Socialism names a form of collective life that has never been fully realized; consequently, it is best understood as a goal to be imagined. So this study argues, and thereby uncovers an aesthetic impulse that animates some of the most consequential socialist writing, thought, and practice of the long nineteenth century. Imagining Socialism explores this tradition of radical activism, investigating the diverse ways that British socialists--from Robert Owen to the mid-century Christian Socialists to William Morris--marshalled the resources of the aesthetic in their efforts to surmount politics and develop non-governmental forms of collective life. Their ambitious attempts at social regeneration led some socialists to explore the liberatory possibilities afforded by cooperative labor, women's emancipation, political violence, and the power of the arts themselves. Imagining Socialism demonstrates that, far from being confined to the socialist revival of the fin de siècle, important socialist experiments with the emancipatory potential of the aesthetic in Britain may be found throughout the period it calls the socialist century--and may still inspire us today.

Available in paperback for the first time, Gareth Griffith's book provides a comprehensive critical account of the political ideas of one of the most influential commentators of the twentieth century. With close reference to a range of Shaw's texts, from the Fabian tracts to the plays, Gareth Griffith draws out the central theoretical messages of Shaw's engagement with politics. The first part of the book provides an intellectual biography, while at the same time analysing Shaw's key concerns in relation to his Fabianism, arguments for equality of income and ideas on democracy and education. Part Two looks at those areas which Shaw approached as long-standing historical problems or dramas requiring immediate thought or action; sexual equality, the Irish question, war, fascism and sovietism. The book is directed to the general reader as well as to specialists. It will be central reading for anyone seeking to understand Shaw's life, and literary and political writings, or the development of political thinking in this century, or the problems and potential inherent in socialism.

This volume shows how modern political theory can be enriched through an engagement with works of literature. It uses the resources of literature to explore issues such as nationalism, liberal philosophy, utopiansim, narrative and the role of theory in political thought. A variety of approaches are adopted and the aim is to show some of the many and diverse ways in which literature may enrich political theorising, as well as considering some of the problems to which this may give rise. The theorists discussed include Richard Rorty, Alasdair MacIntyre, Charles Taylor, and Martha Nussbaum. There are literary references from Greek tradegy, Jonathan Swift, Brian Moore, Elizabeth Bowen and contemporary feminist utopian fiction. All the contributors have a long-standing interest in the relations between literature and moral and political thought. They are concerned not to be restricted by conventional academic boundaries and are not united by any party-line or uniformity of intellectual commitments. This volume will be of great interest to all students engaged in the study of politics and literature.

"In his hard-hitting and controversial book, George Watson examines the foundation texts of socialism to find out what they really say; the result is blasphemy against socialism's canon of saints. Marx and Engels publicly advocated genocide in 1849; Ruskin called himself a violent Tory and a King's man; and Shaw held the working classes in utter contempt. Drawing on an impressive range of sources from Robert Owen to Ken Livingstone, the author demonstrates that socialism was a conservative, nostalgic reaction to the radicalism of capitalism, and not always supposed to be advantageous to the poor. There have even been socialist monarchs - Napoleon III was one. Two chapters of the book study Hitler's claim that 'the whole of National Socialism' was based on Marx, and bring to light the common theoretical basis of the beliefs of Stalin and Hitler which led to death camps. As a literary critic, George Watson's concern is to pay proper respect to the works of the founding fathers of socialism, to attend to what they say and not what their modern disciples wish they had said. The dust grows thick on many of these tomes, while present-day socialists follow a few ossified slogans plucked selectively from the best-known books. Socialist ideas are now rescued from priggish and woolly-thinking moralists so that genuine debate can be revived. This invigorating book forces the reader to abandon long-standing assumptions in political thought. It is certain to ruffle feathers, blue as well as red."

“Very few men,” said Bakunin, “have read as much, and, it may be added, have read as intelligently, as M. Marx.” S. S. Prawer’s highly influential work explores how the world of imaginative literature—poems, novels, plays—infused and shaped Marx’s writings, from his unpublished correspondence, to his pamphlets and major works. In exploring Marx’s use of literary texts, from Aeschylus to Balzac, and the central role of art and literature in the development of his critical vision, Karl Marx and World Literature is a forensic masterpiece of critical analysis.

An outspoken perspective on modern political systems, this book revitalizes socialist thought and rethinks the socialist practice toward a realistic utopia.