Originally published in 1938, this book covers various aspects of the Dissenter movement between 1763 and 1800.

More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.

This study of the British Unitarians is the story of this group's thirty-year war against the master sin of the world--American slavery. Focusing on the group known as the Garrisonians, the author examines their racial views, their attitudes toward the Civil War, their relations with the American antislavery movement, and the difficult problem of the relation between religious commitment and social activism.

This engagingly written new work highlights Britain's long-underestimated and pivotal role in disseminating the ideas and culture of the Enlightenment. Moving beyond the numerous histories centered on France and Germany, the acclaimed social historian Roy Porter explains how monumental changes in thinking in Britain influenced worldwide developments. Here is a "splendidly imaginative" work that "propels the debate forward ... and makes a valuable point" (New York Times Book Review).

Mary Wollstonecraft's Social and Aesthetic Philosophy examines attempts to revise representations of women to give them a more active role in public life. Combining history of ideas with close textual reading to position her in relation to other eighteenth century writers this book demonstrates how she is directly engaged in re-thinking key concepts in moral aesthetic and social philosophy, particularly where women are concerned. Bahar insists that Wollstonecraft's political claims cannot be separated from her desire to develop more convincing aesthetic representations of women.