to physics to make sense of her world. She grapples with life’s big questions, including how to cope with unexpected change and loss. Inspired by her connection with Jake, Sophie throws herself into her studies, determined to prove that true loves belong together. “Fans of The Time Traveler’s Wife will be blown away by Madeleine Henry’s The Love Proof” (PopSugar), a story of lasting connection, time, and intuition. It explores the course that perfect love can take between imperfect people and urges us to listen to our hearts rather than our heads.