The music of the women's suffrage movement reflects the culture of change that activists inspired and that inspired activism. The songs of the suffragists reveal the persuasive arguments underpinning their efforts to gain the right to vote and linking their cause to the other activist movements of their time. The lyrics of the pre-Nineteenth Amendment songs foreshadow the arguments of later suffragists, who sought to advance the cause of women's equality in their own time. Written to commemorate the centennial of the Nineteenth Amendment's passage, this book features the lyrics of more than twenty songs: from the 1851 song, "The Bloomer's Complaint" to the 2017 song, "Woman," this book explores the cultural context and enduring themes of feminism in American songs.Enjoy this historical tour of feminist songs from 1850 to 2020, a showcase of the enduring suffragist message, and a call to continue the fight for freedom and equality.

Suffrage Songs and Verses, by Charlotte Perkins Gilman, is a collection of 25 poems which advocates the suffragette movement and women’s rights. Published in 1911, the poetry anthology includes both famous and lesser-known works such as ‘Women of To-day’, ‘Boys Will Be Boys’ and ‘The Socialist and the Suffragist’, and is a clear inspiration for modern feminist writers and pro-women’s rights campaigners. Now seen as a classic selection of American female poetry and inspirational literature, this forward-thinking anthology examines the role of women in a pre-WW1 patriarchal society – and was one of many works to inspire the 2015 British historical drama film ‘Suffragette’ which starred Carey Mulligan, Meryl Streep, Helena Bonham Carter and Anne‐Marie Duff. A selection of Perkins’ work featured in this book were originally published in the book ‘In this our World’ in 1898. Charlotte Perkins Gilman’s best known work was her autobiographical-inspired short story ‘The Yellow Wallpaper’, written about her experience of severe postnatal depression, which was made into a 2011 gothic thriller film by Logan Thomas. Charlotte Perkins Gilman, also known as Charlotte Perkins Stetson, was born on 3rd July 1860 in Connecticut, USA. Her early family life was troubled, with her father abandoning his wife and family; a move which strongly influenced her feminist political leanings and advocator of women’s rights. After jobs as a tutor and painter, Perkins – a self-declared humanist and ‘tom boy’ – began to work as a writer of short stories, novels, non-fiction pieces and poetry. Her best-known work is her semi-autobiographical short story, inspired by her post-natal depression, entitled ‘The Yellow Wallpaper’ which was published in 1892 and made into a film in 2011. A member of the American National Women's Hall of Fame, Charlotte Perkins Gilman was a strong believer that "the domestic environment oppressed women through the patriarchal beliefs upheld by society". A believer in euthanasia, she was diagnosed with incurable breast cancer in January 1932 and chose to take her own life in August 1935, writing in her suicide note that she "chose chloroform over cancer".

Explores the music arising out of the American women's suffrage movement though written testimony, musical performances, historical cartoons, photographs, and scholarly commentary.

This collection of essays explores the myriad ways in which the women’s suffrage movement in Britain in the nineteenth century and twentieth century engaged with and was expressed through literature, art and craft, music, drama and cinema. Uniquely, this anthology places developments in the constituent arts side by side, and in dialogue, rather than focusing on a single field in isolation. In so doing, it illustrates how creative endeavours in different artforms converged in support of women’s suffrage. Topics encompassed range from the artistic output of such household names as Sylvia Pankhurst and Ethel Smyth, to the recent feature film Suffragette. It also brings to light under-represented figures and neglected works related to the suffrage movement. A wide variety of material is explored, from poems, diaries and newspapers to posters, dress and artefacts to songs, opera, plays and film. Published in the wake of the centenary of many women receiving the parliamentary vote in the UK, this book will appeal to scholars, undergraduate and graduate students, and members of the public interested in the broad areas of women’s history and the women’s suffrage movement, as well as across the arts disciplines.

March of the Suffragettes tells the forgotten, real-life story of "General" Rosalie Gardiner Jones, who in the waning days of 1912 mustered and marched an all-women army nearly 200 miles to help win support for votes for women. General Jones, along with her good friends and accomplices "Colonel" Ida Craft, "Surgeon General" Lavinia Dock, and "War Correspondent" Jessie Hardy Stubbs, led marchers across New York state for their pilgrims' cause, encountering not just wind, fog, sleet, snow, mud, and ice along their unpaved way, but also hecklers, escaped convicts, scandal-plagued industrialists on the lam, and jealous boyfriends and overprotective mothers hoping to convince the suffragettes to abandon their dangerous project. By night Rosalie's army met and mingled with the rich and famous, attending glamorous balls in beautiful dresses to deliver fiery speeches; by day they fought blisters and bone-chilling cold, debated bitter anti-suffragists, and dodged wayward bullets and pyrotechnics meant to intimidate them. They composed and sang their own marching songs for sisterhood and solidarity on their route, even as differences among them threatened to tear them apart. March of the Suffragettes chronicles the journey of four friends across dangerous terrain in support of a timeless cause, and it offers a hopeful reminder that social change is achieved one difficult, dauntless, daring step at a time.