Poetry. Women's Studies. Young Adult. Somewhere between the stem and the fruit is that paradoxical nexus, the point that is both connection and separation, from where you came, to what you are becoming, the scene of the severing, the letting go, the stepping away, the necessary violence and the radical isolation required to be oneself, wholly. And, perhaps, holy. "The poems are written / before they occur to me," Gwen Frost declares at the conclusion of her shattering first collection. "Something about a scar, something about a hymn." She says that poetry saved her life, making this volume a document of that on-going process of healing, and a gift and a hope for others on the same journey. Foremost, it is a document of a contemporary young woman negotiating her way through a perilous world. "Turns out, there are a million different ways to kill a girl," she observes in "Watch," a poem that references Hitchcock's advice to "torture the women" in order to make a popular film, and by extension the misogynistic voyeurism that fetishizes violence against women. This book documents more than a few of those ways, and nowhere more chillingly than in the poem "sticking heads in the sand," in which the query "How was your summer?" follows up almost casually with another question, "What was your rapist's name?" In the inventory of anticipated experience for a young woman, "summer love and sexual assault / adventures and attacks" go hand in hand, "heads pushed into sand" both an act of violence and an act of willful forgetting. Gwen Frost won't forget, and won't let us forget. She is fiercely self-examining and self-revealing, admitting her chief fear is "what I am capable of, I am afraid / that I could kill a man, / and I am afraid / that I might like it." In lieu of this (perhaps understandable) act of violence, she exorcises and expiates through her verse. In the process, she might save us along with herself. She concludes that she "will write one, unshareable poem, / and I will let it die with me, simple and / forever, folded neatly in my throat." This is her one prediction that we must hope is untrue, for we need her to write many, many more poems, and to share them for many years to come.

"This is a must-have book for mushroom hunters in the Pacific Northwest."― North American Mycological Association Key characteristics for each species to aid in identification Full-color photographs depicting each featured species Includes recipes for simple backcountry fare to elaborate dishes With details for harvesting everything from the ever-popular golden chanterelles to the red-cracked bolete, Fruits of the Forest will appeal to both the novice and the avid mushroom hunter. Lifelong mushroom educator and expert Daniel Winkler presents 170+ edible wild mushrooms that flourish across our region, from Northern California to British Columbia. Comprehensive yet accessible and full of personality, this full-color field guide features habitat and seasonality, how to store and prep different varieties, tips for differentiating look-alike species, and much more. Not only does Winkler have vast experience finding, identifying, and collecting mushrooms, he has also spent decades preparing various species in all sorts of meals. He presents a few dozen recipes, ranging from Chanterelles in Cream Sauce to Bold Bolete Quiche, Breaded Saffron Milkcaps to Candy Cap Butter Cookies. Winkler shares notes on mushroom culture around the world, tips on foraging, ideas for preserving mushrooms, and suggestions for medicinal teas and extracts. With Fruits of the Forest in hand, a delicious world of fungi tastes awaits!

"If you are reading this, say aloud / what you most fear," Gwen Frost instructs in the opening poem from her second collection; a bit later she begins the middle section with the admonition "If you are reading this / you are not ready. / You are too early- / it has already passed." Through the progression of her poetry she deliberately challenges and unsettles her readers, preparing them for the question posed at the start of her final section, "Do you become the stories / you are told about yourself?" In response, she suggests that "The paradox of happiness / is that you are the story / and the writer. / Self-imposed exile / is leaving / and telling yourself, / you had to." Frost accepts such exile as the cost of embracing her otherness, from which perspective she observes our fractured world and forces us to do so with her: "are we not all a culture that teaches us to abuse power?" These are jarringly honest and vulnerable poems, perhaps best presented by "There Is No Poem about Bulimia" because "there is nothing poetic / about bulimia, because I thought poems should be beautiful or / relatable or vomit-free, I can't commit to a rhyme scheme about / bulimia, I thought, 'there should be no poem about bulimia'.... Forgiveness / would be too close to / Understanding / would be too close to / Love would be / Poetic / if I could / write / a poem / about / Bulimia." "There is one chance to say everything I have ever wanted to," she writes, "and I need to finish the book." Frost has finished this book, but readers must hope that a poetic voice as powerful and original as hers will return with far more to say"--

First published in 1997, this volume contributes to the knowledge for the trade of vegetables, fruits and tubers (so-called horticultural commodities). As African policy makers try to keep pace with new developments in private food trade, they require knowledge of the structures of private trade systems and the factors that govern their long-term development. The study analyses the structure and development of horticultural marketing channels in Kenya. It is based primarily on surveys of some 500 farmers in four districts and 750 horticultural traders in 18 market places. Commercial horticultural farmers, domestic traders, export traders, agents, facilitators, marketing cooperatives and processors are all reviewed. The study devotes special attention to the efficiency of collecting wholesalers, and to the development of rural assembly markets. It develops a model which can elucidate vertical differentiation processes in the Kenyan horticultural channels. The analyses show that marketing channel theory can be of great relevance to the developing world. The proposed vertical differentiation model can aid in predicting future changes in horticultural marketing systems, in Kenya as well as in other African countries.

The AAAS Selected Symposia Series was begun in 1977 to provide a means of more permanently recording and more widely disseminating some of the valuable material which is discussed at the AAAS Annual National Meetings. The volumes in the Series are based on symposia held at theMeetings which address topics of current and continuing significance, both within and among the sciences, and in the areas in which science and technology have an impact on public policy. The Series format is designed to provide for rapid dissemination of information, so the papers are reproduced directly from camera-ready copy. The papers are organized and edited by the symposium arrangers who then become the editors of the various volumes. Most papers published in the Series are original contributions which have not been previously published, although in some cases additional papers from other sources have been added by an editor to provide a more comprehensive view of a particular topic. Symposia may be reports of new research or reviews of established work, particularly work of an interdisciplinary nature, since the AAAS Annual Meetings typically embrace the full range of the sciences and their societal implications.

A comprehensive reference guide to Pinot Noir wine in North America, including historical and viticultural background and profiles of six dozen prominent pinot producers in California, Oregon, British Columbia, New York, and elsewhere.