An oral history biography of the legendary Latin American writer and Nobel laureate Gabriel García Márquez, brimming with atmosphere and insight. Irrevent and hopeful, Solitude & Company recounts the life of a boy from the provinces who decided to become a writer. This is the story of how he did it, how little Gabito became Gabriel García Márquez, and of how Gabriel García Márquez survived his own self-creation. The book is divided into two parts. In the first, BC, before Cien años de soledad (One Hundred Years of Solitude), his siblings speak and those who were friends before García Márquez became the universally loved Latin American icon. Those who knew him when he still didn't have a proper English tailor nor an English biographer, and didn't accompany presidents. It gathers together the voices around the boy from the provinces, the sisters and brothers, the childhood friends, the drinking buddies and penniless fellow students. The second part, AC, describes the man behind the legend that García Márquez became. From Aracataca, to Baranquila, to Bogota, to Paris, to Mexico City, the solitude that García Márquez needed to produce his masterpiece turns out to have been something of a raucous party whenever he wasn't actually writing. Here are the writers Tomás Eloy Martínez, Edmundo Paz Soldán and William and Rose Styron; legendary Spanish agent Carmen Balcells; the translator of A Hundred Years of SolitudeGregory Rabassa; Gabo's brothers Luis Enrique, Jaime, Eligio and Gustavo, and his sisters Aida and Margot; María Luisa Elío, to whom A Hundred Years of Solitude is dedicated; and so much more: a great deal of music, especially the vallenato; the hilarious scenes of several hundred Colombians, García Márquez's chosen delegation, flying to Stockholm for the Nobel Prize celebrations; the time Mario Vargas Llosa punched Gabriel García Márquez in the face; and much, much more. In Living to Tell the Tale, the first volume of García Márquez's autobiography, Gabo writes: "I am consoled, however, that at times oral history might be better than written, and without knowing it we may be inventing a new genre needed by literature: fiction about fiction." Solitude & Company joins other great oral histories, like Jean Stein and George Plimpton's Edie: American Girl, their oral history biography of Edie Sedgwick, or Barry Gifford's oral history of Jack Kerouac, Jack's Book--an intimate portrait of the most human side of Gabriel García Márquez told in the words of those who knew him best throughout his life.

DIning Alone: In the Company of Solitude is a fine art photography book that highlights the experience of being alone in public. Scherl uses peopled restaurant interiors as a metaphor to explore the complexities of the subject of solitude. The subtle nuances of her lone diners visually define their experience. This long-term project spanning three decades, culminated during the Covid-19 pandemic. --Nancy Scherl

Social isolation and loneliness are increasingly being recognised as a priority public health problem and policy issue worldwide, with the effect on mortality comparable to risk-factors such as smoking, obesity, and physical inactivity. From the Abyss of Loneliness to the Bliss of Solitude sheds much-needed light on a multifaceted global phenomenon of loneliness, and investigates it, together with its counterpart solitude, from an exciting breadth of perspectives: detailed studies of psychoanalytic approaches to loneliness, developmental psychology, philosophy, culture, arts, music, literature, and neuroscience. The subjects covered also range widely, including the history and origins of loneliness, its effects on children, the creative process, health, lone wolf terrorism, and shame. This is a timely and important contribution to a growing problem - greatly exacerbated by the Covid-19 pandemic - that has serious effects on both life quality and expectancy. The book features contributions from a diverse host of leading international experts: Dominic Angeloch, Patrizia Arfelli, Charles Ashbach, Manfred E. Beutel, Elmar Brahler, Jagna Brudzinska, Michael B. Buchholz, Lesley Caldwell, Karin Dannecker, Aleksandar Dimitrejevic, Mareike Ernst, Jay Frankel, Gail A. Hornstein, Colum Kenny, Eva M. Klein, Helga de la Motte-Haber, Gamze Ozcurumez Bilgili, Inge Seiffge-Krenke, and Peter Shabad. The contributors address the developmental and communicative causes of loneliness, its neurophysiological correlates and artistic representations, and how loneliness differs to solitude, which some consider necessary for creativity. They also provide insights into how we can help those suffering from loneliness, as classical psychoanalytic papers are revisited, contemporary therapeutic perspectives presented, and detailed case presentations offered. From the Abyss of Loneliness to the Bliss of Solitude is essential reading for mental health professionals and those searching for a better understanding of what it means to be lonely and how the lonely can better voice their loneliness and step out of it.