Pulitzer Prize-winning Larry McMurtry writes like no one else about the American frontier. In Somebody's Darling, the frontier lies farther west, in Hollywood, where his subject is the strange world of the movies -- those who make them and those who play in them. Somebody's Darling is the story of the fortunes of Jill Peel. Jill is brilliant, talented, and disciplined, and one of the best female directors in Tinseltown, or anywhere else. She's got it all together, except where the men in her life are concerned: Joe Percy and Owen Oarson. Joe is a womanizing, aging screenwriter, cheerfully cynical about life, love, and art and the pursuit of all three. But he'd rather be left alone with the young, oversexed wives of studio moguls. Owen is an ex-Texas football player and tractor salesman turned studio climber and sexual athlete. He'll climb from bed to bed in pursuit of his starry goal: to be a movie producer. Between the two of them and a cast of Hollywood's most unforgettable eccentrics, Jill Peel tries to create some movie magic. Full of all the grit and warmth of his best work, Somebody's Darling is Larry McMurtry's deft and raunchy romp behind the scenes of America's own unique Babel: Hollywood.

The personal and professional struggles of McMurtry’s lively protagonist Jill Peel, a director in 1970s Hollywood, takes on new resonance in the twenty-first century. Forty years ago, Larry McMurtry journeyed from the sprawling ranches of his early work to the provocative Sunset Strip, creating a Hollywood fable that is both immediate and relevant in today’s dynamic cultural climate. One would never guess that Jill Peel is still on the verge of stardom. Jill won an Oscar shortly after her fresh-faced arrival in 1950s Hollywood, then for the next twenty years batted away every Tinseltown producer who tried to hire her and get her into bed. Now middle-aged, she’s determined to create more movie magic by directing a cast of raunchy eccentrics, including Joe Percy, an aging womanizing screenwriter, and ex-football player Owen Oarson, eager to sleep his way to leading-man stardom. Teeming with biting humor and intriguing characters that mirror the scandals of modern-day Hollywood, Somebody’s Darling is a timeless story about a fiercely capable woman who dares to challenge the realities of a deceptively seductive Babel.

He finally found the love of his life… 150 years after his death. Confederate soldier Jesse Spenser died in the battle of Gettysburg in 1863, and his restless spirit has remained earthbound ever since. Usually invisible, he spends his days watching tourists visit the battlefields and fighting with his ghostly arch-nemesis, a Union soldier named Joel. There is one source of light and happiness in Jesse’s lonely existence. Lucy Westbrook. Lucy works as a waitress in a tavern in Gettysburg. Gentle and kind, she’s a vision of loveliness. Unseen, Jesse watches her work, falling more in love with each passing day. Jesse aches to make his presence known to Lucy, but she’s terrified of the ghosts that are said to haunt Gettysburg. Gathering his nerve, he finally appears to Lucy and befriends her, letting her believe he’s a Civil War reenactor. Lucy grows rather fond of Jesse, looking forward to his daily visits. Until the day she tries to touch him…

In his latest book, Kent Gramm examines the meaning of the Civil War experience in our lives and explores philosophical and personal aspects of the War that lie outside the scope of traditional historical study. He probes the meaning of Gettysburg, the Wilderness, and Antietam; the lives of U. S. Grant, Robert E. Lee, O. O. Howard, and Chief Joseph of the Nez Perce; and the legacy of the unknown participant, "somebody's darling," for whom the war would come to encompass all things. The Iron Brigade appears, along with its 20th-century successor, the 32nd "Red Arrow" Division. Readers of Gramm's previous books will not be surprised to find essays that touch on Walt Whitman, John Keats, Henrik Ibsen, and Halldor Laxness, as well as such literary and religious works as the Iliad and the Bhagavad Gita. Gramm also treats more popular fare, such as the movie Gettysburg and a series of books on the ghosts of Gettysburg. In each of his subjects, Gramm finds the deep, personal significance of the profoundly universal experience of the war, as he ponders the special meaning of the Civil War in the lives of many Americans.