An absorbing, page-turning story about fame, changing fortunes and music, set in an alternative Victorian world, from the brilliant creator of Worldshaker. What if they'd invented rock 'n roll way back in the 19th century? What if it could take over the world and change the course of history? In the slums of Brummingham, the outcast gangs are making a new kind of music, with pounding rhythms and wild guitars. Astor Vance has been trained in refined classical music. But when her life plummets from riches to rags, the only way she can survive is to play the music the slum gangs want. Charismatic Verrol, once her servant, is now her partner in crime...and he could be so much more if only he'd come clean about his mysterious past...

The author was a Japanese Christian pacifist, reformer, and labour activist. He grew up in the slums of Kobe, Japan and would later return there to do missionary work. His poems describes aspects of slum society.

Oh, Men, with Sisters dear! Oh, Men, with Mothers and Wives! It is not linen you're wearing out, But human creatures' lives! Stitch - stitch - stitch, In poverty, hunger and dirt, Sewing at once, with a double thread, A Shroud as well as a Shirt. -from "The Song of the Shirt" by Thomas Hood (1843) In April 2013 Rana Plaza, an unremarkable eight-story commercial block in Dhaka, the capital of Bangladesh, collapsed, killing 1,129 people and injuring over 2,000. Most of them were low paid textile workers who had been ordered to return to their cramped workshops the day after ominous cracks were discovered in the building's concrete structure. Rana Plaza's destruction revealed a stark tragedy in the making: of men (in fact mostly women and children) toiling in fragile, flammable buildings who provide the world with limitless cheap garments - through Walmart, Benetton and Gap - and bring in 70% of Bangladesh's foreign exchange. In elegiac prose, Jeremy Seabrook investigates the disproportionate sacrifices demanded by the manufacture of such throwaway items as baseball caps and sweatshirts. He also traces the intertwined histories of workers in what is now Bangladesh, and Lancashire. Two hundred years ago the former were dispossessed of ancient skills and their counterparts in Lancashire forced into labour settlements; in a ghostly replay of traffic in the other direction, the decline of Britain's textile industry coincided with Bangladesh becoming one of the world's major clothing exporters. The two examples offer mirror images of impoverishment and affluence. With capital becoming more protean than ever, it won't be long before global business, in its nomadic cultivation of profit, relocates mass textile manufacture to an even cheaper source of labour than Bangladesh, with all too predictable consequences for those involved.

The World Fantasy Award winner by the author of the Hyperion Cantos and Carrion Comfort: An American finds himself encircled by horrors in Calcutta. Praised by Dean Koontz as “the best novel in the genre I can remember,” Song of Kali follows an American magazine editor who journeys to the brutally bleak, poverty-stricken Indian city in search of a manuscript by a mysterious poet—but instead is drawn into an encounter with the cult of Kali, goddess of death. A chilling voyage into the squalor and violence of the human condition, this novel is considered by many to be the best work by the author of The Terror, who has been showered with accolades, including the Bram Stoker Award, the International Horror Guild Award, and the Hugo Award.

Song & Social Change in Latin America offers seven essays from a diverse group of scholars on the topic of music as a reflection of the many social-political upheavals throughout Latin America from the 20th century to the present. Topics covered include: the Tropic lia movement in Brazil, the Nueva Canci n in Central America, Rock in Mexico, Argentina, Chile and Peru, the Vallenato in Colombia, Trova in Cuba, and urban music of Puerto Rico in the mid-20th century. The collection also includes five interviews from prominent and up-and-coming musicians --Ruben Blades, Roy Brown, Habana Abierta, Ana Tijoux, and Mare-- representing a variety of musical genres and political issues in Central America, the Caribbean, South America, and Mexico.

"Here childhood innocence and dreams meet the reality of day-to-day survival and violence, during Hindu-Muslim riots, forcing choices that should never have to be made. Irani (The Cripple and His Talismans, 2005) is a gifted storyteller, and this book, Dickensian in its plot and its vivid prose, is as beautiful as it is heartbreaking." - Booklist Abandoned as an infant, ten-year-old Chamdi has spent his entire life in a Bombay orphanage. There he has learned to find solace in his everyday surroundings: the smell of the first rains, the vibrant pinks and reds of the bougainvilleas that blossom in the courtyard, the life-size statue of Jesus, the "beautiful giant," to whom he confides his hopes and fears in the prayer room. Though he rarely ventures outside the orphanage, he entertains an idyllic fantasy of what the city is like – a paradise he calls Kahunsha, "the city of no sadness," where children play cricket in the streets and where people will become one with all the colours known to man. Chamdi’s quiet life takes a sudden turn, however, when he learns that the orphanage will be shut down by land developers. He decides that he must run away in search of his long-lost father, taking nothing with him but the blood-stained white cloth he was left in as a baby. Outside the walls of the orphanage, Chamdi quickly discovers that Bombay is nothing like Kahunsha. The streets are filthy and devoid of colour, and no one shows him an ounce of kindness. Just as he’s about to faint from hunger, two seasoned street children offer help: the lovely, sarcastic Guddi and her brother, the charming, scarred, and crippled Sumdi. After their father was crushed by a car before their eyes, the children were left to care for their insane mother and their infant brother. They soon initiate Chamdi into the brutal life of the city’s homeless, begging all day and handing over most of his earnings to Anand Bhai, a vicious underworld don who will happily mutilate or kill whoever dares to defy him. Determined to escape the desperation, filth, and violence of their lives, Guddi and Sumdi recruit Chamdi into their plot to steal from a temple. But when the robbery goes terribly awry, Chamdi finds himself in an even worse situation. The city has erupted in Hindu-Muslim violence and, held in Anand Bhai’s fierce grip, Chamdi is presented with a choice that threatens to rob him of his innocence forever. Moving, poignant, and wonderfully rich in the sights and sounds of Bombay, this novel is the story of Chamdi's struggle for survival on the city's dangerous streets.