"A monograph of the work of Los Angeles-based artist Judy Fiskin. Includes duotone reproductions of 288 photographs made by Fiskin from 1973 to 1995, as well as an introduction, an interview with the artist, a chronology, and a bibliography"--Provided by publisher.

Featuring works by artists including Cory Arcangel, Sophie Calle, Marcel Duchamp, Judy Fiskin, and Jeff Koons the book marks the centenary of an iconic masterpiece. One hundred years ago, Dada artist Marcel Duchamp forever changed the nature of art by anonymously submitting Fountain in 1917, a porcelain urinal signed "R. Mutt" as an art work to the exhibition of the Society of Independent Artists, New York. The show organizers' rejection of Fountain ignited a controversy that persists to today about the definition of art and who gets to pass judgement. NSU Art Museum marks this centenary by organizing S ome Aesthetic Decisions , a show of artworks by Cory Arcangel, John Baldessari, Bernd and Hilla Becher, Sophie Calle, Duchamp, Judy Fiskin, Claire Fontaine, Mike Kelley, Jeff Koons, Joseph Kosuth, Jorge Pardo, Andy Warhol et al, examining issues of beauty, value and judgement. The title of the book, and of the exhibition, is derived from Judy Fiskin's photography series Some Aesthetic Decisions (1973 to 1995).

Some Aesthetic Decisions is an exhibition featuring works by artists that explore issues of beauty, value, and judgment. One hundred years ago, Dada artist Marcel Duchamp forever changed the nature of art by anonymously submitting Fountain in 1917, a porcelain urinal signed 'R. Mutt'as an artwork to the exhibition of the Society of Independent Artists in New York. The show organizers' rejection of Fountain ignited a controversy that persists today about the definition of art and who gets to pass judgment. The NSU Art Museum in Fort Lauderdale, Florida marks this centenary by organizing 'Some Aesthetic Decisions', a show of artworks by Cory Arcangel, John Baldessari, Bernd and Hilla Becher, Sophie Calle, Duchamp, Judy Fiskin, Claire Fontaine, Mike Kelley, Jeff Koons, Joseph Kosuth, Jorge Pardo, Andy Warhol, and others.

Once you have learnt the fundamentals of typography, there is still a wealth of knowledge to grasp to really become a master in the art and craft of working with type. In Advanced Typography, expert practitioner and instructor Richard Hunt goes beyond the basics to take your understanding and usage to the next level. Taking a practical approach, the book combines visual, linguistic, historical and psychological systems with the broad range of applications and audiences of type today. From the challenges of designing across media and cultures, to type as information and craft, Hunt marries theoretical context with applied examples so you feel confident in improving your skills as an advanced typographer.

Decision Making in Aesthetic Practice The Right Procedures for the Right Patients Edited by Vincent Wong, BSc, MBChB, Vindoc Aesthetics, London, UK Healthcare professionals in Aesthetic Practice are often faced with a presenting complaint that may seem straightforward to treat but lends itself to more than one treatment option. To achieve and deliver the best natural-looking results, certain basic points about the face must be respected; there must be a good understanding of the specific root cause of each patient's complaint; and that knowledge must be communicated effectively with the patient. The aim of this book is to help guide a healthcare professional in selecting the best and most appropriate options for any patient. Contents: The Cosmetic Consultation * The Skin * The Forehead * The Periorbital Region * The Nose * The Cheeks* The Perioral Region * The Chin * The Jawline and Neck* The Scalp * Balancing Non-Surgical and Surgical Clinical Approaches

Decision Making in Aesthetic PracticeThe Right Procedures for the Right Patients Edited by Vincent Wong, BSc, MBChB, Vindoc Aesthetics, London, UK Healthcare professionals in Aesthetic Practice are often faced with a presenting complaint that may seem straightforward to treat but lends itself to more than one treatment option. To achieve and deliver the best natural-looking results, certain basic points about the face must be respected; there must be a good understanding of the specific root cause of each patient’s complaint; and that knowledge must be communicated effectively with the patient. The aim of this book is to help guide a healthcare professional in selecting the best and most appropriate options for any patient. Contents: The Cosmetic Consultation * The Skin * The Forehead * The Periorbital Region * The Nose * The Cheeks* The Perioral Region * The Chin * The Jawline and Neck* The Scalp * Balancing Non-Surgical and Surgical Clinical Approaches

In the mid-1960s, Steve Reich radically renewed the musical landscape with a back-to-basics sound that came to be called Minimalism. These early works, characterized by a relentless pulse and static harmony, focused single-mindedly on the process of gradual rhythmic change. Throughout his career, Reich has continued to reinvigorate the music world, drawing from a wide array of classical, popular, sacred, and non-western idioms. His works reflect the steady evolution of an original musical mind. Writings on Music documents the creative journey of this thoughtful, groundbreaking composer. These 64 short pieces include Reich's 1968 essay "Music as a Gradual Process," widely considered one of the most influential pieces of music theory in the second half of the 20th century. Subsequent essays, articles, and interviews treat Reich's early work with tape and phase shifting, showing its development into more recent work with speech melody and instrumental music. Other essays recount his exposure to non-western music -- African drumming, Balinese gamelan, Hebrew cantillation -- and the influence of these musics as structures and not as sounds. The writings include Reich's reactions to and appreciations of the works of his contemporaries (John Cage, Luciano Berio, Morton Feldman, Gyorgy Ligeti) and older influences (Kurt Weill, Schoenberg). Each major work of the composer's career is also explored through notes written for performances and recordings. Paul Hillier, himself a respected figure in the early music and new music worlds, has revisited these texts, working with the author to clarify their central narrative: the aesthetic and intellectual development of an influential composer. For long-time listeners and young musicians recently introduced to his work, this book provides an opportunity to get to know Reich's music in greater depth and perspective.