Susan Hunt offers up a fun way to help kids learn truths about God. Each letter of the alphabet has a corresponding Bible verse, and each verse is accompanied by a story to illustrate the Scripture passage. Ages three to seven.

James Kugel’s essential introduction and companion to the Bible combines modern scholarship with the wisdom of ancient interpreters for the entire Hebrew Bible. As soon as it appeared, How to Read the Bible was recognized as a masterwork, “awesome, thrilling” (The New York Times), “wonderfully interesting, extremely well presented” (The Washington Post), and “a tour de force...a stunning narrative” (Publishers Weekly). Now, this classic remains the clearest, most inviting and readable guide to the Hebrew Bible around—and a profound meditation on the effect that modern biblical scholarship has had on traditional belief. Moving chapter by chapter, Harvard professor James Kugel covers the Bible’s most significant stories—the Creation of the world, Adam and Eve, Cain and Abel, Noah and the flood, Abraham and Sarah, Jacob and his wives, Moses and the exodus, David’s mighty kingdom, plus the writings of Isaiah, Jeremiah, and the other prophets, and on to the Babylonian conquest and the eventual return to Zion. Throughout, Kugel contrasts the way modern scholars understand these events with the way Christians and Jews have traditionally understood them. The latter is not, Kugel shows, a naïve reading; rather, it is the product of a school of sophisticated interpreters who flourished toward the end of the biblical period. These highly ideological readers sought to put their own spin on texts that had been around for centuries, utterly transforming them in the process. Their interpretations became what the Bible meant for centuries and centuries—until modern scholarship came along. The question that this book ultimately asks is: What now? As one reviewer wrote, Kugel’s answer provides “a contemporary model of how to read Sacred Scripture amidst the oppositional pulls of modern scholarship and tradition.”

Suffrage Songs and Verses, by Charlotte Perkins Gilman, is a collection of 25 poems which advocates the suffragette movement and women’s rights. Published in 1911, the poetry anthology includes both famous and lesser-known works such as ‘Women of To-day’, ‘Boys Will Be Boys’ and ‘The Socialist and the Suffragist’, and is a clear inspiration for modern feminist writers and pro-women’s rights campaigners. Now seen as a classic selection of American female poetry and inspirational literature, this forward-thinking anthology examines the role of women in a pre-WW1 patriarchal society – and was one of many works to inspire the 2015 British historical drama film ‘Suffragette’ which starred Carey Mulligan, Meryl Streep, Helena Bonham Carter and Anne‐Marie Duff. A selection of Perkins’ work featured in this book were originally published in the book ‘In this our World’ in 1898. Charlotte Perkins Gilman’s best known work was her autobiographical-inspired short story ‘The Yellow Wallpaper’, written about her experience of severe postnatal depression, which was made into a 2011 gothic thriller film by Logan Thomas. Charlotte Perkins Gilman, also known as Charlotte Perkins Stetson, was born on 3rd July 1860 in Connecticut, USA. Her early family life was troubled, with her father abandoning his wife and family; a move which strongly influenced her feminist political leanings and advocator of women’s rights. After jobs as a tutor and painter, Perkins – a self-declared humanist and ‘tom boy’ – began to work as a writer of short stories, novels, non-fiction pieces and poetry. Her best-known work is her semi-autobiographical short story, inspired by her post-natal depression, entitled ‘The Yellow Wallpaper’ which was published in 1892 and made into a film in 2011. A member of the American National Women's Hall of Fame, Charlotte Perkins Gilman was a strong believer that "the domestic environment oppressed women through the patriarchal beliefs upheld by society". A believer in euthanasia, she was diagnosed with incurable breast cancer in January 1932 and chose to take her own life in August 1935, writing in her suicide note that she "chose chloroform over cancer".

Poetic Song Verse: Blues-Based Popular Music and Poetry invokes and critiques the relationship between blues-based popular music and poetry in the twentieth and twenty-first centuries. The volume is anchored in music from the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains. Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock—biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies—to examine the development of a relatively new literary genre dubbed by the authors as “poetic song verse.” They argue that poetic song verse was nurtured in the fifties and early sixties by the blues and in Beat coffee houses, and matured in the mid-to-late sixties in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, Van Morrison, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry. Among the questions asked in Poetic Song Verse are: What, exactly, is this new genre? What were its origins? And how has it developed? How do we study and assess it? To answer these questions, Mattison and Suarez engage in an extended discussion of the roots of the relationship between blues-based music and poetry and address how it developed into a distinct literary genre. Unlocking the combination of richly textured lyrics wedded to recorded music reveals a dynamism at the core of poetic song verse that can often go unrealized in what often has been considered merely popular entertainment. This volume balances historical details and analysis of particular songs with accessibility to create a lively, intelligent, and cohesive narrative that provides scholars, teachers, students, music influencers, and devoted fans with an overarching perspective on the poetic power and blues roots of this new literary genre.

Over the years, many believers have written songs for us to be able to sing the word of God. Singing the word is one of the best ways to be saturated with its riches, to "let the word of Christ dwell in us richly" (Col. 3:16), and is also a wonderful way to "be filled in spirit" (Eph. 5:18-19). Scripture Songs represents a sampling of some of the 500-600 scripture songs we collected prior to 1993. This edition has been printed in response to the continuing requests for copies of Scripture Songs.

Favorite stories from the Bible are told and sung in this package now tailored for the most modern Wee Sing fans, with a 64-page, full-color book and a one-hour audio CD. Pkg.