Seventeen-year-old Charlotte Barclay has to face her fears in order to save her mom from the fairies that kidnapped her.

The best short fiction of legendary author Glen Cook (The Black Company, the Dread Empire) is collected into a new volume. For over forty years, Glen Cook has been among the most well-known, influential, and widely respected authors in science fiction and fantasy. Through classic series such as The Black Company, Garrett P.I., the Dread Empire, Starfishers, Darkwar, and more, his gritty, down-to-earth style left an indelible impression on his readers around the world, forever shifting the genre landscape and carving out his place as a pioneering icon. The Best of Glen Cook collects eighteen of his greatest stories—as chosen and introduced by the author himself—including a new, never-before-published Black Company novelette. With works set in all of his most famous series, these tales of science fiction and fantasy offer both the perfect way for longtime fans to trace Cook’s history and for new readers to become familiar with one of the finest genre authors of the twentieth century.

An enchanted island. An evil resurrected. A society determined to gain power. When a violent attack leaves their father in the hospital, Abigail and Benjamin Cole discover there's more to their family history than mental illness. But after fifteen-year-old Abi is abducted, she learns the attack wasn't random. Thrust into an exotic and beautiful world part of a multi-millennial feud, she must decide who to trust in a society built on secrets. Questioning everything she's ever known, she enlists the help of a boy connected to her in impossible ways and uncovers a dangerous secret stretching generations. Seventeen-year-old Ben desperately searches for both his sister and his mother, but his hold on reality is fading. Something dark has latched onto him. In a race against his own failing mind, where violent hallucinations and paranoia force him to believe he's next in line for the family curse, he learns he's the only one that can save his family. When darkness is coming, who do you trust? Magic. Deceit. War. Perfect for fans of Libba Bray, Cassandra Clare, and Leigh Bardugo.

Here we are in Paris, where we will visit the exhibition. On the square next to our hotel, we are planting a tree that will shelter a dryad. This dryad, when its tree lived in the forest, could only think of Paris, the city that lit up the clouds at night. With the arrival of the chestnut tree in Paris, its greatest dream came true. But will this dream lead to its downfall? Hans Christian Andersen (1805-1875) was a Danish author, poet and artist. Celebrated for children’s literature, his most cherished fairy tales include "The Emperor's New Clothes", "The Little Mermaid", "The Nightingale", "The Steadfast Tin Soldier", "The Snow Queen", "The Ugly Duckling" and "The Little Match Girl". His books have been translated into every living language, and today there is no child or adult that has not met Andersen's whimsical characters. His fairy tales have been adapted to stage and screen countless times, most notably by Disney with the animated films "The Little Mermaid" in 1989 and "Frozen", which is loosely based on "The Snow Queen", in 2013. Thanks to Andersen's contribution to children's literature, his birth date, April 2, is celebrated as International Children's Book Day.

Old songs can bring new life. A beleaguered dryad in search of safe harbor in a land ravaged by an invasive fungus finds herself at odds with a young dryad who wields the blasphemous magic of men. The two of them must find a way to work together before a vicious sorcerer hunts them down and puts an end to them both.

Over the course of six critically acclaimed books—including a compelling meditation on Moby-Dick—Dan Beachy-Quick has established himself as “one of America’s most significant young poets” (Lyn Hejinian). In Wonderful Investigations, Beachy-Quick broaches “a hazy line, a faulty boundary” between our daily world and one rich with wonder; a magical world in which, through his work as a writer, Beachy-Quick participates with a singular combination of critical intelligence and lyricism. Touching on the works of Emerson, Thoreau, Proust, and Plato, among others, Beachy-Quick outlines the problem of duality in modern thought—the separation of the mind and body, word and referent, intelligence and mystery, human and natural—and makes the case for a fuller kind of nature poetry, one that strives to overcome this false separation, and to celebrate the notion that “wonder is the fact that the world has never ceased to be real.”

Imagination has long been regarded as central to C. S. Lewis's life and to his creative and critical works, but this is the first study to provide a thorough analysis of his theory of imagination, including the different ways he used the word and how those uses relate to each other. Peter Schakel begins by concentrating on the way reading or engaging with the other arts is an imaginative activity. He focuses on three books in which imagination is the central theme--Surprised by Joy, An Experiment in Criticism, and The Discarded Image--and shows the important role of imagination in Lewis's theory of education. He then examines imagination and reading in Lewis's fiction, concentrating specifically on the Chronicles of Narnia, the most imaginative of his works. He looks at how the imaginative experience of reading the Chronicles is affected by the physical texture of the books, the illustrations, revisions of the texts, the order in which the books are read, and their narrative "voice," the "storyteller" who becomes almost a character in the stories. Imagination and the Arts in C. S. Lewis also explores Lewis's ideas about imagination in the nonliterary arts. Although Lewis regarded engagement with the arts as essential to a well- rounded and satisfying life, critics of his work and even biographers have given little attention to this aspect of his life. Schakel reviews the place of music, dance, art, and architecture in Lewis's life, the ways in which he uses them as content in his poems and stories, and how he develops some of the deepest, most significant themes of his stories through them. Schakel concludes by analyzing the uses and abuses of imagination. He looks first at "moral imagination." Although Lewis did not use this term, Schakel shows how Lewis developed the concept in That Hideous Strength and The Abolition of Man long before it became popularized in the 1980s and 1990s. While readers often concentrate on the Christian dimension of Lewis's works, equally or more important to him was their moral dimension. Imagination and the Arts in C. S. Lewis will appeal to students and teachers of both children's literature and twentieth-century British writers. It will also be of value to readers who wish to compare Lewis's creations with more recent imaginative works such as the Harry Potter series.